Protestors in Cairo, one of the places featured in Asaad al-Saleh's book. Photo: Peter Macdiarmid/Getty
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In the Arab Spring, revolution was made by everyday people

Sophie McBain reviews Jonathan Littell's Syrian Notebooks and Voices of the Arab Spring by Asaad al-Saleh.

Syrian Notebooks: Inside the Homs Uprising
Jonathan Littell
Verso, 247pp, £12.99

Voices of the Arab Spring: Personal Stories from the Arab Revolutions
Asaad al-Saleh
Columbia University Press, 272pp, £15.95

In March 2015, four years on from the start of the Syrian uprising, researchers at Wuhan University in China published night-time satellite images of Syria taken from 500 miles above earth. In 2011 an arch-shaped constellation of lights connected the cities of Damascus, Homs, Idlib, Aleppo and Raqqa and followed the line of the Euphrates River into Iraq. One by one, these were extinguished. Today, 83 per cent of Syria’s lights have gone out. Viewed from the sky, the once-great cities are pinpricks of brightness in a pitch-black land.

It is estimated that over 220,000 Syrians have been killed in the civil war and 11 million have fled their homes. Syria is now beyond the reach of most western journalists or outside observers; much of its citizens’ suffering will go undocumented. The story that used to be told about Syria – of how a people rose up against a dictatorship and was crushed – has been obscured by the rise of Islamic State (IS), a group that thrives on lawlessness and glorifies brutality.

IS had not yet formed when Jonathan Littell, a novelist and former aid worker, wrote his Syrian Notebooks. They cover a three-week period from 16 January 2012, when he was smuggled in to Homs, once considered the “capital of the revolution”, by members of the anti-government Free Syrian Army. In the narrative of this war, events of three years ago can seem like ancient history, but Littell wants to “remind the reader that before the nightmare, a nightmare so intense and opaque that it seems to have no beginning, there had been the dream”.

His writings capture a beleaguered but defiant resistance movement that would be crushed within weeks. A few days after Littell left, the Syrian government launched a heavy-weapons attack on the working-class suburb of Baba Amr, on the south-western edge of Homs. It killed roughly 700 Syrian civilians, as well as the Sunday Times journalist Marie Colvin and the French photographer Rémi Ochlik, who died when their makeshift media centre was hit. After one month of bombardment, the Free Syrian Army announced its “tactical retreat” from the district, now reduced to ruins.

It is hard to imagine that the fighters, activists and desperate civilians Littell meets would soon be in some deeper hell. Already, the city of Homs is traversed by shuwar’a el-mout (“streets of death”), in which the Assad regime’s snipers target unarmed adults, children and even unlucky neighbourhood pets. He visits underequipped underground clinics where doctors risk their lives in an often futile attempt to treat the injured, and joins demonstrations and martyrs’ funeral processions populated by “dead men on probation”. The mobile phones of activists are “museums of horrors”, displaying footage of the dead and dying, torture victims and decapitations.

Yet many of the Syrians Littell meets are still motivated by “the dream” – of a country released from dictatorship and free from state brutality. “The political movements are running to catch up and climb on the people’s shoulders,” he notes. He witnesses the first stirrings of the movements that would overpower the people’s revolution: rising sectarian tensions that he believes were stoked by the Assad regime, and a growing jihadist grouping.

His Syrian Notebooks are immediate and vivid, intended as “a document, not a work of literature”. As in any battle, there are lulls – in which Littell describes his dreams or discussions with fighters about the existence of God – followed by bursts of terrifying violence. He has an eye for small, heartbreaking details: the ultrasound scan still in its envelope on the floor of an abandoned flat, the “infinite tenderness” with which a boy strokes his dead brother’s face.

Like the many activists who whip out their smartphones to record each gruesome killing and who risk their lives accompanying him, Littell hopes that documenting the war can serve some greater political purpose. He wants to demonstrate that “all this did not have to be . . . without our callous indifference, cowardice, short-sightedness, things might have been different”. But to what use can we put that knowledge now?

A similar instinct underpins Voices of the Arab Spring, a collection of personal stories from Egypt, Libya, Syria, Tunisia and Yemen gathered by Asaad al-Saleh, an assistant professor at the Middle East Centre at the University of Utah. Al-Saleh grew up in a small town in eastern Syria and left his home country in 2000 after the secret police began harassing him for not having sufficient “security clearance” to teach English literature at the University of Damascus. He hopes that individual, first-person narratives “might force us to rethink certain of our ideas about social, political and cultural change in the Arab world”.

The writers recount their experiences of the first anti-government uprisings in 2011. Al-Saleh wants to show why and how so many individuals, from diverse backgrounds and in various countries, engaged in collective rebellion. Many are motivated by abstract ideals – freedom, dignity, social justice – but are not affiliated with any group or ideology. The political movements are still “running to catch up”. Perhaps, like Littell, al-Saleh wants readers to understand that “things might have been different”. Maybe he wants those who lazily conclude that the Middle East is inherently unsuited to democracy to consider how basic the demand for protection from state brutality and for individual freedom is. In any case, his impulse to focus on human stories is understandable: it is easier to write off a nation as a political basket case than it is the people who compose that nation.

The collection suffers from a few weaknesses that al-Saleh acknowledges in his introduction. He struggled to find writers who had opposed the Arab spring uprisings, as they often feared that their views would be too unpopular. Now that Libya, Syria and Yemen are at war, and a new authoritarian regime is entrenching itself in Egypt, I suspect that al-Saleh would have less trouble finding outspoken reactionaries.

“Revolutions are not hatched in smoke-filled rooms or by activists armed with Twitter and Facebook accounts: rather revolutions are made by everyday people who are no longer afraid,” writes Adel Abdel Ghafar, a 32-year-old activist from Cairo. The moment people overcome this fear is so astonishing, it feels magical; at least that is how it seemed to me, observing the demonstrations in Libya in 2011. How else can I describe the realisation that close friends – who had never discussed politics, who had been raised on government propaganda, whom I still mostly remember with a shisha pipe or a cup of moonshine in their hands – would spontaneously throw themselves in front of gunfire to defend some vague ideal?

Small wonder that many of the writers feel their participation in the uprisings, as protesters, doctors, citizen journalists, has changed them irreversibly. “Today is the reason for my existence,” one of them writes. “It activated a part of me that had been dormant for the 37 years I have been Egyptian,” says another. Can this part of a person ever be “deactivated”? In Cairo, where I live, so many people are tired of revolution; so many activists are in jail. On the edges of Tahrir Square, the symbolic heart of the uprising, barbed-wire barricades stand ready, in case the army needs to block access. In the centre is the square’s newest public monument: a multi-storey car park.

“I am liberated, I am no longer just a single number in the population of Syria,” writes Odai Alzoubi, a 34-year-old philosophy student at the University of East Anglia. It is almost too sad to read the sentence, because in Syria many of the dead will never even become numbers. Their lives, dreams and deaths will disappear in the darkness. Littell and al-Saleh don’t offer any solutions to the crisis, but their humane and sensitive storytelling can at least start to convey just how much has been lost.

Sophie McBain is a freelance writer based in Cairo. She was previously an assistant editor at the New Statesman.

This article first appeared in the 21 May 2015 issue of the New Statesman, The real opposition

ELLIE FOREMAN-PECK FOR NEW STATESMAN
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The triumph of Misbah-ul-Haq, the quiet grafter

How Misbah redeemed Pakistani cricket.

It was an incongruous sight: the entire Pakistani cricket team doing press-ups on the revered pitch at Lord’s, led by its captain, Misbah-ul-Haq. This unusual celebration marked not merely a Test match victory over England on Sunday but something greater: the rehabilitation of Pakistani cricket.

Seven years earlier, the Sri Lankan team bus was en route to the cricket stadium in Lahore for the third day of a Test match against Pakistan when it was attacked by Islamist militants. Gunfire killed six police officers and a driver; several Sri Lankan cricketers were also injured. That was the last Test match played in Pakistan, which, despite protestations, opponents consider too dangerous to visit.

A year later, Pakistan toured England for a Test series. The News of the World alleged that in the final match at Lord’s three Pakistani cricketers had conspired to bowl no-balls in exchange for money. All three received bans of five years or more for corruption. The entire squad was lampooned; police had to shield its members from abuse as they arrived home.

Misbah was on the periphery of all of this. Aged 36 at the time, he was dropped from the squad before the English tour and seemed unlikely to play international cricket again. But the turbulence engulfing Pakistani cricket forced the selectors to reassess. Not only was Misbah recalled but he was made captain. “You have to ask yourself,” he later said: “‘Have I been the captain because they supported me, or because they had no alternatives?’”

Pakistani cricket prizes and mythologises teenage talent plucked from obscurity and brought into the international side. During his decade as captain, Imran Khan picked 11 teenagers to make their debuts, often simply on the basis of being wowed by their performance in the nets. Misbah shows that another way is possible. He grew up in Mianwali, a city that was so remote that: “The culture there wasn’t such that you thought about playing for Pakistan.”

At the behest of his parents, he devoted his early twenties not to his promising batting but to gaining an MBA. Only at 24 did he make his first-class debut, strikingly late in an age when professional sportsmen are expected to dedicate all their energy to the game from their teenage years.

Pakistani cricket has always been “a little blip of chaos to the straight lines of order”, Osman Samiuddin writes in The Unquiet Ones. Misbah has created order out of chaos. He is unflappable and methodical, both as a captain and as a batsman. His mood seems impervious to results. More than anything, he is resilient.

He has led Pakistan to 21 Test victories – seven more than any other captain. He has done this with a bowling attack ravaged by the 2010 corruption scandal and without playing a single match at home. Because of security concerns, Pakistan now play in the United Arab Emirates, sometimes in front of fewer than a hundred supporters.

Misbah has developed a team that marries professionalism with the self-expression and flair for which his country’s cricket is renowned. And he has scored runs – lots of them. Over his 43 Tests as captain, he has averaged at 56.68. Few have been so empowered by responsibility, or as selfless. He often fields at short leg, the most dangerous position in the game and one usually reserved for the team’s junior player.

Misbah has retained his capacity to surprise. As a batsman, he has a reputation for stoic defence. Yet, in November 2014 he reached a century against Australia in just 56 balls, equalling the previous record for the fastest ever Test innings, held by Viv Richards. The tuk-tuk had become a Ferrari.

Late in 2015, Misbah tried to retire. He was 41 and had helped to keep Pakistani cricket alive during some of its darkest days. But the selectors pressured him to stay on, arguing that the team would need him during its arduous tours to England and Australia.

They were right. His crowning glory was still to come. The team arrived in England following weeks of training with the national army in Abbottabad. “The army people are not getting much salaries, but for this flag and for the Pakistani nation, they want to sacrifice their lives,” Misbah said. “That’s a big motivation for all of us. Everyone is really putting effort in for that flag and the nation.”

Now 42, almost a decade older than any cricketer in England’s side, Misbah fulfilled a lifetime’s ambition by playing in a Test match at Lord’s. In Pakistan’s first innings, he scored a century and celebrated with push-ups on the outfield, in homage to the army’s fitness regime and those who had had the temerity to mock his age.

When Pakistan secured victory a little after 6pm on the fourth evening of the game, the entire team imitated the captain’s push-ups, then saluted the national flag. The applause for them reverberated far beyond St John’s Wood.

“It’s been a remarkable turnaround after the 2010 incident,” Misbah-ul-Haq said, ever undemonstrative.

He would never say as much, but he has done more than anyone else to lead Pakistan back to glory. 

Tim Wigmore is a contributing writer to the New Statesman and the author of Second XI: Cricket In Its Outposts.

This article first appeared in the 21 July 2016 issue of the New Statesman, The English Revolt