WATCH: Russell Brand brings the message of revolution to Newsnight

Our guest editor is grilled by Paxman on Newsnight about the revolution he wants to see in British politics.

Russell Brand's interview with Jeremy Paxman on last night's Newsnight was a fiery affair, with the host interrogating Brand about his desire to see a "revolution" in society:

Paxman doggedly insisted that Brand's refusal to vote made his political views suspect. Brand, though, responded in style: "It’s not that I’m not voting out of apathy, I’m not voting out of absolute indifference and weariness and exhaustion from the lies, treachery and deceit of the political class which has been going on for generations now, and which has now reached fever pitch where you have a disenfranchised, disillusioned, despondent underclass that is not being represented by that political system, and voting is tacit complicity with that system."

However, a bad-tempered Paxman wasn't entirely on board with this, calling Brand "a very trivial man". To which Brand replied: "Trivial? A minute ago you were having a go at me because I want a revolution!"

The latest issue of the New Statesman is out now.

A clash between indifference and passion. (Screenshot: BBC Newsnight)
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“Trembling, shaking / Oh, my heart is aching”: the EU out campaign song will give you chills

But not in a good way.

You know the story. Some old guys with vague dreams of empire want Britain to leave the European Union. They’ve been kicking up such a big fuss over the past few years that the government is letting the public decide.

And what is it that sways a largely politically indifferent electorate? Strikes hope in their hearts for a mildly less bureaucratic yet dangerously human rights-free future? An anthem, of course!

Originally by Carly You’re so Vain Simon, this is the song the Leave.EU campaign (Nigel Farage’s chosen group) has chosen. It is performed by the singer Antonia Suñer, for whom freedom from the technofederalists couldn’t come any suñer.

Here are the lyrics, of which your mole has done a close reading. But essentially it’s just nature imagery with fascist undertones and some heartburn.

"Let the river run

"Let all the dreamers

"Wake the nation.

"Come, the new Jerusalem."

Don’t use a river metaphor in anything political, unless you actively want to evoke Enoch Powell. Also, Jerusalem? That’s a bit... strong, isn’t it? Heavy connotations of being a little bit too Englandy.

"Silver cities rise,

"The morning lights,

"The streets that meet them,

"And sirens call them on

"With a song."

Sirens and streets. Doesn’t sound like a wholly un-authoritarian view of the UK’s EU-free future to me.

"It’s asking for the taking,

"Trembling, shaking,

"Oh, my heart is aching."

A reference to the elderly nature of many of the UK’s eurosceptics, perhaps?

"We’re coming to the edge,

"Running on the water,

"Coming through the fog,

"Your sons and daughters."

I feel like this is something to do with the hosepipe ban.

"We the great and small,

"Stand on a star,

"And blaze a trail of desire,

"Through the dark’ning dawn."

Everyone will have to speak this kind of English in the new Jerusalem, m'lady, oft with shorten’d words which will leave you feeling cringéd.

"It’s asking for the taking.

"Come run with me now,

"The sky is the colour of blue,

"You’ve never even seen,

"In the eyes of your lover."

I think this means: no one has ever loved anyone with the same colour eyes as the EU flag.

I'm a mole, innit.