Nagisa Oshima, 1932-2013

Japanese director dies at the age of 80.

The great Japanese director Nagisa Oshima has died aged 80. He was one of cinema’s enduring sensualists, and wryly funny with it. Though he was best known for his challenging 1976 psychological drama In the Realm of the Senses (Ai No Corrida) - or rather, best known for the controversy which its explicit sex scenes provoked - this rather solemn work was hardly representative of the broad emotional register in which he worked. The film  which followed it, Empire of Passion (1978), is a better showcase for his extraordinary deftness of mood - it’s a brutal noirish love story marinated in horror and comedy that keeps campness at bay (just). His range was something to behold. He could move with ease from the stylised social realism of Cruel Story of Youth (1960) and Boy (1969) to the crisply observed tensions of his wartime drama Merry Christmas, Mr Lawrence (1983) and his homoerotic samurai movie Gohatto (1999), which was to be his final film. He also paid tribute to Buñuel with the arch, subversive comedy of Max Mon Amour (1986), in which Charlotte Rampling’s family accommodate cheerfully her relationship with a chimpanzee.

Since international publishing laws stipulate that everything this month must have some connection to David Bowie, here’s the singer and actor on his experience of working with Oshima on Merry Christmas, Mr Lawrence:

What a tremendous eye he has. He’s so quick with his decisions . . . After the first couple of days, we realised it was going to be one-take stuff - one take, two takes. And that really fired us up; I think that got us through the movie more than anything else, this terrific momentum. You’d go through a scene, you’d be done, and then you’d be moving on to the next scene immediately, so you were always your character, with no chance to see the overall thing.

Here is an overview of Oshima’s career that I wrote for the NS in September 2009.

Nagisa Oshima (left) with David Bowie in May 1983 (Photograph: Getty Images)

Ryan Gilbey is the New Statesman's film critic. He is also the author of It Don't Worry Me (Faber), about 1970s US cinema, and a study of Groundhog Day in the "Modern Classics" series (BFI Publishing). He was named reviewer of the year in the 2007 Press Gazette awards.

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SRSLY #20: Friends, Lovers, Divers

On the pop culture podcast this week, we talk albums from Joanna Newsom, Bjork and Grimes, Todd Haynes film Carol, and comedy web series Ex-Best.

This is SRSLY, the pop culture podcast from the New Statesman. Here, you can find links to all the things we talk about in the show as well as a bit more detail about who we are and where else you can find us online.

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SRSLY is hosted by Caroline Crampton and Anna Leszkiewicz, the NS’s web editor and editorial assistant. We’re on Twitter as @c_crampton and @annaleszkie, where between us we post a heady mixture of Serious Journalism, excellent gifs and regularly ask questions J K Rowling needs to answer.

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The Links

Joanna Newsom, Bjork and Grimes

Joanna Newsom’s Divers doesn't seem to be on Spotify, but you can get it on iTunes here. Listen to Grimes’ Art Angels here and Bjork's Vulnicura here.

This is a good piece about Joanna Newsom.

This piece makes the comparison with Elena Ferrante that we talk about on the podcast.

Here's Grimes's own post about Bjork.

Tavi Gevinson's interview with Joanna Newsom (where she talks about liking Grimes).



Ryan Gilbey's review of Carol, which he calls “as tantalising as hearing a tender ballad on a tinpot transistor”.

Anna's piece about the photographers that influenced the visual style of the film.

An interesting Q & A with director Todd Haynes.



The full series is available to watch for free here.

Meghan Murphy on friendship break-ups.


Your questions:

We love reading out your emails. If you have thoughts you want to share on anything we've discussed, or questions you want to ask us, please email us on srslypod[at], or @ us on Twitter @srslypod, or get in touch via tumblr here. We also have Facebook now.


Our theme music is “Guatemala - Panama March” (by Heftone Banjo Orchestra), licensed under Creative Commons. 


See you next week!

PS If you missed #19, check it out here.

Caroline Crampton is web editor of the New Statesman.

Anna Leszkiewicz is a pop culture writer at the New Statesman.