Michael (18)
By Ryan Gilbey - 01 March 8:08

This kidnap movie is too humdrum to be terrifying, finds Ryan Gilbey.

Rampart (15)
By Ryan Gilbey - 23 February 12:08

Woody Harrelson’s Cheers-ness can’t save this cop flick.

The NS Interview: Patrick Stewart
By Samira Shackle - 23 February 11:56

“I’ve nothing but contempt for the phrase ‘We’re all in this together’”

Gilbey on Film: Foyer-voyeurs
By Ryan Gilbey - 21 February 10:20

Cinemas are turning their cameras on the audience.

Extremely Loud and Incredibly Close (12A)
By Ryan Gilbey - 18 February 12:42

This sickly sweet adaptation is a catastrophe, writes Ryan Gilbey.

2012 Baftas: in pictures
By Alice Gribbin - 13 February 11:43

Seven awards for the <em>The Artist</em>, two for <em>Tinker Tailor</em> and Best Actress to Meryl a

Gaza uncovered
By Gareth Evans - 09 February 17:08

A cinematic celebration of the lives of ordinary Palestinians.

New Statesman
A Dangerous Method (15)
By Ryan Gilbey - 09 February 10:31

Ryan Gilbey enjoys David Cronenberg's Freudian sight gags.

Gilbey on Film: We need to talk about Kermit
By Ryan Gilbey - 07 February 15:25

A triumphant cinematic return for the Muppets.

The NS Interview: Ralph Fiennes
By Sophie Elmhirst - 03 February 9:56

“God is a force – terror and enlightenment at the same time”

Carnage (15)
By Ryan Gilbey - 02 February 7:55

Roman Polanski loves a nice apartment

Gilbey on Film: Truth and lies
By Ryan Gilbey - 31 January 15:04

Alma Har'el has made the most successful "engineered" documentary yet.

The Descendants (15)
By Ryan Gilbey - 26 January 10:51

There are no real surprises in George Clooney’s latest drama.

J Edgar (15); W.E. (15)
By Ryan Gilbey - 19 January 7:52

Political biopics can conceal as much as they reveal, writes Ryan Gilbey.

Gilbey on Film: The truth about David Hockney
By Ryan Gilbey - 18 January 13:51

What's the connection between the artist and TOWIE?

Laurie Penny on Mrs T: unreliable narrator
By Laurie Penny - 16 January 12:26

There are many Maggie Thatchers, and which story we choose to tell says more about us than it does her.

69th Golden Globes: In pictures
By Alice Gribbin - 16 January 10:53

Silent, black and white film by a French director is the biggest winner at the 2012 awards.

The whinny takes it all
By Sophie Elmhirst - 16 January 0:00

"I only came for the horse. I don't do red carpets," says one of a cluster of reporters penned at the edge of the red carpet.

Shame (18); Margin Call (15)
By Ryan Gilbey - 13 January 17:19

Stories of sex and finance reveal New York’s seamy side.

Gilbey on Film: A little "huh?" can go a long way
By Ryan Gilbey - 10 January 13:30

Why muddy sound can sometimes improve a film.

Critics interview: Abi Morgan
By Jonathan Derbyshire - 09 January 0:00

You belong to a generation that came to political consciousness under Margaret Thatcher.

Meryl Streep.
She knew she was right
By Douglas Hurd - 09 January 0:00

<em>The Iron Lady</em> was a ghoulish spectacle while the subject was still alive.

Gilbey on Film: Coming your way in 2012
By Ryan Gilbey - 04 January 13:52

This year's cinematic highlights.

The last picture show
By David Flusfeder - 02 January 0:00

The likes of Fassbinder, Godard, Pasolini, Tarkovsky, Wajda and Visconti were once seen as essential

The rise of the political biopic
By Rebecca Lloyd - 15 December 15:59

Why do we want to see our political figures on the big screen?

Sing of the new invasion
By Slavoj Zizek - 12 December 0:00

Ralph Fiennes’s upcoming film adaptation of Shakespeare’s
Coriolanus shows its versatility – and p

A year in culture: Film
By Ryan Gilbey - 12 December 0:00

Critics' Choice: The Best of 2011

Mysteries of Lisbon (PG)
By Ryan Gilbey - 09 December 13:06

Intricate storytelling has never looked so good.

Gilbey on Film: The eyes have it
By Ryan Gilbey - 05 December 14:47

Ocular obsessions in cinema.

Hugo (U); Surviving Life (15)
By Daniel Trilling - 01 December 11:35

Two fantasy worlds offer sentiment and surrealism in turn.