Breivik's paranoid fantasies
As the trial of the Norwegian mass murderer Anders Breivik begins, the New Statesman reflects on the wider ideology, and hatred of multiculturalism, that informed his actions. Read the New Statesman's leader, "The most shocking thing about Breivik is how many agree with his opinions", here .
Without the declaration that Breivik is too insane to stand trial, Daniel Trilling, the author of the forthcoming Bloody Nasty People: the Rise of Britain’s Far Right, writes that we’re forced to ask where such hate doctrine in Europe and the US originates from:
To think that every cultural conservative is a secret extremist or a Breivik-style killer-in-waiting would be [a] paranoid fantasy. But the point about far-right ideology is that it is parasitical on the mainstream.
The fascism of the 1920s and 1930s succeeded because it played on wider fears, winning the support of those who would never have thought of themselves as “extremists”. The Nazis used anti-Semitism because it already existed in German society. Their successors today use Islamophobia because it already exists in our societies. From a tiny grain of truth – the threat of Islamist terror – has been spun a whole mythology about the imminent collapse of western civilisation and, whether they realise it or not, conservative ideologues are helping spread the poison that enables the far right to grow.
Elsewhere in the magazine, Peter Wilby considers Islamophobia’s insidious printed form, referring to “studies [that] suggest more than two-thirds of British press stories about Muslims portray them as a threat to British values.”
China's rise, America's fall
The financial crisis has seen the global economy turned on its head. In back-to-back essays this week, the New Statesman charts the economic rise of China against the US’s concurrent decline.
In “The beginning of a new world order”, the journalist and co-founder of the think tank Demos, Martin Jacques, demonstrates how, as we emerge from the wreckage of the global recession, China - rather than America - is set to dominate through both soft and hard power.
Alongside this, Edward Luce, the author of Time to Start Thinking: America and the Spectre of Decline, reveals, from his extraordinary access to Pentagon officials, that even they admit the era of US global dominance is over.
Hari Kunzru dances to Kraftwerk
On 15 April, the novelist Hari Kunzru joined 449 neophiliacs at the Museum of Modern Art in New York for one of an eight-night retrospective performance by Kraftwerk, “generally reckoned to be the most influential pop musicians of the past 30 years”.
Kunzru reconsiders the German electronic outfit’s “rigorous aesthetic modernism” – “They seem to celebrate post-war Europe as perhaps the ultimate “nonplace”, banal but somehow perfected, and sing out its banality as a kind of transcendent pop joy” – and describes the joy instilled in him last Sunday by these four now middle-aged men:
We are experiencing the aural equivalent of Tatlin’s Monument to the Third International, a towering symbol of the New. And we are finding the New quite funky, thank you. The auditorium is soon filled with 450 very lucky New Yorkers succumbing to the sexual discipline of the disco, bodies jerking masochistically to relentless, synthetic, industrial beats.
In the Critics
The bulk of the Critics section this week is devoted to an American writing special. Mark Greif and Heidi Julavits, editors from two of the US’s leading literary periodicals, n+1 and the Believer, examine the recent flourishing of “little magazines” across the Atlantic. “The field of US small magazines has grown in the past few years,” Greif writes – especially magazines perched at the intersection of politics and culture. “The prospects for left-wing cultural life seem more generous in 2012. Maybe that’s because the ethos that you should make art and thought, not to feel like an artist, but because you have something to say, has found an opening in history again.” Julavits is slightly more pessimistic about the prospects for long-form literary and cultural journalism: “No matter how well (or not well) something might be written, the new challenge is this: how much time a reader will read any text before his or her brain flips to another text.”
Also in this US Writing Special, Sophie Elmhirst profiles Jonathan Safran Foer; the novelist and critic Ben Marcus asks why American writers today are obsessed with apocalypse; Jonathan Derbyshire talks to Shalom Auslander about his novel Hope: A Tragedy, in which the protagonist discovers an elderly Anne Frank living in his attic in upstate New York; Olivia Laing reviews The Lifespan of a Fact by John D’Agata and Jim Fingal, a contribution to the debate raging in the US now about “how fictional non-fiction is allowed to be” and Jonathan Derbyshire revisits Michael Harrington’s book The Other America: Poverty in the United States on the 50th anniversary of its publication.
Elsewhere in the New Statesman
All this plus Denis MacShane on the implications for the democratic left if François Hollande is victorious in the French presidential election, Nicholas Wapshott argues that it’s not yet time to write off Mitt Romney, and Mehrezia Labidi, a speaker in Tunisia’s parliament, tells Mehdi Hasan how Islam, feminism and democracy are compatible.