I’m constantly encouraged to celebrate observing drunk people behaving boringly

Ed Smith's "Left Field" column.

We have to like public drunkenness. It is a moral imperative. Commentating on the Ashes over the next seven weeks, I will be encouraged to celebrate every intoxicated buffoon, probably dressed as a giant panda, who falls over in the stands, spilling his pint of lager over half a row of genuine fans who’ve paid £100 for the right to watch a cricket match and have ended up with an obscured view of the sport, replaced instead by the full panda experience. What japes, what larks, what good times had by all, so much to celebrate! This is the media’s default position: the more empty bottles on the terraces, the greater the occasion. “They’re having a great day out, eh?”

I am baffled by several elements of this narrative, which will be repeated throughout the Ashes. First, that pouring alcohol down your throat, scarcely a challenging athletic feat, is considered an achievement. Second, that it contributes majestically to the sense of sporting occasion and the gaiety of nations. Third, that the long-suffering, quiet majority don’t summon the courage to object – perhaps they are wary of being told to lighten up and have some fun. Finally, is anyone enjoying themselves anyway, including – indeed especially – the panda?

Attending a major sporting event is like boarding a plane. The same question looms, laden with frightening potential: who am I sitting next to? You anxiously scan both sides, assessing where problems might arise. Will the bottom belonging to the oversized American break the seat? Is the flip-flop wearing fake hippie en route to Goa going to rest his foot on your travel blanket indefinitely?

The difference is that taking a flight is a means to an end. The pleasure, in principle, will follow soon afterwards. A sports match, in contrast, is the final destination, the fun itself. So it is no small issue if the fans in front of you spend half the match standing up and shuffling along to buy and consume beer, and the other half standing up and shuffling along to release from their bodies the beer they have just consumed. The celebration of drunkenness fills the whole day, before and after play, so that no second is safe from invasion. Earlier this season, after a one-day international in Nottingham, I took the late train back to London. A group of spectators, well-dressed and articulate, clearly wealthy professional types, arranged themselves nearby in the same carriage. They swayed and swore, shouting as though silence might kill them, manfully keeping up the pretence that this was wonderfully enjoyable for them and for everyone else. The traveller in me began to shuffle away. The writer craned forward.

Their conversation, such as it was, began at a low level, from which point it lurched downwards. Cheerful descriptions of their own bodily functions gave way to self-congratulatory estimates of how much they’d drunk so far, then calculations of how much more they were about to drink, how much the whole thing had cost them, before settling finally and unconvincingly on mutual reinforcement about how “great it is to be completely free and away from the missus”. But the unsettling question hung over them: total freedom and this is the best we can manage?

Their grimly determined drinking was accompanied by even more effortful laughter, as though a joke had to come round the corner eventually. They half-heartedly proposed stag jaunts to exotic locations. But enthusiasm for another bout of drinking and canned laughter waned as soon as actual dates were suggested.

For everyone else in the carriage, the journey was excruciating. The more curious aspect was that the protagonists also seemed uncertain they were enjoying themselves. None of us can be sure where another finds pleasure. But there was the sense of dutifully acting out a part, falling into a script that had been written for them. And as they lost confidence, the whole performance became more of a struggle.

They ran out of spectators, too, and selfconscious “indulgence”, expensive and cheap at the same time, is partly fuelled by a sense of display. As everyone else nodded off, the energy drained from the act. By the time we reached London, hints of looming shame mingled with the prospect of relief – the act could soon be dropped and the “fun” replaced by just living.

No day has ever been damaged by the spectacle of genuine joyousness. It’s the fraudulent stuff that leaves a bad taste. Authentic fun is infectious, inauthentic fun the opposite. I am no puritan. I pursue pleasure wherever I can. I enjoy drinking alcohol almost every day. My objection is that these people are amateurs. They don’t know what they’re doing. It’s hard to know which is worse: that they’re damaging everyone else’s day, or that they’re failing even to enhance their own. Observing people drinking ineptly has the same desperate quality as overhearing ham-fisted attempts at seduction.

What does a pleasurable day at the cricket really look like? Breakfast (with serious coffee) near the ground, taking in the nervous excitement on the faces of both sets of fans; arrive before play, to hear the hum of the crowd slowly find its full voice; a glass of wine at lunch; the interweaving of cricket and conversation, one taking up the slack when the other wanes, with no pressure on either to fill all the space; a cold pale ale, the bottle frosted with condensation, in warm sunshine at 6pm; finally, over dinner, shared reflections on the match, memories deepening with friendship.

No one will single you out for eye-catching displays of “fun”. Your memories will be unique, but your contribution was anonymous. That is not to say you didn’t do anything special. You were part of a crowd and you played your part fully. The game and the day were better for you being there. Let’s celebrate that.

The celebration of drunkenness fills the whole day, so that no second is safe from invasion. Photograph: Getty Images

Ed Smith is a journalist and author, most recently of Luck. He is a former professional cricketer and played for both Middlesex and England.

This article first appeared in the 15 July 2013 issue of the New Statesman, The New Machiavelli

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For the first time in my life I have a sworn enemy – and I don’t even know her name

The cyclist, though, was enraged. “THAT’S CLEVER, ISN’T IT?” she yelled. “WALKING IN THE ROAD!”

Last month, I made an enemy. I do not say this lightly, and I certainly don’t say it with pride, as a more aggressive male might. Throughout my life I have avoided confrontation with a scrupulousness that an unkind observer would call out-and-out cowardice. A waiter could bring the wrong order, cold and crawling with maggots, and in response to “How is everything?” I’d still manage a grin and a “lovely, thanks”.

On the Underground, I’m so wary of being a bad citizen that I often give up my seat to people who aren’t pregnant, aren’t significantly older than me, and in some cases are far better equipped to stand than I am. If there’s one thing I am not, it’s any sort of provocateur. And yet now this: a feud.

And I don’t even know my enemy’s name.

She was on a bike when I accidentally entered her life. I was pushing a buggy and I wandered – rashly, in her view – into her path. There’s little doubt that I was to blame: walking on the road while in charge of a minor is not something encouraged by the Highway Code. In my defence, it was a quiet, suburban street; the cyclist was the only vehicle of any kind; and I was half a street’s length away from physically colliding with her. It was the misjudgment of a sleep-deprived parent rather than an act of malice.

The cyclist, though, was enraged. “THAT’S CLEVER, ISN’T IT?” she yelled. “WALKING IN THE ROAD!”

I was stung by what someone on The Apprentice might refer to as her negative feedback, and walked on with a redoubled sense of the parental inadequacy that is my default state even at the best of times.

A sad little incident, but a one-off, you would think. Only a week later, though, I was walking in a different part of town, this time without the toddler and engrossed in my phone. Again, I accept my culpability in crossing the road without paying due attention; again, I have to point out that it was only a “close shave” in the sense that meteorites are sometimes reported to have “narrowly missed crashing into the Earth” by 50,000 miles. It might have merited, at worst, a reproving ting of the bell. Instead came a familiar voice. “IT’S YOU AGAIN!” she yelled, wrathfully.

This time the shock brought a retort out of me, probably the harshest thing I have ever shouted at a stranger: “WHY ARE YOU SO UNPLEASANT?”

None of this is X-rated stuff, but it adds up to what I can only call a vendetta – something I never expected to pick up on the way to Waitrose. So I am writing this, as much as anything, in the spirit of rapprochement. I really believe that our third meeting, whenever it comes, can be a much happier affair. People can change. Who knows: maybe I’ll even be walking on the pavement

Mark Watson is a stand-up comedian and novelist. His most recent book, Crap at the Environment, follows his own efforts to halve his carbon footprint over one year.

This article first appeared in the 20 October 2016 issue of the New Statesman, Brothers in blood