How rejection fuelled the director's vision.
The Rev actor talks about playing a vicar, believing in God and attending university with Nick Clegg
Mel Gibson is an asset to this tale of redemption.
Celebrating the re-release of Alice, the director's 1988 masterpiece.
The comedian Maya Rudolph talks about working with Robert Altman and her new film, Bridesmaids.
The career of a folk hero is reconstructed from archive footage.
Why have movies - documentaries aside - been so slow to respond to the credit crunch?
Ryan Gilbey is charmed by a whimsical picture about life, death and goats.
Win Win gently subverts the conventions of Hollywood story-telling.
Ryan Gilbey reflects on a movie franchise that is way past its sell-by date.
Two studies into the nature of privacy form part of the London International Documentary Festival's
Is Zombie Undead the lowest-grossing film on record?
Ryan Gilbey has said all there is to say for the moment about Terrence Malick (page 40), whose long-awaited Tree of Life is the main attraction at this year's Cannes Film Festival, which runs from 11 to 22 May.
The acclaimed director on a new breed of British film-makers.
Soviet cinema had a brief but remarkable flowering in the 1920s.
Political, questioning art film is a vital but threatened form.
Music does the talking in this tale of a Breton family.
“I’m an attention-seeker. I’m useless at everything else”
Seven highlights, as recommended by us.
An interview with Paul Schrader, writer of <em>Taxi Driver</em>.
Two and a half hours of sadism fails to impress.
Joe Wright's <em>Hanna</em> draws on a rich vein of assassin comedies.
Activist video is providing a corrective to the mainstream media - but nothing beats the power of a
A minimalist Russian thriller annoys and amazes Ryan Gilbey.
Five films that play with the private eye movie.
A long, parched journey along the Oregon Trail.
Watch the trailer and win tickets to the premiere here.
I used to be suspicious of film critics. Not now.
Armadillo highlights the problems documentary makers have in conveying the truth about war.