Where does the moon come from?

Whether we’re trying to find out where it came from, or how to siphon off some of its energy, grappling with the moon is harder than it looks.

When the Apollo astronauts brought back pieces of lunar rock, the samples promised to answer the question of the moon’s origin. It’s a question we are still asking.

The “big splash” theory of a gargantuan collision between two planets is the favourite. The idea is that a Mars-sized object hit the young earth, throwing off a load of matter which coalesced to form the moon.

Scientists became convinced that the big splash theory must be correct because it calls for the stuff in the moon to be lighter than the atoms making up earth. Initial analysis of the relative abundance of various forms of atoms (known as isotopes) in the Apollo samples provided supporting evidence.

However, researchers then thought to take account of the effects of a few billion years of bombardment by high-energy subatomic particles called cosmic rays. Because earth is protected from cosmic rays by its magnetic field, these would change the moon’s isotope abundances only and in particular ways. Unfortunately, all this has been a dampener on the big splash theory.

Other theories are available. The moon could simply have formed independently at the same time as the earth, for instance. Or it could have been a passing body that fell into our planet’s gravitational field and got trapped.

Most planetary scientists remain convinced that the big splash is right but to convince themselves and others they have to work out a consistent story. That’s why they gathered to sift through all the evidence at the Royal Society in London on 23 and 24 September.

Despite the lack of consensus, scientific achievements in this area are astonishing. We are narrowing down the timings of events that occurred 4.5 billion years ago. Some of the research that was presented showed that the moon is roughly 100 million years younger than we had thought. This kind of forensic analysis of vaporised rock is an extraordinary feat.

If only our progress in harvesting lunar energy was as extraordinary. Most experts are convinced that there is a way to profit from the moon’s gravitational pull on the oceans, but the devil is in the detail.

The Scottish government recently gave the go-ahead for the Pentland Firth to host Europe’s largest tidal energy project. It is estimated that the Pentland Firth could eventually meet half of Scotland’s electricity needs, but for now engineers are aiming to have 40 per cent of homes in the Scottish Highlands running off lunar power by 2020.

In many ways, it’s a great leap forward. Yet meeting 40 per cent of the needs of one of the UK’s less inhabited regions also seems a little underwhelming. One of the benefits of being a small island is that Britain has copious tidal and wave power at its disposal: enough to meet a fifth of our electricity needs.

Whether we’re trying to find out where it came from, or how to siphon off some of its energy, grappling with the moon is harder than it looks.

A 'Super Moon' rises over Sydney. Image: Getty

Michael Brooks holds a PhD in quantum physics. He writes a weekly science column for the New Statesman, and his most recent book is At the Edge of Uncertainty: 11 Discoveries Taking Science by Surprise.

This article first appeared in the 07 October 2013 issue of the New Statesman, The last days of Nelson Mandela

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How the internet has democratised pornography

With people now free to circumvent the big studios, different bodies, tastes and even pubic hair styles are being represented online.

Our opinions and tastes are influenced by the media we consume: that much is obvious. But although it’s easy to have that conversation if the medium we are discussing is “safe for work”, pornography carries so much stigma that we only engage with it on simple terms. Porn is either “good” or “bad”: a magical tool for ­empowerment or a destructive influence on society. Many “pro-porn” campaigners shy away from nuanced critique, fearing it could lead to censorship. “Anti-porn” campaigners, convinced that porn is harmful by definition, need look no further than the mainstream tube sites – essentially, aggregators of clips from elsewhere – to gather examples that will back them up.

When we talk about the influence of porn, the emphasis is usually on a particular type of video – hardcore sex scenes featuring mostly slim, pubic-hairless women and faceless men: porn made for men about women. This kind of porn is credited with everything from the pornification of pop music to changing what we actually do in bed. Last year the UK government released a policy note that suggested porn was responsible for a rise in the number of young people trying anal sex. Although the original researcher, Cicely Marston, pointed out that there was no clear link between the two, the note prompted a broad debate about the impact of porn. But in doing so, we have already lost – by accepting a definition of “porn” shaped less by our desires than by the dominant players in the industry.

On the day you read this, one single site, PornHub, will get somewhere between four and five million visits from within the UK. Millions more will visit YouPorn, Tube8, Redtube or similar sites. It’s clear that they’re influential. Perhaps less clear is that they are not unbiased aggregators: they don’t just reflect our tastes, they shape what we think and how we live. We can see this even in simple editorial decisions such as categorisation: PornHub offers 14 categories by default, including anal, threesome and milf (“mum I’d like to f***”), and then “For Women” as a separate category. So standard is it for mainstream sites to assume their audience is straight and male that “point of view” porn has become synonymous with “top-down view of a man getting a blow job”. Tropes that have entered everyday life – such as shaved pubic hair – abound here.

Alongside categories and tags, tube sites also decide what you see at the top of their results and on the home page. Hence the videos you see at the top tend towards escalation to get clicks: biggest gang bang ever. Dirtiest slut. Horniest milf. To find porn that doesn’t fit this mould you must go out of your way to search for it. Few people do, of course, so the clickbait gets promoted more frequently, and this in turn shapes what we click on next time. Is it any wonder we’ve ended up with such a narrow definition of porn? In reality, the front page of PornHub reflects our desires about as accurately as the Daily Mail “sidebar of shame” reflects Kim Kardashian.

Perhaps what we need is more competition? All the sites I have mentioned are owned by the same company – MindGeek. Besides porn tube sites, MindGeek has a stake in other adult websites and production companies: Brazzers, Digital Playground, Twistys, PornMD and many more. Even tube sites not owned by MindGeek, such as Xhamster, usually follow the same model: lots of free content, plus algorithms that chase page views aggressively, so tending towards hardcore clickbait.

Because porn is increasingly defined by these sites, steps taken to tackle its spread often end up doing the opposite of what was intended. For instance, the British government’s Digital Economy Bill aims to reduce the influence of porn on young people by forcing porn sites to age-verify users, but will in fact hand more power to large companies. The big players have the resources to implement age verification easily, and even to use legislation as a way to expand further into the market. MindGeek is already developing age-verification software that can be licensed to other websites; so it’s likely that, when the bill’s rules come in, small porn producers will either go out of business or be compelled to license software from the big players.

There are glimmers of hope for the ethical porn consumer. Tube sites may dominate search results, but the internet has also helped revolutionise porn production. Aspiring producers and performers no longer need a contract with a studio – all that’s required is a camera and a platform to distribute their work. That platform might be their own website, a dedicated cam site, or even something as simple as Snapchat.

This democratisation of porn has had positive effects. There’s more diversity of body shape, sexual taste and even pubic hair style on a cam site than on the home page of PornHub. Pleasure takes a more central role, too: one of the most popular “games” on the webcam site Chaturbate is for performers to hook up sex toys to the website, with users paying to try to give them an orgasm. Crucially, without a studio, performers can set their own boundaries.

Kelly Pierce, a performer who now works mostly on cam, told me that one of the main benefits of working independently is a sense of security. “As long as you put time in you know you are going to make money doing it,” she said. “You don’t spend your time searching for shoots, but actually working towards monetary gain.” She also has more freedom in her work: “You have nobody to answer to but yourself, and obviously your fans. Sometimes politics comes into play when you work for others than yourself.”

Cam sites are also big business, and the next logical step in the trickle-down of power is for performers to have their own distribution platforms. Unfortunately, no matter how well-meaning your indie porn project, the “Adult” label makes it most likely you’ll fail. Mainstream payment providers won’t work with adult businesses, and specialist providers take a huge cut of revenue. Major ad networks avoid porn, so the only advertising option is to sign up to an “adult” network, which is probably owned by a large porn company and will fill your site with bouncing-boob gifs and hot milfs “in your area”: exactly the kind of thing you’re trying to fight against. Those who are trying to take on the might of Big Porn need not just to change what we watch, but challenge what we think porn is, too.

The internet has given the porn industry a huge boost – cheaper production and distribution, the potential for more variety, and an influence that it would be ridiculous to ignore. But in our failure properly to analyse the industry, we are accepting a definition of porn that has been handed to us by the dominant players in the market.

Girl on the Net writes one of the UK’s most popular sex blogs: girlonthenet.com

This article first appeared in the 16 February 2017 issue of the New Statesman, The New Times