In the Critics section of the New Statesman this week, historian David Priestland argues that “the struggle to interpret our history has been won by a complacent liberalism”. He warns that this “is a triumph with serious consequences.” A new form of Whig history has developed, practiced both by those on the centre-right and centre-left, in which “history is seen as a battle between liberalism and totalitarianism.” Andrew Marr’s BBC series History of the World is representative of this trend in that it “assumes, as Margaret Thatcher once put it, that “there is no such thing as society””.
In Books, Mark Leonard, director of the European Council on Foreign Relations, reviews James Mann’s The Obamians “which seeks to paint a portrait of the 44th president’s foreign policy through the prism of his relationships with his closest advisers.” Mann explains how Obama and his “Obamians” wish to develop a doctrine of “low-cost leadership”, the “apotheosis” of which is Libya: “The conflict revealed [Obama’s] willingness to use force and his commitment to humanitarian goals and multilateralism.” Leonard sees Mann building the book up “to a description of a 'pivot to Asia' that could be the beginning of a new era of bipolarity.” If this is so, Obama could come to be seen as “playing a similar role to that played by Harry S Truman in the early stages of the cold war. In that case – like his predecessor – Obama may yet have a doctrine named after him”.
In the Books Interview, Jonathan Derbyshire speaks to children’s author Anthony Horowitz who has just published Oblivion, the last book in the Power of Five series. Horowitz tells Derbyshire that the book was written in the midst of the phone-hacking scandal. As a result, “the three main characters are heavily influenced by the Murdochs.” The author explains that the danger of broaching big issues such as this in children’s literature “is that you forget that your first duty is to entertain, to write books that are page-turners”.
Also in Books: Sarah Churchwell reviews Michael Gorra’s book Portrait of a Novel: Henry James and the Making of an American Masterpiece; Talitha Stevenson reviews Songs of Innocence: the Story of British Childhood by Fran Abrams; and Andrew Adonis looks at Douglas Carswell’s The End of Politics and the Birth of iDemocracy; PLUS: “The Descent”, a poem by Emily Berry.
Elsewhere in the Critics: Rachel Cooke on A History of Horror with Mark Gatiss; Ryan Gilbey gives his verdict on Paul Thomas Anderson’s The Master and the US cut of Stanley Kunbrick’s The Shining; Rachel Haliburton on a London-bound production of Chekhov’s Uncle Vanya; Kate Mossman reviews the album Gonwards by Peter Blegvad and Andy Partridge; and Antonia Quirke denounces the BBC’s cuts to its arts programming. PLUS: The Madness of Crowds by Will Self.