Wind farms and abuse of statistics: bird edition

When "wind farms are dangerous" really just means "there are a lot of birds".

When dealing with large numbers, it helps to have an idea of the expected order of magnitude. That way, you can know whether it is merely the number which is large, or the thing it's describing as well.

For instance, if I tell you of a country with 140,000 people in long-term unemployment, it's rather important for you to know if I'm talking about the US (population 280 million) or Luxembourg (population 525,000).

That's a test a Spectator article, Wind farms vs wildlife, failed quite badly this week.

The author, Clive Hambler, is a lecturer in biological and human sciences at Oxford university, and quotes a number of statistics to demonstrate how dangerous wind farms are to wildlife. For instance:

Every year in Spain alone — according to research by the conservation group SEO/Birdlife — between 6 and 18 million birds and bats are killed by wind farms. They kill roughly twice as many bats as birds. This breaks down as approximately 110–330 birds per turbine per year and 200–670 bats per year. And these figures may be conservative if you compare them to statistics published in December 2002 by the California Energy Commission: ‘In a summary of avian impacts at wind turbines by Benner et al (1993) bird deaths per turbine per year were as high as 309 in Germany and 895 in Sweden.’

Similar claims are made throughout. Apparently the annual death toll of bats in the US and Canada is "up to three million", "Norwegian wind farms kill over ten white-tailed eagles per year", and so on.

What is missing is any context through which we can examine these numbers. It might change our interpretation of the figures to know that:

Domestic and feral cats have also been considered a major source of anthropogenic-caused mortality with estimates near 100 million annual bird deaths [in the US].

Or that, on roads near wetlands in Canada:

223 birds were killed per mile per year.                                                                                            

Power lines in the US are estimated to kill:

…approximately 130 million birds per year.                                                                                                        

While we're banning things, we may want to keep an eye out for that scourge of the avian world, windows:

97.6 to 976 million bird deaths per year in the U.S. due to collisions with windows… based on an estimated 1 to 10 bird deaths per structure per year from a fatality study in New York.

All those figures come from a 2005 paper by the US Department of Agriculture.

In other words, even with the massive figures from Spain – figures which show deaths per turbine per year two orders of magnitude higher than equivalent figures cited in the above paper, which are based on an assumption that for every confirmed death, there's nineteen uncomfirmed, and which come from a set of guidelines which explicitly concludes wind farms are OK for birds if built correctly (pdf) –  wind farms kill fewer birds than cats, power lines, roads or windows. That comparison would have been rather useful to include in the original piece. With that in mind, the numbers in the piece become less a demonstration of the awesome mortality of wind farms, and more a confirmation that yes, there are a lot of birds in the world.

Update

It's been pointed out on Twitter that I'm not comparing like to like. Spain is smaller than the US, of course. Thankfully, the USDA also estimates the number of birds killed by wind farms in America: between 20,000 and 37,000 a year. I let you draw your own conclusions from the discrepancy.

Wind Turbines in Spain. Photograph: Wikimedia Commons

Alex Hern is a technology reporter for the Guardian. He was formerly staff writer at the New Statesman. You should follow Alex on Twitter.

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How the internet has democratised pornography

With people now free to circumvent the big studios, different bodies, tastes and even pubic hair styles are being represented online.

Our opinions and tastes are influenced by the media we consume: that much is obvious. But although it’s easy to have that conversation if the medium we are discussing is “safe for work”, pornography carries so much stigma that we only engage with it on simple terms. Porn is either “good” or “bad”: a magical tool for ­empowerment or a destructive influence on society. Many “pro-porn” campaigners shy away from nuanced critique, fearing it could lead to censorship. “Anti-porn” campaigners, convinced that porn is harmful by definition, need look no further than the mainstream tube sites – essentially, aggregators of clips from elsewhere – to gather examples that will back them up.

When we talk about the influence of porn, the emphasis is usually on a particular type of video – hardcore sex scenes featuring mostly slim, pubic-hairless women and faceless men: porn made for men about women. This kind of porn is credited with everything from the pornification of pop music to changing what we actually do in bed. Last year the UK government released a policy note that suggested porn was responsible for a rise in the number of young people trying anal sex. Although the original researcher, Cicely Marston, pointed out that there was no clear link between the two, the note prompted a broad debate about the impact of porn. But in doing so, we have already lost – by accepting a definition of “porn” shaped less by our desires than by the dominant players in the industry.

On the day you read this, one single site, PornHub, will get somewhere between four and five million visits from within the UK. Millions more will visit YouPorn, Tube8, Redtube or similar sites. It’s clear that they’re influential. Perhaps less clear is that they are not unbiased aggregators: they don’t just reflect our tastes, they shape what we think and how we live. We can see this even in simple editorial decisions such as categorisation: PornHub offers 14 categories by default, including anal, threesome and milf (“mum I’d like to f***”), and then “For Women” as a separate category. So standard is it for mainstream sites to assume their audience is straight and male that “point of view” porn has become synonymous with “top-down view of a man getting a blow job”. Tropes that have entered everyday life – such as shaved pubic hair – abound here.

Alongside categories and tags, tube sites also decide what you see at the top of their results and on the home page. Hence the videos you see at the top tend towards escalation to get clicks: biggest gang bang ever. Dirtiest slut. Horniest milf. To find porn that doesn’t fit this mould you must go out of your way to search for it. Few people do, of course, so the clickbait gets promoted more frequently, and this in turn shapes what we click on next time. Is it any wonder we’ve ended up with such a narrow definition of porn? In reality, the front page of PornHub reflects our desires about as accurately as the Daily Mail “sidebar of shame” reflects Kim Kardashian.

Perhaps what we need is more competition? All the sites I have mentioned are owned by the same company – MindGeek. Besides porn tube sites, MindGeek has a stake in other adult websites and production companies: Brazzers, Digital Playground, Twistys, PornMD and many more. Even tube sites not owned by MindGeek, such as Xhamster, usually follow the same model: lots of free content, plus algorithms that chase page views aggressively, so tending towards hardcore clickbait.

Because porn is increasingly defined by these sites, steps taken to tackle its spread often end up doing the opposite of what was intended. For instance, the British government’s Digital Economy Bill aims to reduce the influence of porn on young people by forcing porn sites to age-verify users, but will in fact hand more power to large companies. The big players have the resources to implement age verification easily, and even to use legislation as a way to expand further into the market. MindGeek is already developing age-verification software that can be licensed to other websites; so it’s likely that, when the bill’s rules come in, small porn producers will either go out of business or be compelled to license software from the big players.

There are glimmers of hope for the ethical porn consumer. Tube sites may dominate search results, but the internet has also helped revolutionise porn production. Aspiring producers and performers no longer need a contract with a studio – all that’s required is a camera and a platform to distribute their work. That platform might be their own website, a dedicated cam site, or even something as simple as Snapchat.

This democratisation of porn has had positive effects. There’s more diversity of body shape, sexual taste and even pubic hair style on a cam site than on the home page of PornHub. Pleasure takes a more central role, too: one of the most popular “games” on the webcam site Chaturbate is for performers to hook up sex toys to the website, with users paying to try to give them an orgasm. Crucially, without a studio, performers can set their own boundaries.

Kelly Pierce, a performer who now works mostly on cam, told me that one of the main benefits of working independently is a sense of security. “As long as you put time in you know you are going to make money doing it,” she said. “You don’t spend your time searching for shoots, but actually working towards monetary gain.” She also has more freedom in her work: “You have nobody to answer to but yourself, and obviously your fans. Sometimes politics comes into play when you work for others than yourself.”

Cam sites are also big business, and the next logical step in the trickle-down of power is for performers to have their own distribution platforms. Unfortunately, no matter how well-meaning your indie porn project, the “Adult” label makes it most likely you’ll fail. Mainstream payment providers won’t work with adult businesses, and specialist providers take a huge cut of revenue. Major ad networks avoid porn, so the only advertising option is to sign up to an “adult” network, which is probably owned by a large porn company and will fill your site with bouncing-boob gifs and hot milfs “in your area”: exactly the kind of thing you’re trying to fight against. Those who are trying to take on the might of Big Porn need not just to change what we watch, but challenge what we think porn is, too.

The internet has given the porn industry a huge boost – cheaper production and distribution, the potential for more variety, and an influence that it would be ridiculous to ignore. But in our failure properly to analyse the industry, we are accepting a definition of porn that has been handed to us by the dominant players in the market.

Girl on the Net writes one of the UK’s most popular sex blogs: girlonthenet.com

This article first appeared in the 16 February 2017 issue of the New Statesman, The New Times