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Want to sell a bad book? Tap into Twitter's network of "influencers"

How did a 19-year-old self-published author's debut novel become a viral sensation?

Ashton is undeniably handsome. His striking blue eyes stare at you from under bushy, dark eyebrows in his Twitter profile picture, and he has finished off the whole look by cheekily biting his bottom lip. He is a teenage heartthrob, followed mostly by young girls on the social network, but like most teenage boys he only has one thing on his mind.

All Ashton cares about is promoting the digital sales of the young adult romance novel Just Friends by Billy Taylor.

“GIRLS U NEED TO READ THIS,” wrote Ashton on 25 Jan, followed by a crying and heart emoji. Two days earlier, on 23 Jan, he said the same. The thought also appeared to be on his mind on 22, 20, 18, and 16 Jan. For months, Ashton has been posting the same tweet – and getting nearly a thousand retweets each time – about a 19-year-old author from Sheffield’s self-published book.

Via @ashtontayz

You don’t need to have been on the internet for a long time to realise that Ashton isn’t real. His profile was designed by marketers to promote various products, and the tweets are then retweeted by prominent Twitter accounts in order to appear popular. “It makes the tweet looks more natural and from an 'actual' person,” explains Jason Wong, a 19-year-old internet entrepreneur, who used this account and these methods – known as “influencer marketing” – to promote his book The Holy Méme Bible. Despite being fundamentally fake however, Ashton’s tweets – and those of similar accounts (here, here, and here) – reach millions of real people.


“I bought ‘Just Friends’ based on an excerpt of the book that gained a lot of attention within the Twitter community,” Sofia Aguilar, a 17-year-old student from the United States, tells me. “Instead of reading the beautiful story that I had been promised, I instead read a book that was poorly written, unedited, and lacking in any complexity in the character, plot, and dialogue aspects.

“The excerpt that had first attracted me to ‘Just Friends’ may have been the only gem of the story, and as such, I felt very cheated out of my money and my time.”

Aguilar isn’t alone. The most recent reviews of the book on Goodreads paint a picture of hundreds of misled teen girls. “I was expecting a bit more from this book. It's a pretty big deal on Twitter,” writes Catherine, who rated it two stars; “Very disappointed with this book. After noticing a lot of people talk about this book on social media I decided to purchase it for my summer holiday,” says Amy (one star); Sage, who gave the book two stars, writes: “I am writing this because I had been blasted with advertisements regarding this book and I thought alright fine let me give it a go… I had high hopes but there were so many mistakes in grammar … just warning you as someone who never writes reviews and has read hella books - it is not worth the money.”


It is not just the book that is extraordinarily popular on Twitter. Pictures of the author Billy Taylor holding the book and his puppy garner thousands of shares on the site. While the influencer accounts create an artificial reaction, there are many real people who go on to share the posts once they appear on their timeline. Taylor undoubtedly has thousands of real fans (the book was once featured on the Apple iBooks homepage and an audit of his account proves that almost none of his followers are fake), but that doesn’t change the fact that many teenagers feel duped.

I reach out to Taylor multiple times over a few weeks, and when he finally replied he said he was not interested in speaking with me. It is not apparent whether he himself organised for his book to be promoted by influencer accounts (such as @BeFitWorld, which as 308,000 followers, @DeepxSnaps which has 302,000, or @TheLifeDiaries which as 3.54 million) or whether someone else was at work. Even if he did, it is also not apparent whether he paid for this service. Many of these accounts have since unretweeted their shares of these promotional posts, but the fact they are mentioned in the replies reveals that they initially shared a post. Wong, who used many similar accounts to promote his book, sheds light on how it works.

“Influencer marketing is essentially making something appear more popular than what it already is,” he says. “[Taylor] probably won't want to give out too much info due to the nature of the business.” Wong explains that he reached out to influencers one by one via his own marketing firm and offered them “compensation” to share his tweets. He would compose a tweet, send it to influencers, and pay them based on the results.

“I framed all the posts in a way that seemed organic and easy to share. That way, the tweets can reach a broader audience without paying for it.”

Wong had great success with these methods and claims that he earned $200,000 (£160,600) in three weeks selling his "meme bible". There seem to be no complaints about the book online. But when people end up disappointed, as with Taylor’s book, this type of marketing does raise ethical questions. There is also another, more pressing question. Is all of this legal?


Perhaps the most well-known social media marketing company is Social Chain. It had nothing to do with Taylor’s book, but manages hundreds of popular Twitter accounts which it uses to force things to “Trend” on the site. According to Buzzfeed, the company charges brands up to £280,000 to advertise via its influencers.

“With a vast network of social communities and a reach of around 305 million, we work with huge global brands such as Apple Music and Disney to deliver creative campaigns and can get any topic trending in under 17 minutes,” Michael Martin, head of the Social Chain-owned Twitter account Student Problems, tells the New Statesman.

Since 2014, the Advertising Standards Authority (ASA) have cracked down on internet influencers when they ruled that YouTubers had to be “up front and clear” when advertising a product. In practical terms, this means hashtags like #ad (advertisement) and #spon (sponsored) are now used across social media. A spokesperson for the ASA tells me: “If a social media influencer is paid to promote a product or service and the advertiser has control over the message then it should be clearly labelled as an ad.”

The use of “#ad” can therefore stop teenagers being misled by influencer marketing. Things get more complicated, however, if a brand or individual isn’t paying influencers to write a tweet, but simply to retweet one.

“The act of paying someone to retweet but having no control over the message means that it’s unlikely to be classed as advertising under our rules,” says the ASA spokesperson, “[But] under consumer protection legislation and a requirement of the Competition and Markets Authority (CMA) who have undertaken work in this area, it should still probably be labelled as being a paid promotion.”

The ASA have worked with Social Chain to help them understand and enforce these rules, and the CMA ruled in August that it – and other similar networks – must clearly identify its paid-for advertisements.

“It is our view that everyone involved in online endorsements is responsible for ensuring that paid promotions are clearly labelled or identified,” the CMA wrote in their “open letter to marketing departments” last year. “This content is read by consumers, who may rely on the information to inform their purchasing decisions. If it is not correctly labelled or identified, consumers may be misled into thinking it represents the author’s genuine opinion when a business has in fact paid to influence the content.

“Misleading readers or viewers falls foul of consumer protection law and could result in enforcement by either the CMA or Trading Standards Services, which may lead to civil and/or criminal action.”


It is not apparent whether Billy Taylor was involved in the promotion of his book via social influencer networks, or whether any laws were breached in these promotions, which may not have been paid for. It is clear, however, that Twitter influencers have misled teens across the social network by making the book seem artificially popular. A recent study by Stanford University revealed that 82 percent of students couldn't distinguish between a sponsored post and an actual news article. It seems vastly unfair that when teenagers log into their social media accounts, they have to navigate an online world where they will be tricked out of what little money they have. 

Amelia Tait is a technology and digital culture writer at the New Statesman.

Curtis Holland
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Living the Meme: What happened to the "Bacon is good for me" boy?

Eight years after becoming a meme, the boy dubbed "King Curtis" explains what life is like now.

It is hard to pinpoint the one quote that made Curtis Holland a viral sensation. When he appeared on Wife Swap eight years ago, Holland – aka King Curtis – battled ferociously with his replacement mum Joy, who wanted to rid his home of unhealthy snacks. “Chicken nuggets is like my family,” he said at one point; “I don’t wanna be skinny! I wanna be fat and happy,” he said at another; during one particularly memorable scene he wrote “I am not lisning to your rules” on a Post-It note.

“Bacon is good for me!” perhaps comes out top. The quote – like all the others – has become an internet meme, featured in screenshots and gifs, but has additionally been remixed into a song. The original clip has over ten million views on YouTube. Now aged 15, Holland is speaking to me from his home in Vanceboro, North Carolina. “Oh yes!” he says when I ask if he still likes bacon. “Every morning my mum gets up and we all cook bacon together.”


Before speaking to Holland, I had eaten (ten) chicken nuggets for my tea, but when I tell him this I'm not sure he believes me. “I know some people say this just to say it,” he says, before admitting he himself had eaten some that day. “This morning that's exactly what I had.”

Holland speaks in a straightforward matter-of-fact tone that is just as endearing now as it was when he was seven. He is incredibly respectful – calling me “ma’am” at least three times – and is patient when I struggle to decipher his thick Southern accent (“pennies” for example, becomes “pinnies”, “cars” is “curs”).

“We live in a small community, and a lot of people say that I'm the movie star,” says Holland, when I ask him to explain how life has changed since appearing on TV. When I ask about life after becoming a meme, Holland is less sure. “I mean I don't have a Twitter but a lot of people say that I'm up there just about every week,” he says (in reality, the clip of his appearance alone – never mind gifs, quotes or screenshots – is tweeted multiple times a day).

There is one meme moment, however, that Holland definitely didn’t miss. In 2015, Pretty Little Liars actress Lucy Hale posted a photo to Instagram asking for an update on his life. In response, Holland created a YouTube video asking for money to rebuild cars and confidently saying “Someday I’ll get my own bacon brand.” The video got over 400,000 views.

“I went viral for I think three or four days and I was on the most views on YouTube,” explains Holland. “That was pretty cool for me, to see when I look on YouTube there my face is.” How did it make him feel, I ask? “It makes you feel good inside. One day I come home from school and I was mad, and I can tell you it just made me feel really good inside to see that [the video] was pretty much one of the top in basically the world.”

Despite enjoying the attention, Holland has no aspirations to be a TV or internet star again. He is part of an organisation called the Future Farmers of America (FFA), and plans to go to his local community college before becoming a welder. “There’s a few know-it-alls in the community,” he says, “They just say it’s crazy how you went and did all that and now you’re not going on in the movie field. That’s not something I’m really interested in.”

Yet although Holland says it’s “time to move on a little bit”, he also admits he would be open to any offers. “A lot of people say well why don’t you just get up with a bacon company and do commercials or something… I mean I wouldn’t mind doing that if they came and asked me.” After Wife Swap, a company did come and film a pilot for Holland’s own show, but it never amounted to anything. “I mean you'd be lucky to get on TV once in your whole life and I feel like I really enjoyed it when I was up there,” he says when I ask if this was disappointing.

All of this means that Holland hasn’t made much money from his viral fame. Unlike other memes I’ve spoken to, he hasn’t earned hundreds of thousands of dollars. “I believe I got 150 bucks,” he says of his “Update” YouTube video, “All the other stuff like the ‘Bacon is good for me’ songs, they’ve [the creators] made $75,000 and that’s a lot of money putting away."

“I mean it don’t annoy me because it ain’t my fault; it’s nobody’s fault in the situation. They found a way around the system,” he says when I ask if he’s annoyed at others’ making money at his expense.

Nowadays, Holland is still recognised when he is out and about, and says he has signed over one thousand autographs in his life (once he was wary of a neighbourhood policeman who was asking him to sign a parking ticket, before he realised he simply wanted an autograph). “I don’t get sick of it, but of course you’ve got a few people that want to be rude about what you’re doing.

“I really don’t care, I’m a really upbeat kind of person. If there's somebody in a computer screen telling me something that means nothing, you know?”

For Holland, then, the good outweighs the bad. Apart from being asked after by Lucy Hale, his favourite thing about going viral is that he gets to make people laugh. “If I can go up to somebody and make their day and make them smile, I feel like I’ve done a great thing,” he says.

I end the interview with Holland like I end all of my interviews with memes: by asking him if there’s anything he would like to say – a message he’d like to get out there, or a misconception he’d like to clear up – now that he has the chance.

“Oh nothing I've got to say,” he begins, “except bacon is still good for me.”

 “Living the Meme” is a series of articles exploring what happens to people after they go viral. Check out the previous articles here.

To suggest an interviewee for Living the Meme, contact Amelia on Twitter.

Amelia Tait is a technology and digital culture writer at the New Statesman.