New Statesman Ai Weiwei guest edit shortlisted for Amnesty Award

Ai Weiwei, Cheng Yizhong and the New Statesman nominated.

Amnesty International have announced the shortlist for their 2013 Media Awards, and the New Statesman has been nominated for a series of three articles published in our 22 October issue guest-edited by Chinese artist Ai Weiwei. Amnesty’s Media Awards “recognize excellence in human rights reporting and acknowledge journalism’s significant contribution to the UK public’s awareness and understanding of human rights issues.”

Ai Weiwei is an internationally renowned artist and a free speech advocate. He was previously detained by the Chinese government on charges of tax evasion and is still prevented from leaving the country. He is currently appealing a fine imposed by the Beijing Local Taxation Bureau for $1.85m.

The New Statesman’s editorial team spent six months working closely with Ai and his team in Beijing to produce an ambitious issue dedicated to China and its future. The three nominated articles are : “Fact have blood as evidence”, an interview Ai conducted with blind civil activist Chen Guangcheng; the “The Virus of Censorship”, in which newspaper editor Cheng Yizhong reveals how journalists in China are kept in a state of fear and endemic self-censorship through government manipulation and policing; and “Meet the 50 Cent Party”, which saw Ai Weiwei expose the underworld of state-sponsored commentators by interviewing an unnamed twenty six year old graduate who explained the process by which he is hired to influence the thoughts of ‘netizens’.

The issue was published bilingually, produced as a digital issue in Mandarin and a print edition in English.  With original content from Chinese journalists, authors, artists and musicians, the magazine was edited in a foreign language for the first time in its history. It was a rewarding challenge that our commissioning editor Sophie Elmhirst outlined eloquently in this post-production blog.

The New Statesman and Ai Weiwei also jointly launched a Twitter campaign which posed the question “what is the future of China?” to ordinary citizen and collated thousands of responses, a selection of which were published in the magazine.

Following publication, we urged readers to download and to share the issue, for free, across social networking websites in an attempt to breach “The Great Firewall”. Our deputy Helen Lewis reiterated our commitment to free, uncensored journalism in this blog post - which offers links to the magazine as a sharable torrent file, magnet link and PDF.  

These three features revealed a side of China rarely seen in the west, and would never have seen publication in their authors’ home country. This issue was an act of solidarity with like-minded writers on the other side of the world; a promise that we would do our part to give a home to their stories, so often stifled. In his leader for the issue, Ai wrote:

I chose to dedicate my issue of the magazine to China, its people, its history, its culture, its current situation and its future. My country has to recognise itself, which is a challenge to anybody at any stage in life.

…the only way we can be successful, in China and in life, is through greater communication and wider awareness, in constantly questioning our standards and our conditions. You, as readers, are part of this, you are active members of this family, and you can be proud of that. We should all be proud of that.

The New Statesman is nominated alongside Janine di Giovanni’s Seven Days in Syria, published by Granta, in the Consumer Magazine category.

The issue has also been shortlisted for the British Media Award’s Cross Media project.

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Let's face it: supporting Spurs is basically a form of charity

Now, for my biggest donation yet . . .

I gazed in awe at the new stadium, the future home of Spurs, wondering where my treasures will go. It is going to be one of the architectural wonders of the modern world (football stadia division), yet at the same time it seems ancient, archaic, a Roman ruin, very much like an amphitheatre I once saw in Croatia. It’s at the stage in a new construction when you can see all the bones and none of the flesh, with huge tiers soaring up into the sky. You can’t tell if it’s going or coming, a past perfect ruin or a perfect future model.

It has been so annoying at White Hart Lane this past year or so, having to walk round walkways and under awnings and dodge fences and hoardings, losing all sense of direction. Millions of pounds were being poured into what appeared to be a hole in the ground. The new stadium will replace part of one end of the present one, which was built in 1898. It has been hard not to be unaware of what’s going on, continually asking ourselves, as we take our seats: did the earth move for you?

Now, at long last, you can see what will be there, when it emerges from the scaffolding in another year. Awesome, of course. And, har, har, it will hold more people than Arsenal’s new home by 1,000 (61,000, as opposed to the puny Emirates, with only 60,000). At each home game, I am thinking about the future, wondering how my treasures will fare: will they be happy there?

No, I don’t mean Harry Kane, Danny Rose and Kyle Walker – local as well as national treasures. Not many Prem teams these days can boast quite as many English persons in their ranks. I mean my treasures, stuff wot I have been collecting these past 50 years.

About ten years ago, I went to a shareholders’ meeting at White Hart Lane when the embryonic plans for the new stadium were being announced. I stood up when questions were called for and asked the chairman, Daniel Levy, about having a museum in the new stadium. I told him that Man United had made £1m the previous year from their museum. Surely Spurs should make room for one in the brave new mega-stadium – to show off our long and proud history, delight the fans and all those interested in football history and make a few bob.

He mumbled something – fluent enough, as he did go to Cambridge – but gave nothing away, like the PM caught at Prime Minister’s Questions with an unexpected question.

But now it is going to happen. The people who are designing the museum are coming from Manchester to look at my treasures. They asked for a list but I said, “No chance.” I must have 2,000 items of Spurs memorabilia. I could be dead by the time I finish listing them. They’ll have to see them, in the flesh, and then they’ll be free to take away whatever they might consider worth having in the new museum.

I’m awfully kind that way, partly because I have always looked on supporting Spurs as a form of charity. You don’t expect any reward. Nor could you expect a great deal of pleasure, these past few decades, and certainly not the other day at Liverpool when they were shite. But you do want to help them, poor things.

I have been downsizing since my wife died, and since we sold our Loweswater house, and I’m now clearing out some of my treasures. I’ve donated a very rare Wordsworth book to Dove Cottage, five letters from Beatrix Potter to the Armitt Library in Ambleside, and handwritten Beatles lyrics to the British Library. If Beckham and I don’t get a knighthood in the next honours list, I will be spitting.

My Spurs stuff includes programmes going back to 1910, plus recent stuff like the Opus book, that monster publication, about the size of a black cab. Limited editions cost £8,000 a copy in 2007. I got mine free, as I did the introduction and loaned them photographs. I will be glad to get rid of it. It’s blocking the light in my room.

Perhaps, depending on what they want, and they might take nothing, I will ask for a small pourboire in return. Two free tickets in the new stadium. For life. Or longer . . . 

Hunter Davies is a journalist, broadcaster and profilic author perhaps best known for writing about the Beatles. He is an ardent Tottenham fan and writes a regular column on football for the New Statesman.

This article first appeared in the 16 February 2017 issue of the New Statesman, The New Times