David Davies is OK with Erasure, even though it's totally gay

The Tory MP adds that "now I've got Boy George's greatest hits, and I love it!"

David Davies, the Tory MP, is opposed to gay marriage - but is very keen to stress that he is not a homophobe. The only trouble is that every time he tries to clear the matter up, he inadvertantly makes it worse.

For example, after he was criticised for telling BBC Wales that "most parents would prefer their children not be gay", he responded by saying that he couldn't be a homophobe because he had once punched a gay man.

Today, he is interviewed in the Guardian, and comes across as a man genuinely, painedly, trying to make his case, but never quite managing it. Mostly because he seems obsessed with Erasure. 

For example, Davies worries about sex education including the mechanics of gay sex. Why?

When Davies was 16, a popular school friend had announced he was gay. Davies ran into him again at 19, "And it turned out the guy had got engaged. To a woman! And he absolutely didn't want to talk about what had gone on between the age of 16 and 19. He'd started coming down to the pub at 16 with, you know, splits in his jeans, and started buying Erasure albums, and all the rest of it – and three years later he's suddenly horrified by the whole thing!

"I suppose what I'm trying to say, in a very clumsy way, which will again probably cause offence, is that some people might be going through a bit of a funny phase between the age of 15 and 20 when they're not sure."

When the interviewer, Decca Aitkenhead, says that "no amount of familiarity with homosexual mechanics would have turned my 10-year-old self into a lesbian", he replies:

"But you're a lady, you're a woman, so you wouldn't have felt quite the same way. I mean, at school the girls all went out and bought Erasure without any issue."

But things are changing, and David Davies is happy about that:

"I make no bones about it, I'm a product of my upbringing and of the time I was brought up, so I'm not going to pretend not to be. It's not like I was brought up in San Francisco or somewhere like that.

"But I'm changing. This is going to sound quite appalling, but nobody in my circle of friends in 1986 would have admitted liking Erasure, or would have been seen dead going out and buying a Boy George CD. Now I've got Boy George's greatest hits, and I love it!"

In the earnestness with which he tries to engage with the issues - despite his obvious discomfort - Davies is beginning to remind me of Harry Enfield's dad with a gay son.

Erasure. Photo: Getty

Helen Lewis is deputy editor of the New Statesman. She has presented BBC Radio 4’s Week in Westminster and is a regular panellist on BBC1’s Sunday Politics.

Photo: Getty
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UnHerd's rejection of the new isn't as groundbreaking as it seems to think

Tim Montgomerie's new venture has some promise, but it's trying to solve an old problem.

Information overload is oft-cited as one of the main drawbacks of the modern age. There is simply too much to take in, especially when it comes to news. Hourly radio bulletins, rolling news channels and the constant stream of updates available from the internet – there is just more than any one person can consume. 

Luckily Tim Montgomerie, the founder of ConservativeHome and former Times comment editor, is here to help. Montgomerie is launching UnHerd, a new media venture that promises to pull back and focus on "the important things rather than the latest things". 

According to Montgomerie the site has a "package of investment", at least some of which comes from Paul Marshall. He is co-founder of one of Europe's largest hedge funds, Marshall Wace, formerly a longstanding Lib Dem, and also one of the main backers and chair of Ark Schools, an academy chain. The money behind the project is on display in UnHerd's swish (if slightly overwhelming) site, Google ads promoting the homepage, and article commissions worth up to $5,000. The selection of articles at launch includes an entertaining piece by Lionel Shriver on being a "news-aholic", though currently most of the bylines belong to Montgomerie himself. 

Guidelines for contributors, also meant to reflect the site's "values", contain some sensible advice. This includes breaking down ideas into bullet points, thinking about who is likely to read and promote articles, and footnoting facts. 

The guidelines also suggest focusing on what people will "still want to read in six, 12 or 24 months" and that will "be of interest to someone in Cincinnati or Perth as well as Vancouver or St Petersburg and Cape Town and Edinburgh" – though it's not quite clear how one of Montgomerie's early contributions, a defence of George Osborne's editorship of the Evening Standard, quite fits that global criteria. I'm sure it has nothing to do with the full page comment piece Montgomerie got in Osborne's paper to bemoan the deficiencies of modern media on the day UnHerd launched. 

UnHerd's mascot  – a cow – has also created some confusion, compounded by another line in the writing tips describing it as "a cow, who like our target readers, tends to avoid herds and behave in unmissable ways as a result". At least Montgomerie only picked the second-most famous poster animal for herding behaviour. It could have been a sheep. In any case, the line has since disappeared from the post – suggesting the zoological inadequacy of the metaphor may have been recognised. 

There is one way in which UnHerd perfectly embodies its stated aim of avoiding the new – the idea that we need to address the frenetic nature of modern news has been around for years.

"Slow news" – a more considered approach to what's going on in the world that takes in the bigger picture – has been talked about since at least the beginning of this decade.

In fact, it's been around so long that it has become positively mainstream. That pusher of rolling coverage the BBC has been talking about using slow news to counteract fake news, and Montgomerie's old employers, the Times decided last year to move to publishing digital editions at set points during the day, rather than constantly updating as stories break. Even the Guardian – which has most enthusiastically embraced the crack-cocaine of rolling web coverage, the live blog – also publishes regular long reads taking a deep dive into a weighty subject. 

UnHerd may well find an audience particularly attuned to its approach and values. It intends to introduce paid services – an especially good idea given the perverse incentives to chase traffic that come with relying on digital advertising. The ethos it is pitching may well help persuade people to pay, and I don't doubt Montgomerie will be able to find good writers who will deal with big ideas in interesting ways. 

But the idea UnHerd is offering a groundbreaking solution to information overload is faintly ludicrous. There are plenty of ways for people to disengage from the news cycle – and plenty of sources of information and good writing that allow people to do it while staying informed. It's just that given so many opportunities to stay up to date with what has just happened, few people decide they would rather not know.