The trolls we despise are our own creation

To kill off the poisonous notions of celebrity, we have to stop giving it our attention and act civilly to each other.

It’s easy to mock Paris Hilton.

She is the scarecrow that embodies everything we use to keep our morals flapping above the fields of indignity. With celebrity culture, the glitz of Hollywood has lit up long dormant beasts in each of us: because they’re on the big screen, they’re deserving of our vitriol, of our scorn. But we no longer direct rotten fruit at them, but rotten terms: Too fat, too skinny, cheater, liar, weirdo, skank, whore, drug addict, stupid, bimbo, loser, airhead, meaningless. Terms most of us left in the schoolyard, replacing them with conduct catered to civility and, indeed, common decency, are somehow allowed rebirth and fruition to be used at these idols of our indulgences, these effigies to narcissism.

Yet, those of us who casually and so easily mock the failings of young women we do not know, or largely harmless men with admittedly weird religions, are also quick to shake our fists and heads at rude online comments and bizarre blog threads; we are outraged at the targeting of people for making the mistake of, for example, reviewing technology or being a woman and having an open comment thread on the internet.

When we turn off the screen, a black monitor greets us with a darkened face and we have an answer. Do we even realise the casualness with which we dismiss celebrities as idiots, bimbos, wash-ups, has-beens, irrelevant? This ignorance on our part of targeting people who are, in fact, complete strangers – just more famous ones than online writers – is itself part of the problem. We’ve casually allowed for this environment of trolling, of harassment, because so many of us do it. We’ve built a culture of mockery, a religion of ridicule, where we drink the spirits of vitriol down parched throats, raw from directed anger. And we wonder where these ‘new’ beasts come from.

We created them. We’ve produced an environment where people like Charlotte Dawson attempt suicide because strangers on Twitter had direct access to someone they’d otherwise never be able to reach. Technology may be bringing us together, but no one ought to assume this is always a good thing. Celebrities and people on television have always been the target of casual hatred, of comments that dismiss them as persons with actual emotions, instead of entities flickering on a screen, or smiling from a glossy magazine; all that’s changed is Twitter and blogs and forums have allowed us to air talk that would’ve quickly evaporated at dinners and barbeques into a permanent format: often in ways allowing us to aim our hate directly at the celebrity in question, as with Dawson.

We like to think we’re better than celebrities: these entities with no emotions, these scarecrows of our own design, with the expensive smiles and poor judgements. They’re not real like our friends, our lovers, our families, we think, they exist in some other world beyond our mere mortal grasp. While this is true to some extent, it’s no reason to treat them with casual hatred and quick dismissals: if we really are better than them, surely that means we should demonstrate it, in not allowing even casual hatred to be a property we have. It’s easy to create scarecrows from the threads the screen provides, from the weird behaviour picked apart by gossip columnists, by the tiny increase in bulges etched into eternity by paparazzi; it’s much harder to fight against this machine that manufactures celebrities out of ordinary people, fed by screaming passion of voyeuristic indulgence.

In a global society increasingly growing weary of gods, we’ve become lax to a religion that creates them all the time, demanding the sacrifice of our decency.

There are multiple ways to make places like the internet and society in general a space in which adult discussion can occur. There are ways to combat the influence pundits, who sprout fallacies and untruths, have on political discourse in the most powerful countries in the world. One way is to grow a stable foundation of our own discourse. It’s to reclaim civility in a consistent way. It’s to say we’re better than this, we’re better than the hype machine, we’re better than the trolls.

There will always be strange people doing harmless things, always be celebrities who say nonsense like Paris Hilton and her homophobic ideas; but our passion and our anger are better served elsewhere than on strangers – no matter how big-named they are.

Celebrity does not imply talent. Celebrity is only made by attention. We should start killing the notion of "celebrity", replacing it with actual talent, actual ability. But to do that requires us to stop giving attention, to stop hurting our own humanity as moral beings: we’ve got to act civil – ie read and engage charitably, begin with some measure of respect, until such time as interlocutors do not reciprocate or demonstrate deserving of it, and so on. 

If we can’t even maintain a modicum of respect for a rather harmless young woman like Paris Hilton, is it any wonder we fail in facilitating proper dialogue on important matters with our opponents?

Paris Hilton: a celebrity we created. Photograph: Getty Images
JAMIE KINGHAM/MILLENNIUM
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Snakebites and body parts

The city at the edge of an apocalypse: a love letter to Los Angeles.

I was emailing with Kenneth Anger, the film-maker, when the coyotes across the street in Griffith Park started howling.

That’s partially true.

I was emailing him to ask if he’d direct a music video for me. Maybe Lucifer Rising 2.0. Or anything.

Just him in the kitchen making tea, as recorded on his iPhone.

Kenneth Anger is alive and well in Santa Monica, so why not ask him to direct a video for me? Hopefully, he’ll respond. We’ve never met, so I sent an email to him, not with him. That’s the partial truth.

But the coyotes did start howling.

It’s the single best sound in Los Angeles, or any city. Is there another city where you can email an 89-year-old devotee of Aleister Crowley while listening to a few dozen coyotes screaming and howling and ripping the night into little pieces?

No. Just here. This oddness by the sea and an inch from a billion acres of Arrakis.

I never thought I’d end up living in Los Angeles, but I’ve ended up living in Los Angeles. This dirtiest, strangest paradise.

Yesterday I went hiking in a two-million-acre state park that’s 30 minutes from my house. A state park bigger than all of New York City. And it’s 30 minutes away. With no people. Just bears and pumas and coyotes and snakes.

And other things. Abandoned bridges. An observatory where Albert Einstein used to go to watch space.

What a strange city.

A perfect city. Perfect for humans at the edge of this strangely unfolding apocalypse. A gentle apocalypse with trade winds and Santa Ana winds and the biannual vicious storm that rips eucalyptus trees up by their roots.

What a strange city. And it’s my home.

Today I hiked to the back of the Hollywood sign. This was before Kenneth Anger and the coyotes.

The tourists were dropping like flies on the long, hot mountain trail, not aware that this isn’t a city with the safe European ­infrastructure that keeps them happy
and/or alive.

Every now and then, a tourist dies in the hills, bitten by a snake or lost at night. The emergency rooms are full of tourists with snakebites and heatstroke.

Where are the European safeguards?

Fuck us if we need safeguards. Go live in a place like this gentle wasteland where you’re not at the top of the food chain. If you’re not in danger of being eaten at some point in the day, you’re probably not breathing right.

I hope Kenneth Anger writes back.

 

22 May

I drove some friends around my neighbourhood. They want to live here. Why wouldn’t they? Pee-wee Herman and Thom Yorke live up the street.

David Fincher lives a block away. It’s blocks and blocks of jasmine-scented name-
dropping.

It’s warm in the winter and it’s weird all year round.

And there’s a Frank Lloyd Wright that looks like a lunatic Mayan spaceship.

And there go the coyotes again, howling like adorable delegates of death.

They’re so smart, I wish they would make me their king.

You hate Los Angeles? Who cares? You made a mistake, you judged it like you’d judge a city. Where’s the centre?

There’s no centre. You want a centre? The centre cannot hold. Slouching towards Bethlehem. Things fall apart.

Amazing how many titles can come from one poem. What’s a gyre?

Yeats and Kenneth Anger and Aleister Crowley. All these patterns.

Then we had brunch in my art deco pine-tree-themed restaurant, which used to sell cars and now sells organic white tea and things.

The centre cannot hold. I still have no idea what a gyre is.

Maybe something Irish or Celtic.

It’s nice that they asked me to write this journal.

Things fall apart.

So you hate Los Angeles? Ha. It still loves you, like the sandy golden retriever it is. Tell me again how you hate the city loved by David Lynch and where David Bowie made his best album? Listen to LA Woman by the Doors and watch Lynch’s Lost Highway and read some Joan Didion – and maybe for fun watch Nightcrawler – and tell me again how you hate LA.

I fucking love this sprawling inchoate pile of everything.

Even at its worst, it’s hiding something baffling or remarkable.

Ironic that the city of the notoriously ­vapid is the city of deceiving appearance.

After brunch, we went hiking.

Am I a cliché? Yes. I hike. I do yoga. I’m a vegan. I even meditate. As far as clichés go, I prefer this to the hungover, cynical, ruined, sad, grey cliché I was a decade ago.

“You’re not going to live for ever.”

Of course not.

But why not have a few bouncy decades that otherwise would’ve been spent in a hospital or trailing an oxygen tank through a damp supermarket?

 

24 May

A friend said: “The last time I had sex, it was warm and sunny.”

Well, that’s helpful.

October? June? February?

No kidding, the coyotes are howling again. I still love them. Have you ever heard a pack of howling coyotes?

Imagine a gaggle of drunk college girls who also happened to be canine demons. Screaming with blood on their teeth.

It’s such a beautiful sound but it also kind of makes you want to hide in a closet.

No Kenneth Anger.

Maybe I’m spam.

Vegan spam.

Come on, Kenneth, just make a video for me, OK?

I’ll take anything.

Even three minutes of a plant on a radiator.

I just received the hardcover copy of my autobiography, Porcelain. And, like anyone, I skimmed the pictures. I’m so classy, eating an old sandwich in my underpants.

A friend’s dad had got an advance copy and was reading it. I had to issue the cautious caveat: “Well, I hope he’s not too freaked out by me dancing in my own semen while surrounded by a roomful of cross-dressing Stevie Nicks-es.”

If I ever have kids, I might have one simple rule. Or a few simple rules.

Dear future children of mine:

1) Don’t vote Republican.

2) Don’t get facial tattoos.

3) Don’t read my memoir.

I don’t need my currently unmade children to be reading about their dear dad during his brief foray into the world of professional dominatrixing, even if it was brief.

The first poem I loved was by Yeats: “When You Are Old”. I sent it to my high-school non-girlfriend. The girl I longed for, unrequitedly. I’m guessing I’m not the first person to have sent “When You Are Old” to an unrequited love.

Today the sky was so strangely clear. I mean, the sky is almost always clear. We live in a desert. But today it felt strangely clear, like something was missing. The sun felt magnified.

And then, at dusk, I noticed the gold light slanting through some oak trees and hitting the green sides of the mountains (they were green as we actually had rain over the winter). The wild flowers catch the slanting gold light and you wonder, this is a city? What the fuck is this baffling place?

I add the “fuck” for street cred. Or trail cred, as I’m probably hiking. As I’m a cliché.

You hike, or I hike, in the middle of a city of almost 20 million people and you’re alone. Just the crows and the spiralling hawks and the slanting gold light touching the oak trees and the soon-to-go-away
wild flowers.

The end of the world just feels closer here, but it’s nice, somehow. Maybe the actual end of the world won’t be so nice but the temporal proximity can be OK. In the slanting gold light. You have to see it, the canyons in shadow and the tops of the hills in one last soft glow.

What a strange non-city.

 

25 May

They asked for only four journal entries, so here’s the last one.

And why is # a “hashtag”?

Hash? Like weird meat or weird marijuana? Tag, like the game?

At least “blog” has an etymology, even if, as a word, it sounds like a fat clog in a drain.

A friend who works in an emergency room had a patient delivered to her who had a croquet ball in his lower intestine. I guess there’s a lesson there: always have friends who work in emergency rooms, as they have the best stories.

No coyotes tonight. But there’s a long, lonesome, faraway train whistle or horn. Where?

Where in LA would there be a long, lonesome, faraway train whistle or horn?

It’s such a faraway sound. Lonesome hoboes watching the desert from an empty train car. Going where?

I met a woman recently who found human body parts in some bags while she
was hiking.

Technically, her dogs found them.

Then she found the dogs.

And then the sky was full of helicopters, as even in LA it’s unusual to have human hands and things left in bags near a hiking trail a few hundred yards from Brad Pitt’s house.

What is this place?

When I used to visit LA, I marvelled at the simple things, like gas stations and guest bedrooms.

I was a New Yorker.

And the gas stations took credit cards. At. The. Pumps.

What was this magic?

And people had Donald Judd beds in their living rooms, just slightly too small for actual sleeping – but, still, there’s your Donald Judd bed. In your living room at the top of the hill somewhere, with an ocean a dozen miles away but so clear you can see Catalina.

They drained the reservoir and now don’t know what to do with it.

Good old LA, confused by things like empty reservoirs in the middle of the city.

Maybe that’s where the lonesome train lives. And it only comes out at night, to make the sound of a lonesome train whistle, echoing from the empty concrete reservoir that’s left the city nonplussed.

“We’ve never had an empty reservoir in the city before.”

So . . . Do something great with it. I know, it’s a burden being given a huge gift of ­empty real estate in the middle of the city.

Tomorrow I’m meeting some more friends who’ve moved here from New York.

“We have a guest bedroom!” they crow.

A century ago, the Griffith Park planners planted redwoods across the street. And now the moon is waning but shining, far away but soft, through the redwoods.

No coyotes, but a waning moon through some towering redwoods is still really OK. As it’s a city that isn’t a city, and it’s my home.

Goodnight.

Moby’s memoir, “Porcelain”, is published by Faber & Faber

This article first appeared in the 26 May 2016 issue of the New Statesman, The Brexit odd squad