Wakey wakey. Image: ESA
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After seven months in hibernation on a comet, the space probe Philae has woken up

ESA's space probe Philae has awoken on comet 67P/Churyumov–Gerasimenko after seven months in hibernation. 

On November 12, 2014, Rosetta ejected the dishwasher-sized, tendril-like limbed Philae into the quiet abyss of space. Its mission: to land on a comet with feeble gravity that moves 40 times the speed of a bullet:

Rosetta’s OSIRIS narrow-angle camera shows the Philae lander at 10:23 GMT (onboard spacecraft time) on 12 November, almost two hours after separation. Image: ESA

In a bid to become the new hero of new-age space technology, Philae, despite its harpoons malfunctioning, and despite its bumpy landings, found itself miraculously wedged in a rocky crevice on comet 67P Churyumov-Gerasimenko. Its rather fortunate position sent back (via Rosetta) some intriguing images of the comet’s shadowed surface:

A spot on the comet's surface before it landed is empty (left) and then after the landing a new blip appeared (middle and right). Image: ESA

A cosmic power was on Philae’s side that day. Had the trajectory of the bounce(s) been a few kilometres too high, and/or had Philae’s harpoons tried to pierce into comet 67P's harder-than-expected icy subsurface, Philae might have not made history.

On 15 November, the 500m km distance between Philae and the Sun became a little too long to handle. Soon after the champagne popped upon Philae's landing, its batteries began rapidly depleting because there was not enough sunlight needed to recharge them.

The engineers of European Space Agency (ESA) were, behind the smiles, all too aware of this, and before its termination, commanded Philae to rotate enough to get one of its solar panels into sunlight. It helped. Like a hedgehog with a belly swollen with food, it protected itself from the cold winter months ahead, by going into hibernation.

The hope was as the comet rotates towards the Sun, Philae would get enough solar energy through its panels to wake as the Sun rises. 

On Saturday at 20:28 UTC, at a distance from the Sun of about 200m km, Philae woke up! The signal from the lander (via Rosetta) was received by the European Space Operation Centre. Philae will make its closest encounter to the Sun on 13 August.  

"Philae is doing very well: It has an operating temperature of -35ºC and has 24 Watts available," explained DLR Philae Project Manager Dr Stephan Ulamec. "The lander is ready for operations."

According to ESA, Philae "spoke" with its team on ground for 85 seconds, via Rosetta, in the first contact since going into hibernation in November. When analysing the status data, it became clear to the ESA team that Philae also must have been awake earlier: "We have also received historical data – so far, however, the lander had not been able to contact us earlier," Ulamec added.

Due to the ESA astronomers' unwavering resilience, the Rosetta mission is the first ever to orbit a comet. Philae is the first lander to touch down on a cometary surface, and the first to wake from slumber on a speeding comet.

The scenes on comet 67P last November filled viewers with joy and fear – from Philae landing on the comet, to Philae bouncing off the comet due to the malfunctioned harpoons and consequently losing signal with Rosetta mission control. 

When Professor Mark McCaughrean, ESA’s Senior Science Adviser, heard Philae had woken up, it was half past ten at night and he and his colleagues couldn't sleep because of the excitement, he tells me. When the word finally got out to the media, the public went “nuts”, he adds.

The scientists are now waiting for the next contact with Philae. More than 8,000 data packets remain in Philae’s mass memory that will give the DLR team information on what happened to the lander in the past few days on the comet.

For now, Philae’s health will be examined. New data is expected to be sent which will hopefully include the exact location of Philae. That’ll give engineers the best methods to deal with the lander’s orientation, as well as to continue the Rosetta mission – a mission in which its prime objective is to understand the origin and evolution of the Solar System.

For more updates and current info, follow the ESA's Rosetta blog.

Tosin Thompson writes about science and was the New Statesman's 2015 Wellcome Trust Scholar. 

Azeem Ward
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Living the Meme: What happened to Azeem Ward and his flute?

In the first of a new series investigating what happens to people after they become memes, we speak to Azeem Ward, whose flute recital went viral in 2015.

The Sixties had Woodstock. The Nineties had Lollapalooza. The Tens – and, if we’re being honest, just a single year of them – had Azeem's Senior Flute Recital.

If you were inactive on the internet between 12 and 16 May 2015, you’ll be forgiven for not knowing who Azeem Ward is. After setting up a Facebook page for his end of year flute performance, the University of California student was inundated with over 100,000 RSVPs from the United Kindom, along with multiple requests to fly to England and play (for no apparent reason) Darude’s “Sandstorm” in Nando’s. After international news coverage, Ward – as all memes inevitably do – appeared on Jimmy Kimmel Live! to discuss his newfound fame. On 16 May, he had to turn hordes of people away from the 500 seat recital hall, and over 55,000 individuals tuned into a livestream of the event. Then, Ward disappeared. Not from social media, and not from the world, but from the internet’s collective consciousness.

Search interest in "Azeem Ward" over time

“I’d say no,” answers Ward, when I ask him whether, one and a half years later, he still receives any special attention or has any fan interactions. “I’m just regular Azeem now, and I’m okay with that. Regular me is a more focussed person that is not reacting to things that are happening around me.”

Ward is Skyping me from his home in Iowa, where he is getting his master’s degree in flute performance. He spends his time composing flute beatbox songs, learning how to produce music, and teaching a class on flute fundamentals at the university. “A lot of [the students] here in Iowa know what happened but they don’t go like: ‘Oh my God! It’s Azeem!’. It’s just like, ‘Hey, what’s up man? I saw that one thing about you on Jimmy Kimmel’.”  

The original Facebook event page

Ward regained his anonymity when he moved to Iowa, as many of his fellow undergraduate students in California recognised him because he was on the local news. “But the whole viral thing was a UK thing,” he explains, “It wasn’t really around the whole US.”

An Azeem meme

Four months after his famed flute recital, Ward did come to the UK and toured the country to perform as part of various university freshers’ weeks. “That was a crazy time,” he says, “I was over there for five weeks and played 22 shows in 12 different cities, all the way from London to Scotland.” His concerts were popular, though most people came to take a selfie or ask about how the recital happened, and only a few wanted to talk to him about music. Still, Ward profited from the events. “We did make some pretty good money," he says, admitting he earnt around $5,000. 

Despite clearly enjoying this time, Ward seems unfazed that his viral fame is now over. His only regrets, he says, are that he didn’t make any connections in the music business while in the UK, and that he didn’t have any social media accounts set up before he went viral, so there was nowhere for people to go to listen to his music. “When you go viral people hold onto that rather than taking you seriously as a musician,” he says. “Sometimes it annoyed me but sometimes I realised that I wouldn’t be there in the first place if it wasn’t for going viral.”

Azeem now, photo courtesy of Azeem Ward

So what advice would Ward give to the next person who finds themselves, unwittingly, the object of the internet’s affection?

“I'd say don't lose sight of what you've already been doing in your life, like keep your focus. I'd say that sometimes in your head you're like ‘Oh man, I have to do this now’, but you've just got to stay focussed on your goals. When you have your own path and you go viral you have a lot of people asking you to do all these different things. It was pretty intense – I’m not used to having a lot of people look at me and my actions, so I was pretty anxious at first. In the end I realised that I came to do what I came to do, and I had to go do it.”

Although Ward doesn’t miss being internet-famous, it is clear that going viral had an impact on him. He recalls the peak of the madness with telling clarity, sharing specific details such as "256 people” clicked attending in "four hours", and “then 512”, before 12,000 people RSVP’d overnight. Mostly, however, he seems very grounded, though he acknowledges it was “out of control” and “really crazy”.

Perhaps Ward feels this way because he received little in the way of negativity or hate. He fondly discusses memes that were created and art that was drawn about him, and the support of his family and friends. “Even though there were a lot of silly things going on, I managed to make it positive for the school,” he says. “I had no haters. Everyone was like ‘Damn, Azeem. Good job, man’.”

One day, Ward hopes to come back to London, although he is wary of returning. Not because of his viral fame, nor the number of selfies he might have to take with Nando's customers, but because of Brexit. Our conversation, like all post-June conversations, turns swiftly to the topic, and Ward asks me about the economy. “I was thinking about trying to do a doctorate over in London, but if things aren't going to be so good in a few years...” 

Ward admits he wouldn’t be bothered if he never went viral again. “When I think of something going viral, I think it has a point in time where there’s so much interest and then it goes away. I’d like to produce material and the attention to keep going up.” So do you want to be famous, I ask? “Do I really want to be famous?” he ponders. “Being famous is okay, I guess. But I want to be is respected and appreciated.”

To listen to Azeem’s music visit soundcloud.com/azeem-ward or Like his Facebook page.

To suggest an interviewee for Living the Meme, reach out to Amelia on Twitter.

Amelia Tait is a technology and digital culture writer at the New Statesman.