The trolls we despise are our own creation

To kill off the poisonous notions of celebrity, we have to stop giving it our attention and act civilly to each other.

It’s easy to mock Paris Hilton.

She is the scarecrow that embodies everything we use to keep our morals flapping above the fields of indignity. With celebrity culture, the glitz of Hollywood has lit up long dormant beasts in each of us: because they’re on the big screen, they’re deserving of our vitriol, of our scorn. But we no longer direct rotten fruit at them, but rotten terms: Too fat, too skinny, cheater, liar, weirdo, skank, whore, drug addict, stupid, bimbo, loser, airhead, meaningless. Terms most of us left in the schoolyard, replacing them with conduct catered to civility and, indeed, common decency, are somehow allowed rebirth and fruition to be used at these idols of our indulgences, these effigies to narcissism.

Yet, those of us who casually and so easily mock the failings of young women we do not know, or largely harmless men with admittedly weird religions, are also quick to shake our fists and heads at rude online comments and bizarre blog threads; we are outraged at the targeting of people for making the mistake of, for example, reviewing technology or being a woman and having an open comment thread on the internet.

When we turn off the screen, a black monitor greets us with a darkened face and we have an answer. Do we even realise the casualness with which we dismiss celebrities as idiots, bimbos, wash-ups, has-beens, irrelevant? This ignorance on our part of targeting people who are, in fact, complete strangers – just more famous ones than online writers – is itself part of the problem. We’ve casually allowed for this environment of trolling, of harassment, because so many of us do it. We’ve built a culture of mockery, a religion of ridicule, where we drink the spirits of vitriol down parched throats, raw from directed anger. And we wonder where these ‘new’ beasts come from.

We created them. We’ve produced an environment where people like Charlotte Dawson attempt suicide because strangers on Twitter had direct access to someone they’d otherwise never be able to reach. Technology may be bringing us together, but no one ought to assume this is always a good thing. Celebrities and people on television have always been the target of casual hatred, of comments that dismiss them as persons with actual emotions, instead of entities flickering on a screen, or smiling from a glossy magazine; all that’s changed is Twitter and blogs and forums have allowed us to air talk that would’ve quickly evaporated at dinners and barbeques into a permanent format: often in ways allowing us to aim our hate directly at the celebrity in question, as with Dawson.

We like to think we’re better than celebrities: these entities with no emotions, these scarecrows of our own design, with the expensive smiles and poor judgements. They’re not real like our friends, our lovers, our families, we think, they exist in some other world beyond our mere mortal grasp. While this is true to some extent, it’s no reason to treat them with casual hatred and quick dismissals: if we really are better than them, surely that means we should demonstrate it, in not allowing even casual hatred to be a property we have. It’s easy to create scarecrows from the threads the screen provides, from the weird behaviour picked apart by gossip columnists, by the tiny increase in bulges etched into eternity by paparazzi; it’s much harder to fight against this machine that manufactures celebrities out of ordinary people, fed by screaming passion of voyeuristic indulgence.

In a global society increasingly growing weary of gods, we’ve become lax to a religion that creates them all the time, demanding the sacrifice of our decency.

There are multiple ways to make places like the internet and society in general a space in which adult discussion can occur. There are ways to combat the influence pundits, who sprout fallacies and untruths, have on political discourse in the most powerful countries in the world. One way is to grow a stable foundation of our own discourse. It’s to reclaim civility in a consistent way. It’s to say we’re better than this, we’re better than the hype machine, we’re better than the trolls.

There will always be strange people doing harmless things, always be celebrities who say nonsense like Paris Hilton and her homophobic ideas; but our passion and our anger are better served elsewhere than on strangers – no matter how big-named they are.

Celebrity does not imply talent. Celebrity is only made by attention. We should start killing the notion of "celebrity", replacing it with actual talent, actual ability. But to do that requires us to stop giving attention, to stop hurting our own humanity as moral beings: we’ve got to act civil – ie read and engage charitably, begin with some measure of respect, until such time as interlocutors do not reciprocate or demonstrate deserving of it, and so on. 

If we can’t even maintain a modicum of respect for a rather harmless young woman like Paris Hilton, is it any wonder we fail in facilitating proper dialogue on important matters with our opponents?

Paris Hilton: a celebrity we created. Photograph: Getty Images
Photo: Getty
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Sean Spicer's Emmys love-in shows how little those with power fear Donald Trump

There's tolerance for Trump and his minions from those who have little to lose from his presidency.

He actually did it. Sean Spicer managed to fritter away any residual fondness anyone had for him (see here, as predicted), by not having the dignity to slip away quietly from public life and instead trying to write off his tenure under Trump as some big joke.

At yesterday’s Emmys, as a chaser to host Stephen Colbert’s jokes about Donald Trump, Sean Spicer rolled onto the stage on his SNL parody podium and declared, “This will be the largest audience to witness an Emmys, period.” Get it? Because the former communications director lied about the Trump inauguration crowd being the largest in history? Hilarious! What is he like? You can’t take him anywhere without him dropping a lie about a grave political matter and insulting the gravity of the moment and the intelligence of the American people and the world. 

Celebs gasped when they saw him come out. The audience rolled in the aisles. I bet the organisers were thrilled. We got a real live enabler, folks!

It is a soul-crushing sign of the times that obvious things need to be constantly re-stated, but re-state them we must, as every day we wake up and another little bit of horror has been prettified with some TV make-up, or flattering glossy magazine profile lighting.

Spicer upheld Trump's lies and dissimulations for months. He repeatedly bullied journalists and promoted White House values of misogyny, racism, and unabashed dishonesty. The fact that he was clearly bad at his job and not slick enough to execute it with polished mendacity doesn't mean he didn't have a choice. Just because he was a joke doesn't mean he's funny.

And yet here we are. The pictures of Spicer's grotesque glee at the Emmy after-party suggested a person who actually can't quite believe it. His face has written upon it the relief and ecstasy of someone who has just realised that not only has he got away with it, he seems to have been rewarded for it.

And it doesn't stop there. The rehabilitation of Sean Spicer doesn't only get to be some high class clown, popping out of the wedding cake on a motorised podium delivering one liners. He also gets invited to Harvard to be a fellow. He gets intellectual gravitas and a social profile.

This isn’t just a moment we roll our eyes at and dismiss as Hollywood japes. Spicer’s celebration gives us a glimpse into post-Trump life. Prepare for not only utter impunity, but a fete.

We don’t even need to look as far as Spicer, Steve Bannon’s normalisation didn’t even wait until he left the White House. We were subjected to so many profiles and breathless fascinations with the dark lord that by the time he left, he was almost banal. Just your run of the mill bar room bore white supremacist who is on talk show Charlie Rose and already hitting the lucrative speaker’s circuit.

You can almost understand and resign yourself to Harvard’s courting of Spicer; it is after all, the seat of the establishment, where this year’s freshman intake is one third legacy, and where Jared Kushner literally paid to play, but Hollywood? The liberal progressive Hollywood that took against Trump from the start? There is something more sinister, more revealing going here. 

The truth is, despite the pearl clutching, there is a great deal of relative tolerance for Trump because power resides in the hands of those who have little to lose from a Trump presidency. There are not enough who are genuinely threatened by him – women, people of colour, immigrants, populating the halls of decision making, to bring the requisite and proportional sense of anger that would have been in the room when the suggestion to “hear me out, Sean Spicer, on SNL’s motorised podium” was made.

Stephen Colbert is woke enough to make a joke at Bill Maher’s use of the N-word, but not so much that he refused to share a stage with Spicer, who worked at the white supremacy head office.

This is the performative half-wokeness of the enablers who smugly have the optics of political correctness down, but never really internalised its values. The awkward knot at the heart of the Trump calamity is that of casual liberal complicity. The elephant in the room is the fact that the country is a most imperfect democracy, where people voted for Trump but the skew of power and capital in society, towards the male and the white and the immune, elevated him to the candidacy in the first place.

Yes he had the money, but throw in some star quality and a bit of novelty, and you’re all set. In a way what really is working against Hillary Clinton’s book tour, where some are constantly asking that she just go away, is that she’s old hat and kind of boring in a world where attention spans are the length of another ridiculous Trump tweet.

Preaching the merits of competence and centrism in a pantsuit? Yawn. You’re competing for attention with a White House that is a revolving door of volatile man-children. Trump just retweeted a video mock up where he knocks you over with a golf ball, Hillary. What have you got to say about that? Bet you haven’t got a nifty Vaclav Havel quote to cover this political badinage.

This is how Trump continues to hold the political culture of the country hostage, by being ultra-present and yet also totally irrelevant to the more prosaic business of nation building. It is a hack that goes to the heart of, as Hillary's new book puts it, What Happened.

The Trump phenomenon is hardwired into the American DNA. Once your name becomes recognisable you’re a Name. Once you’ve done a thing you are a Thing. It doesn’t matter what you’re known for or what you’ve done.

It is the utter complacency of the establishment and its pathetic default setting that is in thrall to any mediocre male who, down to a combination of privilege and happenstance, ended up with some media profile. That is the currency that got Trump into the White House, and it is the currency that will keep him there. As Spicer’s Emmy celebration proves, What Happened is still happening.