Don't look back in anger
In the Guardian , Blake Morrison has only good things to say for Antonia Fraser's Must You Go? My Life with Harold Pinter: "the book is intimate without being confessional . . . But she's not so discreet as to be dull." He believes that "[Pinter's] wishes have been honoured in this book, which is less flowery than most elegies have a right to be, one year on". Robert Harris in the Sunday Times  concedes that the book "certainly has at times a bosom-heaving, lace-handkerchief-fluttering quality", but is concerned at how Pinter's first wife and son are treated "with chilling contempt". Charles Spencer, in the Telegraph , describes it as a "moving and compellingly readable memoir", which is written "with palpable love, warmth, affection and a huge sense of loss . . . the book is deeply moving in its closing section, following Pinter's cancer diagnosis in 2001".
For Jay Parini in the Guardian , the novelist and critic Edmund White's New York memoir, City Boy, is "the story of sexuality run amok, detached from love, caught in its own whirligig of mindless sensual motion . . . [White] takes us into the 1960s and 70s, describing Manhattan life in those tumultuous decades with a compulsive, self-revelatory energy." To Nicholas Shakespeare in the Telegraph , it is "at bottom, an old-fashioned period piece about a fascinating period". Despite flashes of White at his best, Shakespeare "wanted to like the result more than I did. Too often I found myself wondering if he had mistaken candour for truth or if his characters were one-trick ponies overly defined by their sexuality."