New Statesman Ai Weiwei guest edit shortlisted for Amnesty Award

Ai Weiwei, Cheng Yizhong and the New Statesman nominated.

Amnesty International have announced the shortlist for their 2013 Media Awards, and the New Statesman has been nominated for a series of three articles published in our 22 October issue guest-edited by Chinese artist Ai Weiwei. Amnesty’s Media Awards “recognize excellence in human rights reporting and acknowledge journalism’s significant contribution to the UK public’s awareness and understanding of human rights issues.”

Ai Weiwei is an internationally renowned artist and a free speech advocate. He was previously detained by the Chinese government on charges of tax evasion and is still prevented from leaving the country. He is currently appealing a fine imposed by the Beijing Local Taxation Bureau for $1.85m.

The New Statesman’s editorial team spent six months working closely with Ai and his team in Beijing to produce an ambitious issue dedicated to China and its future. The three nominated articles are : “Fact have blood as evidence”, an interview Ai conducted with blind civil activist Chen Guangcheng; the “The Virus of Censorship”, in which newspaper editor Cheng Yizhong reveals how journalists in China are kept in a state of fear and endemic self-censorship through government manipulation and policing; and “Meet the 50 Cent Party”, which saw Ai Weiwei expose the underworld of state-sponsored commentators by interviewing an unnamed twenty six year old graduate who explained the process by which he is hired to influence the thoughts of ‘netizens’.

The issue was published bilingually, produced as a digital issue in Mandarin and a print edition in English.  With original content from Chinese journalists, authors, artists and musicians, the magazine was edited in a foreign language for the first time in its history. It was a rewarding challenge that our commissioning editor Sophie Elmhirst outlined eloquently in this post-production blog.

The New Statesman and Ai Weiwei also jointly launched a Twitter campaign which posed the question “what is the future of China?” to ordinary citizen and collated thousands of responses, a selection of which were published in the magazine.

Following publication, we urged readers to download and to share the issue, for free, across social networking websites in an attempt to breach “The Great Firewall”. Our deputy Helen Lewis reiterated our commitment to free, uncensored journalism in this blog post - which offers links to the magazine as a sharable torrent file, magnet link and PDF.  

These three features revealed a side of China rarely seen in the west, and would never have seen publication in their authors’ home country. This issue was an act of solidarity with like-minded writers on the other side of the world; a promise that we would do our part to give a home to their stories, so often stifled. In his leader for the issue, Ai wrote:

I chose to dedicate my issue of the magazine to China, its people, its history, its culture, its current situation and its future. My country has to recognise itself, which is a challenge to anybody at any stage in life.

…the only way we can be successful, in China and in life, is through greater communication and wider awareness, in constantly questioning our standards and our conditions. You, as readers, are part of this, you are active members of this family, and you can be proud of that. We should all be proud of that.

The New Statesman is nominated alongside Janine di Giovanni’s Seven Days in Syria, published by Granta, in the Consumer Magazine category.

The issue has also been shortlisted for the British Media Award’s Cross Media project.

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Lord Sainsbury pulls funding from Progress and other political causes

The longstanding Labour donor will no longer fund party political causes. 

Centrist Labour MPs face a funding gap for their ideas after the longstanding Labour donor Lord Sainsbury announced he will stop financing party political causes.

Sainsbury, who served as a New Labour minister and also donated to the Liberal Democrats, is instead concentrating on charitable causes. 

Lord Sainsbury funded the centrist organisation Progress, dubbed the “original Blairite pressure group”, which was founded in mid Nineties and provided the intellectual underpinnings of New Labour.

The former supermarket boss is understood to still fund Policy Network, an international thinktank headed by New Labour veteran Peter Mandelson.

He has also funded the Remain campaign group Britain Stronger in Europe. The latter reinvented itself as Open Britain after the Leave vote, and has campaigned for a softer Brexit. Its supporters include former Lib Dem leader Nick Clegg and Labour's Chuka Umunna, and it now relies on grassroots funding.

Sainsbury said he wished to “hand the baton on to a new generation of donors” who supported progressive politics. 

Progress director Richard Angell said: “Progress is extremely grateful to Lord Sainsbury for the funding he has provided for over two decades. We always knew it would not last forever.”

The organisation has raised a third of its funding target from other donors, but is now appealing for financial support from Labour supporters. Its aims include “stopping a hard-left take over” of the Labour party and “renewing the ideas of the centre-left”. 

Julia Rampen is the digital news editor of the New Statesman (previously editor of The Staggers, The New Statesman's online rolling politics blog). She has also been deputy editor at Mirror Money Online and has worked as a financial journalist for several trade magazines. 

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