Celebrating the New Statesman's biggest-ever issue

A hundred years on, the magazine is the best it's ever been.

The New Statesman was launched 100 years ago today and, as we celebrate with the publication of our centenary issue which is now on sale across the country, I’m naturally delighted that our latest scoop is dominating the political news as well as newspaper front pages.

One of the many pleasures of my job is being able to publish some of my favourite writers, politicians and journalists in the magazine. Very few people say no when the New Statesman asks them to write – and that’s very satisfying for a small magazine and website.

This week’s centenary issue is the BIG ONE in every sense, the single largest we have published in our long history. Among the political highlights are a wonderful, generously spirited column from Boris Johnson; a bold intervention from Tony Blair, which has been making the political weather and unsettling the Labour high command; a good column by Vince Cable discussing his political journey and the tensions that exist on the left between liberals and social democrats; and a fine piece by our political editor, Rafael Behr, who was travelling on a train with Ed Miliband when the Labour leader was told that Margaret Thatcher had died.

The New Statesman has been rethought and reinvigorated over the last few years. We have broadened our range and collaborated with some unexpected and interesting people. We have reintroduced cartoons, poetry and fiction. We have drawn influence from our Fabian tradition but also from J M Keynes, who was our chairman in the 1930s – it is often forgotten that in 1931 the New Statesman merged with the Nation, the old voice of Bloomsbury social liberalism. I am confident – forgive my immodesty! - that the New Statesman is now the best-written and most intellectually stimulating magazine in Britain.

As if to prove my point, we have, in the centenary issue, contributions from Booker Prize-winning novelists (Julian Barnes, A S Byatt) as well as from many other major literary writers, including Craig Raine, Alexander McCall Smith, David Hare, Will Self and Ali Smith. We have tremendously wide-ranging essays on geopolitics, the European ideal and economics from John Gray, Mark Mazower and Robert Skidelsky. We have published some centenary clerihews from the incomparable Craig Brown. There’s a very funny column from the stand-up comedian Stewart Lee and, as usual, outstanding cultural criticism and book reviews by the likes of Will Hutton, Norman Stone, Douglas Hurd, Jon Cruddas and our brilliant young fiction critic, Leo Robson.

We also include articles from the archive by Keynes, T S Eliot, George Orwell, Virginia Woolf, Graham Greene and Angela Carter. And in the “Orwell Wars”, D J Taylor and Adrian Smith tell the story of how and why the New Statesman refused to publish the great political writer’s reports from the Spanish civil war (not one of our more glorious moments).

Next week we are hosting our latest Centenary Debate. The question is, “Did the left win the 20th century?” Michael Gove, David Miliband, Lisa Nandy, Justin Webb, Matthew Parris, Mathew d’Ancona, Jonathan Freedland, Peter Oborne and Andrew Rawnsley are among those who attempt to answer the question in the magazine. (All contributions will go live on our website next week, ahead of the debate. And thanks to everyone for taking part.)

All in all, it’s a collector’s issue. Do buy it.

And here, from the magazine, is my Editor’s Note, which explores something of the history of the New Statesman.

 

Jason Cowley is editor of the New Statesman. He has been the editor of Granta, a senior editor at the Observer and a staff writer at the Times.

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The rise of the green mayor – Sadiq Khan and the politics of clean energy

At an event at Tate Modern, Sadiq Khan pledged to clean up London's act.

On Thursday night, deep in the bowls of Tate Modern’s turbine hall, London Mayor Sadiq Khan renewed his promise to make the capital a world leader in clean energy and air. Yet his focus was as much on people as power plants – in particular, the need for local authorities to lead where central governments will not.

Khan was there to introduce the screening of a new documentary, From the Ashes, about the demise of the American coal industry. As he noted, Britain continues to battle against the legacy of fossil fuels: “In London today we burn very little coal but we are facing new air pollution challenges brought about for different reasons." 

At a time when the world's leaders are struggling to keep international agreements on climate change afloat, what can mayors do? Khan has pledged to buy only hybrid and zero-emissions buses from next year, and is working towards London becoming a zero carbon city.

Khan has, of course, also gained heroic status for being a bête noire of climate-change-denier-in-chief Donald Trump. On the US president's withdrawal from the Paris Agreement, Khan quipped: “If only he had withdrawn from Twitter.” He had more favourable things to say about the former mayor of New York and climate change activist Michael Bloomberg, who Khan said hailed from “the second greatest city in the world.”

Yet behind his humour was a serious point. Local authorities are having to pick up where both countries' central governments are leaving a void – in improving our air and supporting renewable technology and jobs. Most concerning of all, perhaps, is the way that interest groups representing business are slashing away at the regulations which protect public health, and claiming it as a virtue.

In the UK, documents leaked to Greenpeace’s energy desk show that a government-backed initiative considered proposals for reducing EU rules on fire-safety on the very day of the Grenfell Tower fire. The director of this Red Tape Initiative, Nick Tyrone, told the Guardian that these proposals were rejected. Yet government attempts to water down other EU regulations, such as the energy efficiency directive, still stand.

In America, this blame-game is even more highly charged. Republicans have sworn to replace what they describe as Obama’s “war on coal” with a war on regulation. “I am taking historic steps to lift the restrictions on American energy, to reverse government intrusion, and to cancel job-killing regulations,” Trump announced in March. While he has vowed “to promote clean air and clear water,” he has almost simultaneously signed an order to unravel the Clean Water Rule.

This rhetoric is hurting the very people it claims to protect: miners. From the Ashes shows the many ways that the industry harms wider public health, from water contamination, to air pollution. It also makes a strong case that the American coal industry is in terminal decline, regardless of possibile interventions from government or carbon capture.

Charities like Bloomberg can only do so much to pick up the pieces. The foundation, which helped fund the film, now not only helps support job training programs in coal communities after the Trump administration pulled their funding, but in recent weeks it also promised $15m to UN efforts to tackle climate change – again to help cover Trump's withdrawal from Paris Agreement. “I'm a bit worried about how many cards we're going to have to keep adding to the end of the film”, joked Antha Williams, a Bloomberg representative at the screening, with gallows humour.

Hope also lies with local governments and mayors. The publication of the mayor’s own environment strategy is coming “soon”. Speaking in panel discussion after the film, his deputy mayor for environment and energy, Shirley Rodrigues, described the move to a cleaner future as "an inevitable transition".

Confronting the troubled legacies of our fossil fuel past will not be easy. "We have our own experiences here of our coal mining communities being devastated by the closure of their mines," said Khan. But clean air begins with clean politics; maintaining old ways at the price of health is not one any government must pay. 

'From The Ashes' will premiere on National Geograhpic in the United Kingdom at 9pm on Tuesday, June 27th.

India Bourke is an environment writer and editorial assistant at the New Statesman.

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