On manipulating memories, we're not as far behind Hollywood as you might think

Deep brain stimulation is racing ahead, and the ethical issues associated with it are starting to be debated.

Remember Total Recall? When the film came out in 1990, its premise, in which people take virtual holidays using memory manipulation, seemed farfetched. But on 20 August President Obama’s commission on bioethics debated what we ought to do about memory manipulation. That’s because it is just one of many invasive actions we are beginning to perform on the brain.
This month, the first trials of a new technique for controlling Parkinson’s disease began. A German sufferer has had a “deep brain stimulation” device, essentially a pair of electrodes, implanted in his brain. It will monitor the brain’s activity to deliver electrical currents designed to combat tremors and muscle rigidity. A similar technique has been shown, in a few cases, to reverse the shrinkage of brain tissues associated with Alzheimer’s disease. This reversal was not only about the neural tissue’s physical appearance: it led to improved brain functioning. No one knows how it works; the best guess is that it stimulates the growth of neurons.
Deep brain stimulation is also a treatment option if you have obsessive compulsive disorder. OCD appears to arise when electrical circuits conveying signals between the emotional and the decision-making parts of the brain become stuck in feedback loops. That leads to people compulsively repeating actions because the anxieties associated with not having done the task don’t get erased. A jolt of electricity seems to clear the brain jam, however. Similar treatments seem to be a cure for depression in some people.
And, true to Hollywood, we are now manipulating memories. We’re not yet at the virtual holiday stage, but mice are starting to have some strange experiences. Last month it was reported that electricity delivered to a mouse’s hippocampus gave it a memory of receiving a shock to the foot.
Hence the need for ethical review: it is easy to see how this could eventually be used to create a tool for controlling errant prisoners, say, or mental-health patients. Perhaps you remember the electroconvulsive “therapy” punishment in One Flew Over the Cuckoo’s Nest? It’s still seen as a treatment option for depression but some think it’s too blunt an instrument. Deep brain stimulation is far less blunt – yet who decides just how blunt is acceptable?
There are many other issues to face. As we begin our assault on the brain, we will begin to gather information that might turn out to be problematic. Brain experiments are already suggesting that some people have naturally poor control over impulsive actions, and are more prone to criminal or antisocial behaviour. It is important that such information should not get thrown casually into the public sphere.
For all the appropriate caution, let’s acknowledge that some of the things we’re learning to do to the brain are really rather exciting. Having a virtual holiday might sound like a bore, but what about having razor-sharp focus at the flick of a switch? The US military is piloting a scheme that is mind-bendingly futuristic: a DC electrical current applied to the brain that in effect puts you into a high-concentration zone. With “transcranial direct current stimulation”, learning is accelerated and performance in tasks that require mental focus is significantly enhanced.
The Americans are using it to improve sniper training but that won’t be the only application. One day soon you might unplug yourself and utter the immortal words: “I know kung fu.” Hollywood races ahead, but we’re not as far behind as you might think.
Jack Nicholson in the film version of "One Flew Over the Cuckoo's Nest".

Michael Brooks holds a PhD in quantum physics. He writes a weekly science column for the New Statesman, and his most recent book is At the Edge of Uncertainty: 11 Discoveries Taking Science by Surprise.

This article first appeared in the 26 August 2013 issue of the New Statesman, How the dream died

Show Hide image

Why are online jokes funnier without punctuation and capital letters?

Academics and social media users weigh in on Twitter’s most unexplained phenomenon. 

The first person to notice it did so in 2010. “Sometimes I think a twitter joke is funnier if you omit punctuation,” tweeted @zacharylittle on 2 April. He was a pioneer. It took two years for anyone else to express the same thought, but they did so in droves. “I like not using punctuation like commas on twitter because its somehow funnier lol,” said @chxrliesheen, sans apostrophe. “I never use punctuation on twitter and tumblr I just think its funnier ok,” exclaimed @julieamarch. From then until now, people have been constantly questioning the phenomenon, but there are still no answers.

Why exactly are Twitter jokes funnier when they have grammatical errors, discard punctuation, lack capital letters, or are misspelled?

“There is a frisson, or sense of pleasure, from playfulness in language,” Dr Deborah Tannen, a professor of linguistics at Georgetown University, tells me over email – in which she demonstrates some of this playfulness herself. “writing wihtout caps, proper punctation, and leaving misspellings uncorrected also feels like private communication, like whispered kjokes, and therefore has the same potential thrill.”

Dr Hugh Rabagliati, a Chancellor's Fellow at the School of Philosophy, Psychology, and Language Sciences at the University of Edinburgh, warns me that most of his knowledge on the subject comes from “spending too much time on Twitter, rather than any obvious academic work”. It is true that research into the area is lacking – books about “internet language” get outdated quickly, and seem to focus on email and chatrooms, rather than more modern social media. “The misspellings [on Twitter] are often beautifully calibrated, like a very subtle malapropism, and the grammar errors are designed to make familiar material feel out of kilter,” he says.

Sometimes humour is found when grandiose sentiments are contrasted with train-wreck grammar, he argues, whereas other times the language can be exclusionary and people share it to prove they “get” the joke.

Perhaps the most famous Twitter user who has mastered the technique of the misspelled tweet is Jonathan Sun. Sun has gained 168,000 followers posing as an “aliebn confuesed abot humamn lamgauge”, and is part of what is known as “weird Twitter”, a subset of the site where humour is surreal and often bolstered by misspellings, a lack of punctuation, and grammatical errors. But while “weird Twitter” takes it to the extreme, many other arguably “normal” Twitter users will uncap the start of their Tweets or the word “I”.

“i’m not really sure why but i’ve been going out of my way to un-cap for ages,” one anonymous Twitter user told me via a direct message on the site. “i recognise that it is a stupid waste of time, ive had partners mock me for it.” Possibly, they theorise, they do this because they used to edit copy as part of their job. “it could be a reaction to that, to be completely armchair psychology about it.”

Naomi Baron, a professor of linguistics at American University and author of Words Onscreen: The Fate of Reading in a Digital World reinforces this point. She argues that language users are always looking for ways to distinguish their voices and express emotion. “A bevy of authors – from the poet e.e. cummings to social media scholar danah boyd – have further personalised their identity by eschewing the normal capitalisations in their names,” she says. “When it comes to social networking sites such as Twitter, lack of capital letters lends a tone of informality that makes the messages feel more speech-like.”

It’s hard to admit that you’re deliberately making mistakes in order to look offhand, as you are essentially revealing you try-very-hard-to-look-like-you’re-not-trying-at-all. But Rebecca Reid, a 25-year-old journalist, admits this is why she used to uncap her tweets. “Honestly I literally thought it made me look cooler,” she says. “I saw my sister doing it, and she's a couple of years younger and very trendy, so I thought it was just what we were doing. So I copied her. This is so tragic from me. And after a while I realised that it wasn't making me seem edgy, it was making it seem like the shift button on my key board was broken.”

It is true that informality is important in written messages, as a 2015 study revealed that ending text messages with a full stop was perceived to be insincere, most likely because it is seen as a sign of aggression. Twitter jokes that are written similarly formally – with full stops and capital letters – might also seem insincere, or be less inviting or inclusive than those with deliberate mistakes, run-on sentences, or five-too-many exclamation marks.

“There's also a phenomenon that linguists have only started discussing in the last decade, called ‘Eggcorns’,” says Rabagliati. “Here the speaker has learned a misanalysed locution. The phenomenon is named from the case of a woman who had, all her life, misheard the word acorn as ‘eggcorn’. ‘To all intensive purposes’ is a similar error. These mistakes play on our fear that our knowledge of language might not be as robust as we want to believe – think about all those words that you've read, but never heard aloud. Plus, the errors are fun because they demand some backwards reasoning to reconstruct.” 

More academic research is needed for a final answer on the phenomenon, but one thing is certain. If uncapitalising things on Twitter is cool, writing an 800-word article about it certainly isn't. 

Amelia Tait is a technology and digital culture writer at the New Statesman.