A bemuseing and all-too-reverent portrait of an embattled monastery.
Sofia Coppola serves up a subtle emotional study.
Twenty-five years after its release, Shoah, Claude Lanzmann’s documentary about the Holocaust, remains an astonishing journey to the farthest limits of experience and what it means to be a witness.
The late actor revealed he would have made one last "Naked Gun" movie.
Copies of Oliver Stone's documentary about Latin America's leftist leaders to give away.
This is proof that cinematic greatness is earned, not bought.
The Film Interview: Patrick Keiller on "Robinson in Ruins".
Fine animation doesn't always produce cinematic novelty.
Rachel Cooke gets the feeling Jimmy McGovern
is his own biggest fan.
Dreams blur with real life in this sensual cinematic vision.
For frights, nothing beats a public information film from the Seventies.
The enigmatic French director speaks about the furore over his recent Oscar award.
“The BBC is beautiful, but now we are watching it fall apart”
Not all horror films have forgotten how to frighten.
Why I won't be watching - or reading - any of the Stieg Larsson trilogy.
The Film Interview: why the director wants to make "epic" movies.
We speak to Patrick Russell about British documentary-making.
Ryan Gilbey finds Mike Leigh pursuing fashionably horticultural themes.
The third Jackass movie is Abu Ghraib reflected in a funhouse mirror.
Jonathan Derbyshire talks to Tariq Ali about Wittgenstein, Derek Jarman and the future of the humani
Afternoon tea with Rob Epstein, Jeffrey Friedman and Jeanne Labrune.
Annette Bening's return to the screen warrants a public holiday.
The director explains his refusal to visit Israel and says he received "exhortations not to go" from
Ryan Gilbey experiences the turbulent family life of a working-class playwright.
A new film shows the kind of community likely to be hurt most by the coalition's cuts.
A screening of Derek Jarman's "Wittgenstein" in association with Verso and the New Statesman.
From the studio to the sound stage.
John Akomfrah dazzles with a poetic tale of wandering lives.
In abolishing the UK Film Council, Jeremy Hunt has shown himself to be ignorant of history. David Pu