Predicting the text in redacted documents is close to reality

Releasing delicate information with big black bars all over it has kept secrets safe for years - but not for much longer, maybe.

For those with secrets they want to keep, redacting documents is a pretty important thing to get right. It’s necessary to understand how to redact documents, firstly - look to Southwark Council, which in February uploaded its controversial agreement with developer Lend Lease for the regeneration of the Heygate Estate in a form that let people copy and paste the text underneath the black bars.

But it’s also necessary to know which parts of a document to redact so that the context from the stuff left open doesn’t give the game away. There is always, however, information left behind. The choices made in how to block text - be it with other bits of paper, or black marker pen, or even by typing out new words and then covering those up - can reveal something about the person doing the redacting. Different agencies had different redaction standards at different times, which gives a further clue as to what technique is needed. Each typeface fits into the space under a bar in a limited number of contextually-relevant ways, as well.

In the New Yorker, William Brennan reports on The Declassification Engine, an intriguing attempt by a group of academics to use these clues to try and crack any redacted text. A snippet:

Together with a group of historians, computer scientists, and statisticians, [Columbia history professor Matthew] Connelly is developing an ambitious project called the Declassification Engine, which, among other things, employs machine-learning and natural language processing to study the semantic patterns in declassified text. The project’s goals range from compiling the largest digitized archive of declassified documents in the world to plotting the declassified geographical metadata of over a million State Department cables on an interactive global map, which the researchers hope will afford them new insight into the workings of government secrecy. Though the Declassification Engine is in its early stages, Connelly told me that the project has “gotten to the point where we can see it might be possible to predict content of redacted text. But we haven’t yet made a decision as to whether we want to do that or not.”

One of the things that jumps out in here is the parallel between the "mosaic theory" - where "pieces of banal, declassified information, when pieced together, might provide a knowledgeable reader with enough emergent detail to uncover the information that remains classified" - and critics of the NSA who realise that mass collection of metadata rather than the actual data of communications is, in many ways, just as bad.

Redacted Iraq War info at a 2004 US Senate press conference (Photo: Getty)

Ian Steadman is a staff science and technology writer at the New Statesman. He is on Twitter as @iansteadman.

Joshua M. Jones for Emojipedia
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The emojis proposed for release in 2016 are faintly disturbing

Birds of prey, dead flowers and vomit: Emojipedia's vision for 2016. 

Since, as we're constantly being told, emojis are now the fastest growing languge in the UK, it seems only appropriate that its vocabulary should expand to include more commonly used images or ideas as its popularity increases. 

Next year, the Unicode Consortium, which decides which new codes can be added to the emoji dictionary, will approve a new round of symbols. So far, 38 suggestions have been accepted as candidates for the final selection. Emojipedia, an online emoji resource, has taken it upon itself to mock up the new symbols based on the appearance of existing emojis (though emojis are designed slightly differently by different operating systems like Apple or Android). The full list will be decided by Unicode in mid-2016. 

As it stands, the new selection is a little... well, dark. 

First, there are the faces: a Pinocchio-nosed lying face, a dribbling face, a nauseous face, an upset-looking lady and a horrible swollen clown head: 

Then there's what I like to call the "melancholy nighttime collection", including a bat, owl, fox, blackened heart and dying rose: 

Here we have a few predators, thrown in for good measure, and a stop sign:

There are a few symbols of optimism amid the doom and gloom, including a pair of crossed fingers, clinking champagne glasses and smiling cowboy, plus a groom and prince to round out the bride and princess on current release. (You can see the full list of mock-ups here). But overall, the tone is remarkably sombre. 

Perhaps as emoji become ever more popular as a method of communication, we need to accept that they must represent the world in all its darkness and nuance. Not every experience deserves a smiley face, after all. 

All mock-ups: Emojpedia.

Barbara Speed is a technology and digital culture writer at the New Statesman and a staff writer at CityMetric.