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End of the  irony age

End of the irony age

Once shocking, much of the work in Tate’s latest survey of pop art now seems tired. It shows how inured we’ve become to big-bucks banality

She’s lost  control

She’s lost control

When Sophie Calle’s lover dumped her by email, she turned life into art. Fisun Güner on a woman who binds the helpless and confessional to the coolly conceptual

Graphic images

Ed Ruscha's paintings play with the typography of the US

Get thee from the nunnery

Get thee from the nunnery

A landmark exhibition in London shows priceless pieces of religious art that have never before been allowed out of Spain

Warhol: the God years

Warhol: the God years

The artist’s religious faith sets his work in a new light

“All will be done again as it was in far-off times”

“All will be done again as it was in far-off times”

Surveying the fragments of an obliterated civilisation at the British Museum’s Moctezuma exhibition, Tom Holland is haunted by the parallels between our vulnerable globalised world and that of the doomed Aztecs

My Name Is Charles Saatchi and I Am an Artoholic

Charles Saatchi
Turner and the Masters

Turner and the Masters

The greatest landscape artist of all time

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Traveller from an antique land

Traveller from an antique land

Anselm Kiefer’s bleakly despairing vision causes disquiet in an art world used to in-jokes and irony

Illustrious corpses

Illustrious corpses

Fisun Güner explores a macabre celebration of Victorian genius

More in Art

Books

Paul Auster

Invisible

Interview

Alain de Botton

The Books Interview: Alain de Botton

Pop art

The end of irony?

End of the  irony age

Film review

Bright Star

Bright Star (PG)

Classical music

Alfred Schnittke

Alfred Schnittke Archive

Will Self

On Oscar Wilde

Where the Wilde things are

Jason Cowley

On Philip Roth

The Humbling

Slavoj Žižek

Lenin was right

“I am a Leninist. Lenin wasn’t afraid to dirty his hands. If you can get power, grab it”

© New Statesman 1913 – 2009

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