Daniel Craig has relaxed into Bond without losing any steeliness.
Now I hate myself.
Zhu Rikun, a leading light of independent Chinese film, on its troubled future.
The documentary maker on Sarah Palin, Mitt Romney and sex in Bedford.
A fine reworking of a cult novel unmasks the original.
For a popcorn blockbuster, the gender politics of Dredd 3D are extraordinary, writes Laura Sneddon.
An amusing thriller sequel that uses the oldest tricks in the book.
Leos Carax’s comeback film is wild and wonderful.
The Black Audio Film Collective's film still resonates.
The Australian director's latest film has a dream cast.
Ryan Gilbey is stunned by the lack of subtlety in a message-heavy drugs tale.
What's in store? A headbutting dwarf, Martin Freeman and a waterfall, and plenty of Gandalf.
A theatrical setting undermines Joe Wright's Anna Karenina.
Ryan Gilbey dissects the decline and tentative rise of Woody Allen.
An unexpectedly sympathetic portrayal of the wife of a timeshare mogul.
Will his alleged victim, Nafissatou Diallo, get to tell her side of the story?
This debut film shows us teenagers as they really are.
Glances say more than words in this IRA thriller, writes Ryan Gilbey.
A master manipulator of space and suspense.
Divine presences in the movies.
Scenes from a marriage: Michelle Williams saves this film from tweeness, writes Ryan Gilbey.
WR Mysteries of the Organism is screened in London.
Pixar need to know that technical wizardry doesn’t disguise the tiresome life lessons, says Ryan Gilbey.
Modern cinema makes a paltry showing in the Sight & Sound poll of the greatest films of all time.
With Bond returning from the dead, an epic-looking tube train crash, and Ben Whishaw as the new Q.
Cinema's presence at the London Olympics stretches beyond the spectacle of Danny Boyle's opening ceremony.
Antonioni's 1964 film depicts a familiar landscape.