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Some of the finest art about love has played games with time and the agony of waiting.
The best biopics are selective in their portrayals.
Anonymity gives actors a special kind of freedom.
What happens when the word-of-mouth hype gets out of control
Jack Arnold's adaptation of It Came From Outer Space is a classic.
Vague prophecies of doom dampen R-Patz’s stellar turn.
Corden honoured for his role in One Man, Two Guvnors.
The singer has never had the film roles she deserves.
Stillness teaches you far more about life than action, writes Ryan Gilbey.
Wes Anderson is out in the open and back on form, writes Ryan Gilbey.
This time as dictator General Aladeen of Wadiya.
A retelling of a parable of ambition feels disturbingly fresh, writes Ryan Gilbey.
More nuttiness and less bluster, pleads Ryan Gilbey.
Cinema's great enigma.
Watch the latest trailer for the final Batman film.
The Bread and Roses film festival kicks off today.
Director Whit Stillman reflects on his career.
The triumph of the squares in this idiosyncratic tale delights Ryan Gilbey.
The most disturbing study of repression you'll see all year.
Luxury cinema is an insult to film, and our wallets - we should resist its pretentious temptations
Here's why you need to see Jean Renoir's 1938 classic.
Remembering Serge Gainsbourg on the anniversary of his birth.
Two new documentaries find drama in confinement.
A battle of wills at Tate Modern's Turbine Hall.
A corpse quest makes for handsome viewing.
The X-rated cut of Ken Russell's The Devils is released on DVD.