Silvia Neid, manager of the German women's team. Image: Getty
Look out for Roy Hodgson pulling up his trousers during the England game against the mighty men of Montenegro this coming Friday (11 October). I think I know the reason.
He’s not fat but at his age, 66, he has acquired a little beer belly. Not seen it –we use separate bathrooms – but I assume he has. You have to take some things on trust, such as the oft-repeated line that he speaks five languages.
Not heard any of them but I presume this is because in his long-legged career he has managed clubs in Sweden, Italy, Denmark and Switzerland, as well as England. Obviously, he must have picked up the local languages, as footballers do, being so awfully adaptable.
I base the theory about his belly on my own dear tum, which just seems to gave arrived with age and lodged itself there. While standing on the touchline, Roy’s belt slowly slips below his belly line, which of course is more comfy, but then he suddenly realises, worries that his shirt will pop out – perhaps even his belly – so he has to howk it up. This is an action that usually coincides with something frustrating happening on the pitch. Do look out for it.
All managers look worried, if not terrified but then we all look pretty miserable in repose, when caught unguarded, not having put on our face to the world. Without doubt, Wenger is the most miserable-looking manager of them all. Those lines, those frowns. He is beginning to make W H Auden look positively baby-faced. Remember him?
Auden was the first famous person I ever used a tape recorder to interview. In the Sixties, I was sent to see him at a house in St John’s Wood where he was staying with Stephen Spender. I had a sealed envelope to hand over to Auden, given to me by Leonard Russell, the literary editor of the Sunday Times (who was married to Dilys Powell, the paper’s film critic). I looked in it, of course, and inside there were 30 crisp £1 notes. Once Auden opened the envelope and stuffed it in his pocket, he lost all interest in me or the interview.
Meanwhile I was fussing about with the tape recorder, which I had never used before – an early Grundig, about the size of a Mini- Minor. The interview was rubbish and never appeared. I blamed it on the tape recorder and never used one again, which was silly. Oh, if only I had used one during those 18 months I spent with the Beatles, it would have been gold dust.
I bet interviewing miserable old Arsène would be just as unproductive as Auden, no fun at all.
The manager I would really like to interview is Silvia Neid, manager of the German women’s team. She is gorgeous, sorry, I mean a stunning football manager, and has won everything possible, including the World Cup. When the German women are playing, I can’t take my eyes off her, she is so cool, clipped, controlled, cempt . . . sorry, I mean kempt – getting lost with all these Cs. She has this sideways look, the slightest hint of a smile, though it might be a sneer or a snarl kept under leash. She could be Kate Moss’s more interesting big sister.
There is another woman on the football benches these days who I am fascinated by, very different from the immaculate, highly groomed Silvia. It’s the smallish, darkhaired, slender young woman who comes on in a tracksuit when a Chelsea player is injured. She does so quietly, without any fuss, so you don’t realise at first she is there at all, or that she’s a woman.
There are now one or two women chief executives of football clubs but I don’t I think I had ever seen a woman physio, which is what I took her to be, coming on to the pitch to administer to male footballers, tending to their flesh. I imagined all the dressing-room banter she must have to put up with.
Now I look her up on the Chelsea website, I see she is the first-team doctor – Eva Carneiro. She was born in Gibraltar of British-Spanish parents, trained as a doctor at Nottingham University, and has worked with Olympic athletes and women footballers.
Like Silvia, Eva strikes you as an utter professional. Who would never have a beer belly or fuss about piddling things like her belt slipping . . .