In the Critics section of this week’s New Statesman , Simon Kuper, author most recently of The Football Men, reviews Tout seul, the memoir of former French coach Raymond Domenech. This is, Kuper writes, “a story of modern France and modern football” – as well as a “business book in reverse: a study in how not to manage people”. In his account of his years at the helm of the French team (2004-2010), Domenech “constantly breaks footballing taboos by revealing intimate moments behind closed doors”. None of the stars of the French game – Zinedine Zidane, Nicolas Anelka, Samir Nasri and Franck Ribéry, to name only four – emerge unscathed. As for Domenech, he appears not to have understood the young men in his charge. “Domenech seems to have regarded many of his players with contempt,” Kuper notes. What’s more, “Tout seul never mentions the issue of ethnicity but these players overwhelmingly grew up in black and brown ghettos far from the French mainstream.”
Also in Books: David Herman reviews In Two Minds, Kate Bassett’s biography of Jonathan Miller (“one of the great figures of British culture over the past 50 years”); Lesley Chamberlain on Benoit Peeters’s biography of Jacques Derrida (“He buried philosophy and left a unique philosophical example in his wake”); Leo Robson reviews Both Flesh and Not, a posthumous collection of essays by David Foster Wallace (“It is … a shame that there now exists in book form evidence of Wallace as a practitioner of modest journalistic undertakings"); Chris Mullin on Simon Hoggart’s collection of parliamentary sketches, House of Fun (“Simon Hoggart is a very wicked man”); and Amanda Craig recommends children’s books for Christmas.
In the Books Interview, Philip Maughan talks to crime writer Val McDermid, who tells him that “crime is a good vehicle for looking at society in general, because the nature of the crime novel means that you draw on a wide group of social possibilities”.
Elsewhere in the Critics: architect Amanda Levete writes the second in a series of pieces charting the progress of her firm AL_A’s scheme for a new gallery at the Victoria and Albert Museum in London; Rachel Cooke reviews the BBC2 documentary Inside Claridge’s; Dannie Abse offers a poem for the run-up to Christmas, “Pre-Xmas at L’Artista”; the NS’s pop critic Kate Mossman wonders how Scott Walker’s reputation has survived so long; Ryan Gilbey finds much to admire in Peter Jackson’s The Hobbit: an Unexpected Journey; and Antonia Quirke enjoys a Radio 4 series on Grimm’s fairy tales. PLUS: Will Self’s Madness of Crowds.