Google Glass - now available as shades. Photo: Ajit Niranjan / The New Statesman
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Google Glass launches in the UK, but don't expect to be wearing them anytime soon

Google just launched their prototype smartglasses in the UK, two years after they hit the US.

“Ok, glass.”

Two simple words, and a passable imitation of Benedict Cumberbatch’s public school tones – think Sherlock, not Smaug – start a frenzy of activity in the top right-hand corner of my eye. A list of voice commands appears on a screen that feels as if it's projected eight feet away, which I scroll through with the slightest tilt of my head. 

I triple-tap my temple and suddenly I can see the solar system from within the showroom by Central St. Martins on an overcast Monday evening. Constellations and planets are annotated in space but the text is unnecessary. I turn slowly on the spot till I locate the sun hovering over St. Pancras, and a soft voice reads out a Wikipedia-style entry of the star.

This is Google Glass, the latest in high-tech gadgetry. Star Chart, just one of the apps in the prototype I’m playing about with during Glass’ UK launch last night, is like a virtual planetarium which operates on a point-and-look model – no swiping or clicking needed. GPS and gyroscopes make it perfectly suited to Google’s hands-free headset.

The technology giant is selling the prototype of Google Glass for £1000, but don’t write it off because of the price-tag. Though the final version will undoubtedly be much cheaper, the current model is being released now to get public feedback on the project. Just as it has been in the US, Google is looking for British “Explorers” to test the product out and report their experiences of it. Speaking to The Guardian, 'Head of Glass' Ivy Ross – the intellectual counterpart to Blondie – said:

What you’re seeing now is that the people in businesses that acquired them are coming up with all these amazing use cases for it, but the same thing is happening with consumers – artists, mums, dads, school teachers, scientists – they’re doing amazing things with it too.” 

Their London video gives a little taster of how they expect it to take off.

Set aside the technological jargon – one of the team describes it as an “optical head-mounted display optimised for augmented reality” – and it's hard to deny that Glass is actually quite nifty, and user-friendly too: within ten minutes I've got the hang of interacting with the headset, through a combination of vocal commands, swipes and head nods. The employee demonstrating Glass to me – whose Polish accent is just a touch too strong for the voice recognition software – even showcases the surreptitious "wink-for-a-photo"  command. 

Fun as the applications are, there's a strong mood in the room that Google is onto something bigger than a snazzy gadget. Global director of marketing Ed Sanders believes Glass might help us interact more with the real world by taking us away from smartphones and tablets:

People are looking down; people are getting buried in technology. We have a deep, sort of philosophical desire to help people look back up. And one of the big things behind Glass is how you put people back in the moment.”

Supposedly, its functions can be called up without taking the user away from the action. The demonstrator puts this in perspective: imagine you’re on holiday. Want to find directions to a fancy restaurant? Translate the indecipherable Italian menu? Shazam the Pavarotti in the background? Google thinks Glass will let it embed technology in day-to-day life without detracting from the experiences.

Sanders – who managed to use Glass to record the first time his son said ‘Dada’ – thinks the company really might be onto something. The smartglasses were developed by Google X, a “Charlie-and-the-chocolate-factory” division of Google responsible for projects like the driverless car. The guiding mantra at the semi-secret research facility is to make technology ten times better, not just ten percent – hence the X in the name.

But Glass isn't without its shortcomings. The product's been plagued by bugs and it looks to be a long, long while before a polished, glitch-free version is on the market. Unfortunately the criticisms don't stop there. In the short time I used it, the demonstrator accidentally 'took control' of my glasses by saying commands a bit too loudly. In America it’s come under so much criticism for intruding on privacy that bars and restaurants in tech-hub San Francisco have banned it. Civil liberties groups have voiced concerns that the technology will enable stealthy spying.

Of course, there's the fashion angle as well. Despite partnering up with Ray-Ban and other high-end fashion brands, the fact remains that many users are reluctant to publicise their purchase. Google can make the design as streamlined and versatile as it likes, but something about the mini-computer sat on the bridge of your nose just screams "dweeb". 

So don't expect to see Glass becoming a part of everyday life anytime soon. The technology might be getting there but there's a whole marketing minefield that Google will have to navigate through first. After all, who really wants to be a "Glasshole"?

Eglon van der Neer
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The DM slide: an investigation

What is it? Why does it cause such trouble? And how can you be better at it?

“What is a DM slide?”

The minute I proposed this piece I spotted a problem. “I’m going to do a piece on ‘the DM slide’”, I’d say. “Partially because it’s socially interesting and could tell us a lot about how we talk online. Partially” – I’d laugh – “because I want to figure out how to improve the quality of my inbox.”

Not only did most people not find me funny, but a fair percentage – from colleagues in their twenties to friends in their forties; almost everyone, in fact, who didn’t spend a good proportion of their job on Twitter – had no idea what I was talking about.

The thing is, I don’t really have an easy answer to “what is a DM slide?” Sure, I can tell you about direct messaging on Twitter, and how its introduction changed the app from one which focused on broadcasting your thoughts in public to one which also allowed a back channel of communication, used for bitching, whining, discreet professional conversations and, yes, flirting.

I can tell you about the ways men use this channel to try to talk to me: the prominent editor who persists in sending messages way past any hope of response, or the artist who writes to me only, I suspect, when his girlfriend (or is she his wife?) is away. I could tell you about the discomfort, the boredom, the eye-rolling. I could tell you about the laughter with my female colleagues, because yes, we compare notes.

I guess, for fairness, I could also tell you about the genuine friendships I have struck up over DM, or the way the phrase “DM slide” has become a meme which nods as much to the existence of a shared internet community as it does to the fraught codes that are part of navigating it.

I’ll save you that, for now.

Here’s the short answer: the DM slide is when someone, usually a man, sends you a message – “slides into your DMs” – in a way which, depending on who you ask, is either suave or just trying to be.

But it’s also much, much more than that.

The beginning

To get to the bottom of what might constitute a “DM slide” rather than just “a person talking to someone in a normal way online”, I did what generations of journalists before me have done and asked someone else. A lot of people, in fact.

What I wanted to find out was whether there were “rules” through which people, specifically women – because, as I intimated above, the whole exercise was really about me – recognised certain messages as flirtatious or even creepy, while others seemed innocent. I was also keen to find out how introducing direct messages might have changed the way interactions happened on Twitter. Was there a difference between how people spoke publicly and privately?

Unsurprisingly, the answer was yes. When I asked women how they felt when a man sent something privately that could have been sent in public, several admitted it made them immediately suspicious. “Why aren’t you doing this on public Twitter?”, one said, adding that “the fact you’re not means it’s probably creepy”. This is something I’ve felt myself, particularly when it comes to replying to pieces I’ve written: if there’s nothing obviously confidential in the content of the message, why does it need to be sent “out of earshot” of our followers?

Ambiguity also made certain messages uncomfortable for women:

It makes me uncomfortable when the purpose isn't clear - I don't use Twitter to chat to strangers, just to tweet them publicly or to DM chat with people I already know. If there's a reason they want to talk, that’s much better.

I would be uncomfortable with any unwanted attention, photos or comments. To that end I am always careful that banter doesn't slide into anything which can be construed as flirting.

You generally can get an idea of what they're like from their Twitter feed in general - if  we have nothing in common, have never interacted before, and they're not really saying anything of substance, it's definitely the creepy kind

What was most interesting, however, was when women talked about how they’d learned to make allowances for interactions which initially might have been unwelcome.

Men are direct in their approach to things in general and not big on subtlety. It's worth being aware that it's just who they are. Be direct.

One colleague also noted how the possible ambiguity about what a welcome and unwelcome interaction might be could make it hard for men who do want to chat to women online:

I do feel a littttle bad for men - we don't mean "never chat us up on street/never DM us/etc", but it's hard to explain what makes it okay or not okay. 

Girl's talk

So what does make it okay? And why might men and women have different ideas about what “okay” is?

Deborah Tannen is a professor at Georgetown University whose body of research has done much to advance our understanding of linguistics and gender. She observes how the medium through which someone sends a message online is its own “metamessage”: a part of the communication which gives the receiver information about how the written content should be taken. (It's a little like body language.)

Tannen tells me that young people are particularly fluent in this language of mediums, to an extent that might come as a surprise. “I hear from my students all the time: if someone sends a message on Facebook that shouldn’t have been sent on Facebook, it’s a big deal.”

“The existence of direct message immediately transforms the platform of Twitter”, she tells me. By introducing a new medium with its own signals and connotations, the app has changed how messages are sent and interpreted. In this sense, it is part of a wider trend online: everything from comments on news articles to how we speak on social media, Tannen observes, is moving “towards personal communication”:

“All these media platforms are redefining what people are thinking of as public and private. People think young people don’t have a sense of privacy, but they do: it’s just different.”

Tannen tells me a story about a student whose mother had gone through their public Facebook profile and then mentioned something she saw on it. This felt like an invasion of privacy to the student. It sounded absurd, but I recognised the feeling: when someone I didn’t know very well makes it clear they read my “tweets and replies” on Twitter, it feels overbearing.

But all of my tweets – including my replies – are public, and anyone can read them. “Those boundaries”, Tannen says, “are becoming blurred”.

So what is the DM slide, where someone deliberately chooses a private medium on a platform that bills itself as being all about shared communication? Is there something specific being signalled when someone who has the option of speaking to you in public chooses to do so privately? “It can be a kind of flirting: now I am paying special attention to you”, Tannen suggests. “Flirting is all about special attention.”

But there’s also a broader, gendered context. Tannen’s earlier work noted how women “tend to do public speaking in a private sort of way – men conduct their private conversations in a public sort of way.” (This, incidentally, is one of the reasons she suspects Hilary Clinton’s public image rankles in some quarters: she’s “not speaking as people expect women to”.)

This dynamic extends to online spaces. Women’s online conversations which are conducted in “public” still often take on a “private” tone, and they’re generally more likely to have conversations behind closed doors -- figuratively speaking. “Some areas of the internet look like they have more men’s voices, but often women are texting or exchanging more personal messages; communicating with their friends and making private connections.”

So what does this mean when men do speak in a private space? For Tannen, one possibility is that they continue to speak as if they’re addressing a wider audience. “Men do what I call ‘report talk’ rather than ‘rapport talk’.” Even in their text messages, men are more likely to be making plans rather than just chatting.

Could it be that they’re less practiced at shifting tone to the sort of register appropriate for a private message – and less clear on when it’s appropriate to make that shift?

DM school

This leaves us with a quandary. If, as Tannen suggests, there are in fact broad differences between men and women’s online communication, then how do we detangle male entitlement from clumsiness? How can well-meaning strangers know what will be received well?

Or, to phrase it another way: what makes for a successful DM slide?

I asked the women I spoke to about this, and the answers were fairly consistent.

For a lot of people, there is a sense of rhythm to interactions online, and stepping outside the boundaries of what is “normal” – much like real life – can come across as inappropriate. A reciprocal build up of interaction was one thing that helped some people distinguish between creepy interactions and welcome ones.

Like any friendship, the normal DM interactions are built up - a fav, a reply, and eventually, “we should obviously be mates, let's chat”

Even whether you've smiled at someone or not makes all the difference IRL - it's the same online

 If there's a reason they want to talk (feedback on something, wanting to discuss a piece but not bore everyone on your TL), that's much better.

Even more encouraging were the number of people who had made friends  even met partners  on Twitter. True, a lot of the people I asked were other journalists, and freelancers in particular reported making friends with people they had initially spoken to online. But the number of people I started off chatting to on Twitter who I'd now call friends isn't insubstantial, either. I'm not the first to observe that online communities are, genuinely, communities – and as with most social spaces, the vast majority of people are keen to be friendly and decent.

For my part, I’d suggest that men who want to send a private message to a woman they don’t know very well need to acknowledge that the playing field is not level when it comes to who is allowed to speak and who feels entitled to be heard.

Empathy is a practice undervalued in most popular depictions of heterosexual relationships, and there’s no doubt that being as decent a person as possible while living in an environment of structural inequality takes work – but it might make the difference between forging genuine friendships and being marked out as creepy by half the women in your profession.  Ask yourself: does the interaction really need to be private? What about if you were the third relative stranger in her inbox that day?

Remembering that, for most women, unwanted attention is a constant background to our day-to-day lives isn’t easy, but adjusting your own behavior back a degree or two can go a long way (and rarely goes unnoticed). 

Oh: and don’t slide into my DMs.

Stephanie Boland is digital assistant at the New Statesman. She tweets at @stephanieboland