An unconventional romance between two young cancer patients is not as hard-hitting as it could be.
Here are lesbians, bisexuals, fat people, tattooed people, old people, disturbed people, constipated people, people without teeth and of course crooked people.
As the illegitimate mixed-race daughter of an admiral in 18th-century England, Dido Elizabeth Bell’s status is too high to allow her to eat with the servants, yet too low to permit her to join guests for dinner.
Tennis has not become ugly. It has got more beautiful. Professionalisation did not ruin its balletic strand; it deepened it. The ultimate athletes turned out to be lighter, leaner and more mobile.
Sport’s love affair with the myth of thwarted victory.
Fruitvale Station imagines the last day of Oscar Grant's life - a young black American shot dead by a police officer in 2009. The film may be rooted in truth, but it's a long way from documentary.
The esteemed director joins Kevin Smith and William Nicholson among the ranks of writers and directors who blame critics, and their lack of experience, for disliking their films.
Kirby Dick’s Oscar-nominated documentary reveals the extent to which rape in the military is ignored and covered up.
Jimmy’s Hall returns Loach to early-20th-century Ireland, the site of a previous success. The new film could be called The Wind That Shakes the Barley II: This Time It’s Heart-Warming.
And celebrating the unlikely kinship of Alan Bennett and Philip Roth.
John Turturro's fifth film as director is remarkable for getting so much wrong. The characters are vacuous, it misfires comically, but worst of all is his choice of leading man.
A new documentary about the American Samoa football team (who hold the world record for the biggest international defeat – 31-0 to Australia in 2001) gives hope that professional sport won’t always be prejudiced against those who are different.
In A Touch of Sin, the ordinarily placid and reflective Chinese director Jia Zhangke bloodies his hands - creating technicolour violence from real, grisly stories which take aim at social injustice in China.
Cinema has never suffered from anxiety about the "unseen off-screen". Three new London plays, Good People, Let the Right One In and 1984, are adapting to new ways of presenting what is happening off-stage.
The last film from Hayao Miyazaki, Japan's Walt Disney, has been met with controversy. But his career is one of wonder and enchantment
I'm not saying it isn't Fassbender under Frank Sidebottom's mask, but the playfulness that comes with doubting it adds a chemistry that is essential to the very best cinema.
Schwarzenegger's mere presence causes the plausibility of a scene to drop by 75 per cent - so it's a mystery why a capable director like David Ayer would cast him in his latest pulpy thriller.
Two reissues show the actor in contrasting roles, one in Stanley Kubrick’s moral drama set during the First World War, another as a hungry reporter bored witless at a small-town American paper.
The love story between a slave and a noblewoman is clearly influenced by Titanic, but better described as Gladiator with a topping of molten lava.
The British actor died yesterday of pneumonia following several years with Parkinson’s. We look back at some of his most memorable film roles over five decades.
The French film director Alain Resnais was largely neglected by English-speaking critics in his later years. But, as Oliver Farry argues, Resnais’ later work, is, in its own homely way, as formally and technically innovative, and as concerned with mortality as the earlier films.
There is a fascinating backstory to France's first animated feature, but it doesn't need one - all the genius and magic lies in the film itself.
Lukas Moodysson, director of Lilya 4-Eva and Container talks about his new (and most accomplished) film We Are the Best! in which three Stockholm teenagers form a punk bank.
A life mesmerisingly truncated, James Dean left behind only three films, and the gaping absence of the career that might have been.
My friend Emma worships Wes Anderson; I can’t stand him – so we were looking forward to a good row after The Grand Budapest Hotel.
The veteran actress best known for Murder, She Wrote had an emotional return to her East End roots this month with a series of screenings and a personal appearance.
Fans cannot live on special effects alone. It is Andrew Garfield's super powers, as Peter Parker without the mask, that justify the explosions and non sequiturs that follow as soon as he puts it on.
From London leather men to prostitution in American suburbia, the renamed BFI Flare offered up an eclectic programme.
A cinematic paean to postwar London uses rare footage from the BFI. But has time edited out the boring bits?
Kate Winslet's part in dystopian drama Divergent might just represent the ideal new character type for the English actress: ice queen.