In this week’s New Statesman: The plot against the BBC

Featuring: Roger Mosey, Jason Cowley, Joan Bakewell, Tristram Hunt, Rachel Cooke and Mehdi Hasan

The plot against the BBC

“If the BBC has often fallen short of its high ideals, one should at least be grateful that it still has them,” says the New Statesman’s Leader this week. After a wave of justified criticism, the BBC has lost the trust of many. But if there is consolation to be drawn from the events of recent weeks, it is that so many expected better from the BBC. We have come to expect failings from successive institutions – parliament, the private press, the police. The BBC, however, retains our trust in its idealism. In this week’s issue, we bring together many voices in defence of the broadcaster, and consider its future.

The editor of the New Statesman, Jason Cowley, writes:

If you were setting up a national broadcaster today you wouldn’t create the BBC in its present form, with its many layers of middle management, labyrinthine processes and structures and its desire to be all things to all people. Yet the BBC remains one of few British institutions . . . admired throughout the world, for its impartiality, the range and quality of its programmes and, in spite of the Newsnight debacle, commitment to truth-telling.

As a senior source at the corporation tells Cowley:

The search for someone to blame is always successful. But the solution to each crisis seems to sow the seeds for the next. So we will probably end up with even more managers, more box ticking, and more compliance ‘to stop this happening again’. I knew something was wrong when the compliance officer became the most powerful person in the building.

Compliance should be left to engineering firms. The BBC needs to restore the culture where producers are given the confidence to produce and editors the confidence to edit. Because that climate was destroyed after Hutton and Brand.

The broadcaster, writer and Labour peer Joan Bakewell puts things into perspective:

Hundreds of hours of [well-researched, responsibly written and overall excellent] programmes pour from the BBC every day. They reach every corner of the country, spread across the world, earn money and reputation . . . and have no commercials! So let’s have a sense of perspective, can we? . . .

Nonetheless wherever broadcasters come together they moan about the BBC. It’s always the same gripe: too many managers . . . Nothing that has happened this week has surprised me. There has always been a paradox at the very top of the BBC.

The head of BBC Television, Roger Mosey, writes about why he promoted George Entwistle, the director general he respected for “his intelligence, his decency and his humour”:

History will judge what George and the BBC could have done better in fighting the firestorm but what I do know is that he’s a good man who shouldn’t be held responsible for the evils of previous decades. And as his colleague and friend in recent days, I know he didn’t deserve the level of national vilification that now seems to be the punishment for anyone who makes mistakes in public office.

In the end, Mosey argues, it is the long-term quality of BBC output that will define the corporation, not its “scandals” and “meltdowns”.

We hold others accountable, so there’s no argument that we should be accountable too. But as a journalistic culture, we should apply ourselves to the difference between what’s serious wrongdoing in the sense of being criminal or wicked – and what’s just a “good” story with fallible human beings at the centre of it.

There’s no question we’ve taken multiple hits as an organisation but you can’t be a BBC boss and not expect periodic crises . . . we know that the BBC’s corporate reputation is destined to have a roller-coaster ride. But the deeper test is what audiences think about our programmes rather than about the corporation itself.

Here there is reason for confidence.

 

ELSEWHERE IN THE MAGAZINE:

 

 

Terry Pratchett: The day he nearly died – and who’s taking over the Discworld

Laurie Penny, who returns to the New Statesman as a contributing editor this week, interviews the comic novelist, campaigner and “professional morbid bastard” Terry Pratchett about his life and work.

Pratchett discloses a near death experience, and also reveals the plan for his daughter Rhianna to “take over the Discworld when I’m gone”. Read exclusive extracts from the story here.

 

Rafael Behr: George Osborne doesn’t see that voters can love the idea of benefit cuts but end up hating the cutters

In the Politics Column this week, Rafael Behr writes about the Welfare Reform Act – due to be voted in on 21 November. “As a piece of theatre,” Behr writes, “the vote on a statutory instrument filling gaps in the Welfare Reform Act is a non-event.”

Yet this shuffling of regulations into law is momentous for hundreds, possibly thousands of families. It finalises the conditions that mean, after April 2013, they could be evicted from their homes. That is when the “benefits cap” comes into force, limiting the amount any household can receive to £500 per week, £350 for childless singles.

Few households are technically in receipt of benefits above the capped level – about 20,000, mostly in London. None of them feels it as disposable income. The numbers are inflated by housing benefit (already subject to a separate cap), which has run out of control chasing the capital’s exorbitant rents. But outrage at perversities in the current system is greater than attention to the detail of who is affected by coalition policy. That anger has been successfully exploited by Conservatives, painting Labour as the party for handing public money to wastrels.

While some of the coalition’s welfare policies might be honourably motivated, the function of this particular change is neither budget consolidation nor reform. It is a gesture of pure political positioning by George Osborne that happens as a side effect to turn some of London’s poorest families out of their homes.

 

“What is the point of me? I don’t really know.” Charlie Brooker interviewed by Helen Lewis

The career of the university drop-out, cartoonist, games reviewer, broadcaster and celebrity satirist Charlie Brooker “has been more a series of drunken lurches than an orderly line”. Helen Lewis talks to Brooker about his most recent pitch-black comedy trilogy, Black Mirror:

Brooker is writing a second series of the show, but I have to ask him: how did it get made in the first place? How do you tell Channel 4 that you want to show the prime minister porking a pig? “That episode was a replacement,” he says. “There’s a script that is as yet unmade, that was bleaker.”

At short notice, he had to pitch to Jay Hunt, Channel 4’s creative officer . . . In the end, Channel 4’s only quibble was whether it had to be a pig. “We went around the houses. We thought about different animals: about frozen supermarket chicken, at one point a big block of cheese. But whatever you tried to substitute for it wasn’t quite the same – like if it’s a sheep, that’s just too comic. I suggested a duck, but that’s again just too weird. A pig is disgusting enough.

 

Ed Smith: King of the spinners

In our lead book review this week, the former Test cricketer and now NS columnist Ed Smith reviews Gideon Haigh’s biography of Shane Warne. “Facing Shane Warne was only incidentally about cricket,” Smith writes. “Sport was the medium but the substance was drama.”

Warne’s cultivation of a distinctive and compelling on-field persona, Smith suggests, was not without its costs:

In seeking mastery of an authentic personality on the stage, authenticity in “civilian” life becomes ever more elusive . . . All great actors sacrifice something of themselves in the pursuit of a truthful performance. So do sportsmen. Warne, the great method actor of modern sport, has perhaps paid a higher price than most.

 

For a review of what's in The Critics section of the New Statesman this week, have a look at our "In the Critics" feature here.

 

Purchase a copy of this week's New Statesman in newsstands today, or online at: www.newstatesman.com/subscribe

 

Charlotte Simmonds is a writer and blogger living in London. She was formerly an editorial assistant at the New Statesman. You can follow her on Twitter @thesmallgalleon.

Show Hide image

Leader: The angry middle

As a sense of victimhood extends even to the middle classes, it makes Western democracies much more difficult to govern.

Two months after the United Kingdom’s vote to leave the European Union, it remains conventional wisdom that the referendum result was largely a revolt by the so-called left behind. Yet this is not the full picture. Many of the 52 per cent who voted Leave were relatively prosperous and well educated, yet still angry and determined to deliver a shock to the political system. We should ask ourselves why the English middle class, for so long presumed to be placid and risk-averse, was prepared to gamble on Brexit.

Populism has long appealed to those excluded from political systems, or from a share in prosperity. In recent years, however, its appeal has broadened to young graduates and those on above-average incomes who also feel that they have not benefited from globalisation. The sense of middle-class victimhood has become a major strand in Western politics.

In the United States, middle-class anger has powered support for Bernie Sanders and Donald Trump. The former drew his activist base mostly from young liberals. And while Mr Trump’s success in the Republican primaries was often attributed to a working-class insurrection against “the elites”, exit poll data showed that the median yearly income of a Trump voter was $72,000, compared with a national average of $56,000. (For supporters of Hillary Clinton, the figure was roughly $61,000.) It is not the have-nots who have powered Mr Trump’s rise, but the have-a-bits.

In the UK, similar forces can be seen in the rise of Jeremy Corbyn. Indeed, research shows that three-quarters of Labour Party members are from the top social grades, known as ABC1. About 57 per cent have a degree.

Mr Sanders, Mr Trump and Mr Corbyn have very different policies, ideologies and strategies, but they are united by an ability to tap into middle-class dissatisfaction with the present order. Some of that anger flows from politicians’ failure to convey the ways in which society has improved in recent years, or to speak truthfully to electorates. In the UK and much of the West, there have been huge gains – life expectancy has risen, absolute poverty has decreased, teenage pregnancy has fallen to a record low, crime rates have fallen, and huge strides have been made in curbing gender, sexual and racial discrimination. Yet we hear too little of these successes.

Perhaps that is why so many who are doing comparatively well seem the most keen to upset the status quo. For instance, pensioners voted strongly to leave the EU and are the demographic from which Ukip attracts most support. Yet the over-65s are enjoying an era of unprecedented growth in their real incomes. Since 2010, the basic state pension has risen by over four times the increase in average earnings. 

Among young people, much of their anger is directed towards tuition fees and the iniquities of the housing market. Yet, by definition, tuition fees are paid only by those who go into higher education – and these people receive a “graduate bonus” for the rest of their lives. Half of school-leavers do not attend university and, in a globalised world, it is their wages that are most likely to be undercut by immigration.

However, we should not be complacent about the concerns of the “angry middle”. The resentment exploited by Donald Trump is the result of 40 years of stagnant median wages in the United States. In Japan and Germany, median wages have not increased in the past two decades. In the UK, meanwhile, the median income for those aged 31-59 is no greater than it was in 2007, and those aged 22-30 are 7 per cent worse off, according to the Institute for Fiscal Studies.

To compound the problem, the wealthy keep getting wealthier. In 1980, American CEOs were paid 42 times the wage of the average worker. They are now paid 400 times as much. In the UK, the share of household income going to the top 1 per cent has more than doubled since 1979. Because of our hyperconnected, globalised media culture, we see more of the super-rich, fuelling feelings of resentment.

As a sense of victimhood extends even to the middle classes, it makes Western democracies much more difficult to govern, with voters oscillating between populists of the left and the right. The political centre is hollowing out. Rather than pander to the populists, we must do more to quell the politics of victimhood by addressing the root of this corrosive sense of grievance: entrenched inequality. 

This article first appeared in the 25 August 2016 issue of the New Statesman, Cameron: the legacy of a loser