Dark skies: a view of the milky way during a meteor shower, Myanmar. Photo: Getty
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Dark energy vs dark matter: a battle of two cosmic monsters

Michael Brooks’s Science Column.

It might be the most prestigious journal in physics, but the Physical Review Letters is no good at teasers. Early in November it published a paper entitled: Indications of a Late-Time Interaction in the Dark Sector. Hardly a great headline for what should have been, in the style of Alien v Predator, “Dark Matter v Dark Energy” – a story of two cosmic monsters locked in eternal conflict.

We believe these monsters exist, but we haven’t seen either of them and we know very little about them. We have suspected the existence of dark matter since 1933, when a Swiss astronomer noticed something odd about the way galaxy clusters spin. They looked like they were being held together by the gravitational pull of invisible matter, which he duly named dark matter. We have been trying to see the stuff ever since, to no avail.

Dark energy is a more recent idea. It, too, comes from astronomical observations, this time of supernovae. A 1998 analysis of the light from these stellar explosions suggested that not only is the universe expanding, but this expansion is getting faster all the time. That can only happen with the help of energy from some unknown source – hence dark energy.

Together, dark energy and dark matter make up 96 per cent of the universe. Now, it turns out, dark energy may be consuming the dark matter.

The discovery came from more observations: this time, of the rate at which cosmic structures form. Dark matter seeds galaxy formation, but galaxies aren’t forming as fast as we would expect. This would make sense if dark matter were disappearing from the universe, but various straightforward explanations for why that might occur have failed to correspond with the observed facts. Now a team of British and Italian researchers has created a computer model that does match the observations. Critical to its success is the idea that dark matter is slowly being converted to dark energy.

According to the simulation, the ingestion of dark matter would be a relatively recent phenomenon, beginning roughly eight billion years ago. If it is really happening, it is important to understand, because our attempts to chart the history of the universe depend on dark matter’s role in forming cosmic structures.

Working from observations of the cosmic microwave background radiation, which came into being roughly 300,000 years after the Big Bang, researchers have shown that the radiation’s distribution through the universe would have seeded long filaments of dark matter. The gravitational pull of these filaments attracted the first atoms of normal matter, gradually creating stars and galaxies in long strings. This is the kind of structure we see now.

Yet if dark energy is slowly taking over from dark matter our previous calculations of cosmic history will have to be corrected. And intriguingly (spoiler alert), it will change our predictions. If dark energy is consuming dark matter, the universe will become dominated by dark energy more quickly than previously thought. That will precipitate an inglorious finale in which dark energy’s repulsive power pushes everything interesting away from us.

Eventually, all the other galaxies will be so far away, and receding so fast, that their light will never reach what remains of our Milky Way. Nearby stars will burn out. Our sun is expected to end its life as a huge single crystal of carbon: a dark diamond in the sky, with no surrounding starlight to make it sparkle.

Afterwards, all the atoms will drift apart and then the fundamental particles of matter will slowly decay to nothing. It’s not a Hollywood ending, but don’t complain that you weren’t warned. 

Michael Brooks holds a PhD in quantum physics. He writes a weekly science column for the New Statesman, and his most recent book is At the Edge of Uncertainty: 11 Discoveries Taking Science by Surprise.

This article first appeared in the 27 November 2014 issue of the New Statesman, The rise of the insurgents

ILONA WELLMANN/MILLENNIUM IMAGES, UK
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How the internet has democratised pornography

With people now free to circumvent the big studios, different bodies, tastes and even pubic hair styles are being represented online.

Our opinions and tastes are influenced by the media we consume: that much is obvious. But although it’s easy to have that conversation if the medium we are discussing is “safe for work”, pornography carries so much stigma that we only engage with it on simple terms. Porn is either “good” or “bad”: a magical tool for ­empowerment or a destructive influence on society. Many “pro-porn” campaigners shy away from nuanced critique, fearing it could lead to censorship. “Anti-porn” campaigners, convinced that porn is harmful by definition, need look no further than the mainstream tube sites – essentially, aggregators of clips from elsewhere – to gather examples that will back them up.

When we talk about the influence of porn, the emphasis is usually on a particular type of video – hardcore sex scenes featuring mostly slim, pubic-hairless women and faceless men: porn made for men about women. This kind of porn is credited with everything from the pornification of pop music to changing what we actually do in bed. Last year the UK government released a policy note that suggested porn was responsible for a rise in the number of young people trying anal sex. Although the original researcher, Cicely Marston, pointed out that there was no clear link between the two, the note prompted a broad debate about the impact of porn. But in doing so, we have already lost – by accepting a definition of “porn” shaped less by our desires than by the dominant players in the industry.

On the day you read this, one single site, PornHub, will get somewhere between four and five million visits from within the UK. Millions more will visit YouPorn, Tube8, Redtube or similar sites. It’s clear that they’re influential. Perhaps less clear is that they are not unbiased aggregators: they don’t just reflect our tastes, they shape what we think and how we live. We can see this even in simple editorial decisions such as categorisation: PornHub offers 14 categories by default, including anal, threesome and milf (“mum I’d like to f***”), and then “For Women” as a separate category. So standard is it for mainstream sites to assume their audience is straight and male that “point of view” porn has become synonymous with “top-down view of a man getting a blow job”. Tropes that have entered everyday life – such as shaved pubic hair – abound here.

Alongside categories and tags, tube sites also decide what you see at the top of their results and on the home page. Hence the videos you see at the top tend towards escalation to get clicks: biggest gang bang ever. Dirtiest slut. Horniest milf. To find porn that doesn’t fit this mould you must go out of your way to search for it. Few people do, of course, so the clickbait gets promoted more frequently, and this in turn shapes what we click on next time. Is it any wonder we’ve ended up with such a narrow definition of porn? In reality, the front page of PornHub reflects our desires about as accurately as the Daily Mail “sidebar of shame” reflects Kim Kardashian.

Perhaps what we need is more competition? All the sites I have mentioned are owned by the same company – MindGeek. Besides porn tube sites, MindGeek has a stake in other adult websites and production companies: Brazzers, Digital Playground, Twistys, PornMD and many more. Even tube sites not owned by MindGeek, such as Xhamster, usually follow the same model: lots of free content, plus algorithms that chase page views aggressively, so tending towards hardcore clickbait.

Because porn is increasingly defined by these sites, steps taken to tackle its spread often end up doing the opposite of what was intended. For instance, the British government’s Digital Economy Bill aims to reduce the influence of porn on young people by forcing porn sites to age-verify users, but will in fact hand more power to large companies. The big players have the resources to implement age verification easily, and even to use legislation as a way to expand further into the market. MindGeek is already developing age-verification software that can be licensed to other websites; so it’s likely that, when the bill’s rules come in, small porn producers will either go out of business or be compelled to license software from the big players.

There are glimmers of hope for the ethical porn consumer. Tube sites may dominate search results, but the internet has also helped revolutionise porn production. Aspiring producers and performers no longer need a contract with a studio – all that’s required is a camera and a platform to distribute their work. That platform might be their own website, a dedicated cam site, or even something as simple as Snapchat.

This democratisation of porn has had positive effects. There’s more diversity of body shape, sexual taste and even pubic hair style on a cam site than on the home page of PornHub. Pleasure takes a more central role, too: one of the most popular “games” on the webcam site Chaturbate is for performers to hook up sex toys to the website, with users paying to try to give them an orgasm. Crucially, without a studio, performers can set their own boundaries.

Kelly Pierce, a performer who now works mostly on cam, told me that one of the main benefits of working independently is a sense of security. “As long as you put time in you know you are going to make money doing it,” she said. “You don’t spend your time searching for shoots, but actually working towards monetary gain.” She also has more freedom in her work: “You have nobody to answer to but yourself, and obviously your fans. Sometimes politics comes into play when you work for others than yourself.”

Cam sites are also big business, and the next logical step in the trickle-down of power is for performers to have their own distribution platforms. Unfortunately, no matter how well-meaning your indie porn project, the “Adult” label makes it most likely you’ll fail. Mainstream payment providers won’t work with adult businesses, and specialist providers take a huge cut of revenue. Major ad networks avoid porn, so the only advertising option is to sign up to an “adult” network, which is probably owned by a large porn company and will fill your site with bouncing-boob gifs and hot milfs “in your area”: exactly the kind of thing you’re trying to fight against. Those who are trying to take on the might of Big Porn need not just to change what we watch, but challenge what we think porn is, too.

The internet has given the porn industry a huge boost – cheaper production and distribution, the potential for more variety, and an influence that it would be ridiculous to ignore. But in our failure properly to analyse the industry, we are accepting a definition of porn that has been handed to us by the dominant players in the market.

Girl on the Net writes one of the UK’s most popular sex blogs: girlonthenet.com

This article first appeared in the 16 February 2017 issue of the New Statesman, The New Times