Will it take another world war to get more women into engineering?

Competent engineers are essential to the economy, the environment and the health of the nation - so why isn't more being done to encourage competent women into the industry?

By the time a child blows out the candles on their fourth birthday cake, they have already decided which jobs are for men and which are for women. Boys are fire fighters or builders, girls are nurses or teachers.

Tragically, children’s books and TV programmes, as well as many parents and school teachers, inadvertently reinforce these socially constructed identities due to their own lack of understanding and preconceptions.

Alarmingly a miniscule six per cent of practicing engineers in the UK are women, according to the Women's Engineering Society.

This is the lowest number in Europe. In comparison Sweden, a country more famed for its flat pack furniture than its rich engineering heritage, has four times more female engineers than us.

But when did Britain decide that women should not aspire to be engineers and help to change the world? And worst still who thought up the ludicrous notion that women would not make good engineers? The women of Great Britain have already proven that they can be outstanding engineers and run this country single handedly. Just 70 years ago, when the men left to fight in the Second World War, women went into factories and did, more than competently, the work of talented engineers.

Sadly, at the end of the war when the men returned, everyone went back to their so called "traditional roles" and many women who could have changed the world through the discipline forgot their true calling. Will it take another war to get women back into engineering? I hope not.

Disastrously, the field of engineering loses so many talented women to so-called "caring professions" because they want "to make a difference." Ironically, making a difference is the bread and butter of engineering and in today's world is vitally important for the future.

The Women's Engineering Society states that in 2011 an overwhelming 85 per cent of engineering and technology graduates were men. While in the same year 83 per cent of medical degrees were awarded to women. This year’s A level statistics also show that only 21 per cent of girls took A level physics, however, those that did outperformed their male classmates, achieving more top A grades.

The world needs more competent engineers – that is, more female engineers.

As we continue to live through difficult financial times, there are many other pressing problems that threaten our quality of life, such as global warming, the depletion of natural resources and health - to mention just a few. Engineers and scientists are the only people who can stop the halt the destruction of our planet, so what better way to show you care and make a difference than to save the world?

Many have written about the importance of raising and changing the profile of engineering. The Institute of Engineering said that we need at least 10,000 new engineers every year between 2012 and 2020 just to keep us afloat. Recently, Sir Richard Olver, chairman of BAE Systems and a fellow of the Royal Academy of Engineering, also reflected on how the lack of engineers will result in Britain being ill prepared for the future. This is without doubt true. While the UK is struggling to recover from the recent recession, the number of professionals is falling.

Industry, academia and the government have made constant efforts to challenge preconceptions about what people continue to believe to be a male and "dirty" discipline. However, we should be desperate to educate parents and teachers about the value and impact of this profession, as well as, drastically change all information and knowledge that young children get from the moment they are born.

It is our duty, whether as a parent, teacher, guardian, or role model to inspire a future generation of Amy Johnsons and Caroline Hasletts to help make a difference and change our world.

Professor Elena Rodriguez-Falcon, Faculty Director of Women in Engineering at the University of Sheffield

An engineer analyzes radioactive nuclear fuels in Saint-Paul-lès-Durance, southeastern France. Photograph: Anne-Christine Poujoulat/AFP/Getty Images.
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Why are online jokes funnier without punctuation and capital letters?

Academics and social media users weigh in on Twitter’s most unexplained phenomenon. 

The first person to notice it did so in 2010. “Sometimes I think a twitter joke is funnier if you omit punctuation,” tweeted @zacharylittle on 2 April. He was a pioneer. It took two years for anyone else to express the same thought, but they did so in droves. “I like not using punctuation like commas on twitter because its somehow funnier lol,” said @chxrliesheen, sans apostrophe. “I never use punctuation on twitter and tumblr I just think its funnier ok,” exclaimed @julieamarch. From then until now, people have been constantly questioning the phenomenon, but there are still no answers.

Why exactly are Twitter jokes funnier when they have grammatical errors, discard punctuation, lack capital letters, or are misspelled?

“There is a frisson, or sense of pleasure, from playfulness in language,” Dr Deborah Tannen, a professor of linguistics at Georgetown University, tells me over email – in which she demonstrates some of this playfulness herself. “writing wihtout caps, proper punctation, and leaving misspellings uncorrected also feels like private communication, like whispered kjokes, and therefore has the same potential thrill.”

Dr Hugh Rabagliati, a Chancellor's Fellow at the School of Philosophy, Psychology, and Language Sciences at the University of Edinburgh, warns me that most of his knowledge on the subject comes from “spending too much time on Twitter, rather than any obvious academic work”. It is true that research into the area is lacking – books about “internet language” get outdated quickly, and seem to focus on email and chatrooms, rather than more modern social media. “The misspellings [on Twitter] are often beautifully calibrated, like a very subtle malapropism, and the grammar errors are designed to make familiar material feel out of kilter,” he says.

Sometimes humour is found when grandiose sentiments are contrasted with train-wreck grammar, he argues, whereas other times the language can be exclusionary and people share it to prove they “get” the joke.

Perhaps the most famous Twitter user who has mastered the technique of the misspelled tweet is Jonathan Sun. Sun has gained 168,000 followers posing as an “aliebn confuesed abot humamn lamgauge”, and is part of what is known as “weird Twitter”, a subset of the site where humour is surreal and often bolstered by misspellings, a lack of punctuation, and grammatical errors. But while “weird Twitter” takes it to the extreme, many other arguably “normal” Twitter users will uncap the start of their Tweets or the word “I”.

“i’m not really sure why but i’ve been going out of my way to un-cap for ages,” one anonymous Twitter user told me via a direct message on the site. “i recognise that it is a stupid waste of time, ive had partners mock me for it.” Possibly, they theorise, they do this because they used to edit copy as part of their job. “it could be a reaction to that, to be completely armchair psychology about it.”

Naomi Baron, a professor of linguistics at American University and author of Words Onscreen: The Fate of Reading in a Digital World reinforces this point. She argues that language users are always looking for ways to distinguish their voices and express emotion. “A bevy of authors – from the poet e.e. cummings to social media scholar danah boyd – have further personalised their identity by eschewing the normal capitalisations in their names,” she says. “When it comes to social networking sites such as Twitter, lack of capital letters lends a tone of informality that makes the messages feel more speech-like.”

It’s hard to admit that you’re deliberately making mistakes in order to look offhand, as you are essentially revealing you try-very-hard-to-look-like-you’re-not-trying-at-all. But Rebecca Reid, a 25-year-old journalist, admits this is why she used to uncap her tweets. “Honestly I literally thought it made me look cooler,” she says. “I saw my sister doing it, and she's a couple of years younger and very trendy, so I thought it was just what we were doing. So I copied her. This is so tragic from me. And after a while I realised that it wasn't making me seem edgy, it was making it seem like the shift button on my key board was broken.”

It is true that informality is important in written messages, as a 2015 study revealed that ending text messages with a full stop was perceived to be insincere, most likely because it is seen as a sign of aggression. Twitter jokes that are written similarly formally – with full stops and capital letters – might also seem insincere, or be less inviting or inclusive than those with deliberate mistakes, run-on sentences, or five-too-many exclamation marks.

“There's also a phenomenon that linguists have only started discussing in the last decade, called ‘Eggcorns’,” says Rabagliati. “Here the speaker has learned a misanalysed locution. The phenomenon is named from the case of a woman who had, all her life, misheard the word acorn as ‘eggcorn’. ‘To all intensive purposes’ is a similar error. These mistakes play on our fear that our knowledge of language might not be as robust as we want to believe – think about all those words that you've read, but never heard aloud. Plus, the errors are fun because they demand some backwards reasoning to reconstruct.” 

More academic research is needed for a final answer on the phenomenon, but one thing is certain. If uncapitalising things on Twitter is cool, writing an 800-word article about it certainly isn't. 

Amelia Tait is a technology and digital culture writer at the New Statesman.