NASA signs $17m deal for ISS expansion

Commercial partnership will deliver the new module.

NASA is building an extension to the International Space Station, the agency announced this week. It has awarded a $17.8m contract to Bigelow Aerospace to build the "Bigelow Expandable Activity Module".

Bigelow is company which specialises in expandable – inflatable, basically – orbital habitats. The module on the ISS is intended to be a trial run for the viability of that technology for future exploration, and commercial, endeavours.

NASA's Deputy Administrator, Lori Garver, said:

This partnership agreement for the use of expandable habitats represents a step forward in cutting-edge technology that can allow humans to thrive in space safely and affordably, and heralds important progress in U.S. commercial space innovation.

The inflatable technology allows much bigger habitats to be shipped in the same rockets that are currently used for launching standard ISS modules. A comparison on Bigelow's website shows one of their proposed modules, a BA 330, alongside an ISS module:

Mark Thompson, writing for Sen, explained the technology behind the proposals:

At the heart of the inflatable technology is a material called Vectran, twice as strong as Kevlar and present in several layers of the 15cm thick skin of the Genesis craft. The flexible nature of the material results in further added safety for potential station inhabitants, a benefit supported by laboratory tests. It was found that micrometeoroids that would puncture the rigid skin of the International Space Station only penetrated half way through the skin of the Genesis craft.

Tangentially relevant, but I've wanted to get it on the site for weeks, this video of Commander Sunita Williams giving a tour of the ISS is the longest YouTube video I have watched all the way through, because it is astonishing. Imagine how much better it will be when there's an inflatable module of twice the size attached:

Bigelow's second prototype, Genesis II, in orbit. Photograph: Getty Images

Alex Hern is a technology reporter for the Guardian. He was formerly staff writer at the New Statesman. You should follow Alex on Twitter.

Joshua M. Jones for Emojipedia
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The emojis proposed for release in 2016 are faintly disturbing

Birds of prey, dead flowers and vomit: Emojipedia's vision for 2016. 

Since, as we're constantly being told, emojis are now the fastest growing languge in the UK, it seems only appropriate that its vocabulary should expand to include more commonly used images or ideas as its popularity increases. 

Next year, the Unicode Consortium, which decides which new codes can be added to the emoji dictionary, will approve a new round of symbols. So far, 38 suggestions have been accepted as candidates for the final selection. Emojipedia, an online emoji resource, has taken it upon itself to mock up the new symbols based on the appearance of existing emojis (though emojis are designed slightly differently by different operating systems like Apple or Android). The full list will be decided by Unicode in mid-2016. 

As it stands, the new selection is a little... well, dark. 

First, there are the faces: a Pinocchio-nosed lying face, a dribbling face, a nauseous face, an upset-looking lady and a horrible swollen clown head: 

Then there's what I like to call the "melancholy nighttime collection", including a bat, owl, fox, blackened heart and dying rose: 

Here we have a few predators, thrown in for good measure, and a stop sign:

There are a few symbols of optimism amid the doom and gloom, including a pair of crossed fingers, clinking champagne glasses and smiling cowboy, plus a groom and prince to round out the bride and princess on current release. (You can see the full list of mock-ups here). But overall, the tone is remarkably sombre. 

Perhaps as emoji become ever more popular as a method of communication, we need to accept that they must represent the world in all its darkness and nuance. Not every experience deserves a smiley face, after all. 

All mock-ups: Emojpedia.

Barbara Speed is a technology and digital culture writer at the New Statesman and a staff writer at CityMetric.