Miliband's generation could shift Labour further to left. Photo: Getty Images
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Ed Miliband changed the Labour party in a way we don't yet fully appreciate

Ed Miliband leaves the party's left flank in ruder health than it has been for decades.

What’s Ed Miliband’s legacy? A cruel response might be “15 years of Tory power”.  But a more considered answer can be found in this morning’s Guardian.

35 people, among them the head of the TUC, Frances O’Grady, and the economist Ann Pettifor, have signed a letter calling for debt relief for Greece and an end to austerity policies throughout “Europe and across the world”. 26 of them are members of parliament.  Just six are from the explicitly anti-austerity parties – although all three Plaid Cymru MPs, and the Greens’ Caroline Lucas are all among the signatories – with the remaining 20 all drawn from the parliamentary Labour party.

Of those, 11 were elected under Ed Miliband, ten in the general election of 2015 and one, Liz McInnes, in a by-election in 2014.

Why? Partly because Miliband’s office was largely outmatched in selections by forces to his right and left, partly because one way Team Miliband bought silence – if not loyalty – from the trade unions and the left was to cede the field.  “There are two ways to fix a selection,” one veteran notes, “You can  either just do a David Miliband and plonk someone down, no questions asked, like or lump it."

In the Miliband era, the second, more subtle form of fixing was more often used; shortlists where, for one reason or another, only the preferred candidate is likely to make it through. The socially-conservative electorate of Wythenshawe & Sale were given the choice between five women, and one man, Mike Kane, who went on to become the seat’s MP.  (This doesn't always work. Liz McInness, in Heywood & Middleton, was put on the shortlist as a no-hoper. She went on to win the nomination and is still the MP now.)

For the most part, that benefited the Labour left. In Edmonton, one insider quipped that party members were offered a “cake or death” style choice between Kate Osamor, from the party’s left, and a series of candidates “no-one would ever want to vote for”.

Added to that, the Labour right has lost its gift for organisation. “A lot of people flounced after 2010 [when Ed Miliband defeated his brother, David] and took a lot of knowhow with them,” observes one MP from the party’s right. Labour’s modernisers won precious few selections in open contests, and didn’t benefit from a helping hand from Miliband either.

The overall effect has been to tilt the parliamentary Labour party towards the left for the first time in decades. “Not many lent votes there,” was the observation one Brownite grandee made of the 2015-era MPs who nominated Jeremy Corbyn. One left-leaning Labour staffer says the 2015 election was the Left’s best result “since ‘87”.

The difference is that 1987 marked the final defeat of Labour’s left flank in the civil wars of the 1980s. 2015 very probably ushers in the era of a new era of assertiveness and organisational strength from the Labour left. 

Stephen Bush is special correspondent at the New Statesman. His daily briefing, Morning Call, provides a quick and essential guide to British politics.

John Moore
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The man who created the fake Tube sign explains why he did it

"We need to consider the fact that fake news isn't always fake news at the source," says John Moore.

"I wrote that at 8 o'clock on the evening and before midday the next day it had been read out in the Houses of Parliament."

John Moore, a 44-year-old doctor from Windsor, is describing the whirlwind process by which his social media response to Wednesday's Westminster attack became national news.

Moore used a Tube-sign generator on the evening after the attack to create a sign on a TfL Service Announcement board that read: "All terrorists are politely reminded that THIS IS LONDON and whatever you do to us we will drink tea and jolly well carry on thank you." Within three hours, it had just fifty shares. By the morning, it had accumulated 200. Yet by the afternoon, over 30,000 people had shared Moore's post, which was then read aloud on BBC Radio 4 and called a "wonderful tribute" by prime minister Theresa May, who at the time believed it was a genuine Underground sign. 

"I think you have to be very mindful of how powerful the internet is," says Moore, whose viral post was quickly debunked by social media users and then national newspapers such as the Guardian and the Sun. On Thursday, the online world split into two camps: those spreading the word that the sign was "fake news" and urging people not to share it, and those who said that it didn't matter that it was fake - the sentiment was what was important. 

Moore agrees with the latter camp. "I never claimed it was a real tube sign, I never claimed that at all," he says. "In my opinion the only fake news about that sign is that it has been reported as fake news. It was literally just how I was feeling at the time."

Moore was motivated to create and post the sign when he was struck by the "very British response" to the Westminster attack. "There was no sort of knee-jerk Islamaphobia, there was no dramatisation, it was all pretty much, I thought, very calm reporting," he says. "So my initial thought at the time was just a bit of pride in how London had reacted really." Though he saw other, real Tube signs online, he wanted to create his own in order to create a tribute that specifically epitomised the "very London" response. 

Yet though Moore insists he never claimed the sign was real, his caption on the image - which now has 100,800 shares - is arguably misleading. "Quintessentially British..." Moore wrote on his Facebook post, and agrees now that this was ambiguous. "It was meant to relate to the reaction that I saw in London in that day which I just thought was very calm and measured. What the sign was trying to do was capture the spirit I'd seen, so that's what I was actually talking about."

Not only did Moore not mean to mislead, he is actually shocked that anyone thought the sign was real. 

"I'm reasonably digitally savvy and I was extremely shocked that anyone thought it was real," he says, explaining that he thought everyone would be able to spot a fake after a "You ain't no muslim bruv" sign went viral after the Leytonstone Tube attack in 2015. "I thought this is an internet meme that people know isn't true and it's fine to do because this is a digital thing in a digital world."

Yet despite his intentions, Moore's sign has become the centre of debate about whether "nice" fake news is as problematic as that which was notoriously spread during the 2016 United States Presidential elections. Though Moore can understand this perspective, he ultimately feels as though the sentiment behind the sign makes it acceptable. 

"I use the word fake in inverted commas because I think fake implies the intention to deceive and there wasn't [any]... I think if the sentiment is ok then I think it is ok. I think if you were trying to be divisive and you were trying to stir up controversy or influence people's behaviour then perhaps I wouldn't have chosen that forum but I think when you're only expressing your own emotion, I think it's ok.

"The fact that it became so-called fake news was down to other people's interpretation and not down to the actual intention... So in many interesting ways you can see that fake news doesn't even have to originate from the source of the news."

Though Moore was initially "extremely shocked" at the reponse to his post, he says that on reflection he is "pretty proud". 

"I'm glad that other people, even the powers that be, found it an appropriate phrase to use," he says. "I also think social media is often denigrated as a source of evil and bad things in the world, but on occasion I think it can be used for very positive things. I think the vast majority of people who shared my post and liked my post have actually found the phrase and the sentiment useful to them, so I think we have to give social media a fair judgement at times and respect the fact it can be a source for good."

Amelia Tait is a technology and digital culture writer at the New Statesman.