Nagisa Oshima, 1932-2013

Japanese director dies at the age of 80.

The great Japanese director Nagisa Oshima has died aged 80. He was one of cinema’s enduring sensualists, and wryly funny with it. Though he was best known for his challenging 1976 psychological drama In the Realm of the Senses (Ai No Corrida) - or rather, best known for the controversy which its explicit sex scenes provoked - this rather solemn work was hardly representative of the broad emotional register in which he worked. The film  which followed it, Empire of Passion (1978), is a better showcase for his extraordinary deftness of mood - it’s a brutal noirish love story marinated in horror and comedy that keeps campness at bay (just). His range was something to behold. He could move with ease from the stylised social realism of Cruel Story of Youth (1960) and Boy (1969) to the crisply observed tensions of his wartime drama Merry Christmas, Mr Lawrence (1983) and his homoerotic samurai movie Gohatto (1999), which was to be his final film. He also paid tribute to Buñuel with the arch, subversive comedy of Max Mon Amour (1986), in which Charlotte Rampling’s family accommodate cheerfully her relationship with a chimpanzee.

Since international publishing laws stipulate that everything this month must have some connection to David Bowie, here’s the singer and actor on his experience of working with Oshima on Merry Christmas, Mr Lawrence:

What a tremendous eye he has. He’s so quick with his decisions . . . After the first couple of days, we realised it was going to be one-take stuff - one take, two takes. And that really fired us up; I think that got us through the movie more than anything else, this terrific momentum. You’d go through a scene, you’d be done, and then you’d be moving on to the next scene immediately, so you were always your character, with no chance to see the overall thing.

Here is an overview of Oshima’s career that I wrote for the NS in September 2009.

Nagisa Oshima (left) with David Bowie in May 1983 (Photograph: Getty Images)

Ryan Gilbey is the New Statesman's film critic. He is also the author of It Don't Worry Me (Faber), about 1970s US cinema, and a study of Groundhog Day in the "Modern Classics" series (BFI Publishing). He was named reviewer of the year in the 2007 Press Gazette awards.

The Jump/Channel 4
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The most dangerous show on TV: is The Jump becoming a celebrity Hunger Games?

Will it take a life-threatening injury, or worse, before the madness ends?!

First they came for former EastEnders actor Louis Lytton. Then, they came for former EastEnders actor Sid Owen. Then, they came for former Holby City actor Tina Hobley. But now, the third season of Channel 4’s The Jump has moved on from retired soap stars to claim a new set of victims: Britain’s top athletes, including Rebecca Adlington, Beth Tweddle and Linford Christie.

The winter sports reality show The Jump takes your average collection of D-list celebrities, with a few sports personalities mixed in for good measure, and asks them to compete in a series of alpine challenges – skeleton, bobsleigh, snowboarding and, of course, ski jumping – while Davina McCall says things like, “Look at that jump. Just look at it. Are you nervous?”

It sounds fairly mild, but Sir Steve Redgrave, Ola Jordan, Sally Bercow and Melinda Messenger have all withdrawn from the programme after injuries in the past.

Riskier than I’m a Celebrity, Splash! and Dancing on Ice mixed together, the third season of The Jump is fast turning into a dystopian celebrity harm spectacle, a relentless conveyor belt of head injuries and fractured bones.

So far, seven out of the competition’s 12 contestants have sustained injuries. First, Lytton tore a ligament in her thumb, before being rushed to hospital after a training incident at the end of last month. Then, Owen fell on his leg during the first episode having previously complained of “a bad crash during training” for the skeleton.

Adlington (who openly wept with fear when she first gazed upon the titular ski jump, described as being the “height of three double decker buses”) was hospitalised and withdrew from the show after a televised fall left her with a dislocated shoulder: she said the pain was “worse than childbirth”. Hobley soon followed with a dislocated elbow.

Tweddle suffered a particularly bad accident during rehearsals, and now remains in hospital after having her spine fused together, which involved having a piece of bone taken from her hip. On Monday, Christie became the fourth contestant to be hospitalised in the space of two weeks, pulling his hamstring. As of today, Made in Chelsea cast member Mark Francis is the fourth contestant to withdraw, after fracturing his ankle.

In response to criticisms, Channel 4 reminded viewers that 46 of their celebrity participants have so far emerged unscathed across the three series, which seems like a remarkably low bar to set for a major reality TV series: “no one’s been seriously hurt so far” is not much of a safety procedure.

Judge Eddie the Eagle implied that contestents were injuring themselves through their own laziness and coffee obsessions. He wrote in the Daily Mail:

“Those competitors should be up and down the steps relentlessly – jump and go back, jump and go back. Instead too many will have a couple of goes before going off for a coffee and forgetting to return because they're feeling tired.”

But as the celebrity casualty list approaches double figures and more than 12 viewers have officially complained, the channel has begun an urgent safety review of the show, after one insider reportedly labelled it “the most dangerous show on television”.

It all seemed like fun and games when we were watching reality TV stars rolling around in the snow in embarrassing lurid lyrca suits. But will it take a life-threatening injury, or worse, before the madness ends?! Pray for Brian McFadden. Pray for Sarah Harding. Pray for Tamara Beckwith. Pray for the end of The Jump.

Anna Leszkiewicz is a pop culture writer at the New Statesman.