Photo: courtesy #thisdoesntmeanyes.
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#thisdoesntmeanyes: how a new campaign is tackling the myth of consent, once and for all

An overheard conversation in a bar prompted four friends to start their own anti-rape campaign. Now, they're asking women everywhere to join in and declare that their clothing doesn't mean consent.

As press releases go, the one for #thisdoesntmeanyes starts strong. “There’s a myth that surrounds women, a myth that embroils them: women who dress or behave suggestively, women who are playful or act provocatively, women who flirt or openly discuss sex – they’re asking for it.”

Anti-rape campaigners have been chanting “yes means yes” (and “no means no”) for decades, yet – as any feminist who spends much time online will be all too aware – there are plenty of other things that somehow still  frequently get mistranslated as “yes” – including, say, miniskirts, alcohol, or being in a public place after dark.

#thisdoesntmeanyes leaves no room for ambiguity. By collecting photographs of women in their own clothing, its four founders - Nathalie Gordon, Lydia Pang, Abigail Bergstrom and Karlie McCulloch -  hope to end the myth once and for all.

The campaign began because of an overheard conversation in a bar: two men turned to each other and commented that a passing stranger was “asking for it”. The women happened to be in the company of a friend who had been raped, and the suggestion that clothing could imply consent made her deeply unhappy.

Three out of the four women behind #thisdoesntmeanyes know someone who had also been the victim of rape, and the men’s comments made them realise it was time to act. With their backgrounds in art, illustration and editing, they decided to start their own campaign, and reached out to Rape Crisis London, who were on board immediately. “They just saw the whole thing as exactly what women needed”.

On April 11, the group took to the streets armed with a pop-up studio and the world-renowned photographer PEROU. Almost all of the women they stopped had a story to tell: not surprising, given that 1 in 5 women will experience sexual assault since the age of 16. “Sometimes it was enough just to say ‘we’re doing a project for Rape Crisis London’, and they’d say ‘what do I need to sign?’”. After being photographed, many of them asked if there was more they could do – one girl even e-mailed the team afterwards, offering to volunteer her time unpaid to help the campaign.

With other campaigns putting the onus on victims to prevent themselves from being assaulted, #thisdoesntmeanyes was a welcome chance to fight back. (When I ask the women about their campaign, one of the first things they bring up is the recent poster from Sussex Police. “It was everything we are trying to work against”.)

For those inclined to sneer at hashtag politics, it’s a potent reminder of the internet’s ability to forge progressive communities. Looking through the different photographs, what is most striking is the diversity of the participants. Hollie, who appears in the campaign [see photo above], is a lesbian, and after she was photographed stayed to talk. “We had always been very clear that this campaign was for all women including the lesbian, bisexual and transgender communities, and her stories re-iterated that it isn’t just straight women who are victims”.

The women are encouraging others to post their photos using the hashtag, and will be adding  online contributions to the website. For demographics often sidelined in discussions of sexual violence, including women of colour and trans individuals, #thisdoesntmeanyes provides a forum in which they can represent themselves on equal footing.  “It’s a conversation we desperately need to have with men and women of all ages, sexes, races, sexualities.” The range of women who have already joined the campaign makes for a powerful statement.

As the organisers themselves put it, “long may the message continue”.

 

See the campaign in full at thisdoesntmeanyes.com, and add your own image using #thisdoesntmeanyes

Rape Crisis South London is open 12-2.30 and 19-21.30. Their telephone number is 0808 802 9999, or you can get help online at rasasc.org.uk

Stephanie Boland is digital assistant at the New Statesman. She tweets at @stephanieboland

Photo: Getty
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The rise of the green mayor – Sadiq Khan and the politics of clean energy

At an event at Tate Modern, Sadiq Khan pledged to clean up London's act.

On Thursday night, deep in the bowls of Tate Modern’s turbine hall, London Mayor Sadiq Khan renewed his promise to make the capital a world leader in clean energy and air. Yet his focus was as much on people as power plants – in particular, the need for local authorities to lead where central governments will not.

Khan was there to introduce the screening of a new documentary, From the Ashes, about the demise of the American coal industry. As he noted, Britain continues to battle against the legacy of fossil fuels: “In London today we burn very little coal but we are facing new air pollution challenges brought about for different reasons." 

At a time when the world's leaders are struggling to keep international agreements on climate change afloat, what can mayors do? Khan has pledged to buy only hybrid and zero-emissions buses from next year, and is working towards London becoming a zero carbon city.

Khan has, of course, also gained heroic status for being a bête noire of climate-change-denier-in-chief Donald Trump. On the US president's withdrawal from the Paris Agreement, Khan quipped: “If only he had withdrawn from Twitter.” He had more favourable things to say about the former mayor of New York and climate change activist Michael Bloomberg, who Khan said hailed from “the second greatest city in the world.”

Yet behind his humour was a serious point. Local authorities are having to pick up where both countries' central governments are leaving a void – in improving our air and supporting renewable technology and jobs. Most concerning of all, perhaps, is the way that interest groups representing business are slashing away at the regulations which protect public health, and claiming it as a virtue.

In the UK, documents leaked to Greenpeace’s energy desk show that a government-backed initiative considered proposals for reducing EU rules on fire-safety on the very day of the Grenfell Tower fire. The director of this Red Tape Initiative, Nick Tyrone, told the Guardian that these proposals were rejected. Yet government attempts to water down other EU regulations, such as the energy efficiency directive, still stand.

In America, this blame-game is even more highly charged. Republicans have sworn to replace what they describe as Obama’s “war on coal” with a war on regulation. “I am taking historic steps to lift the restrictions on American energy, to reverse government intrusion, and to cancel job-killing regulations,” Trump announced in March. While he has vowed “to promote clean air and clear water,” he has almost simultaneously signed an order to unravel the Clean Water Rule.

This rhetoric is hurting the very people it claims to protect: miners. From the Ashes shows the many ways that the industry harms wider public health, from water contamination, to air pollution. It also makes a strong case that the American coal industry is in terminal decline, regardless of possibile interventions from government or carbon capture.

Charities like Bloomberg can only do so much to pick up the pieces. The foundation, which helped fund the film, now not only helps support job training programs in coal communities after the Trump administration pulled their funding, but in recent weeks it also promised $15m to UN efforts to tackle climate change – again to help cover Trump's withdrawal from Paris Agreement. “I'm a bit worried about how many cards we're going to have to keep adding to the end of the film”, joked Antha Williams, a Bloomberg representative at the screening, with gallows humour.

Hope also lies with local governments and mayors. The publication of the mayor’s own environment strategy is coming “soon”. Speaking in panel discussion after the film, his deputy mayor for environment and energy, Shirley Rodrigues, described the move to a cleaner future as "an inevitable transition".

Confronting the troubled legacies of our fossil fuel past will not be easy. "We have our own experiences here of our coal mining communities being devastated by the closure of their mines," said Khan. But clean air begins with clean politics; maintaining old ways at the price of health is not one any government must pay. 

'From The Ashes' will premiere on National Geograhpic in the United Kingdom at 9pm on Tuesday, June 27th.

India Bourke is an environment writer and editorial assistant at the New Statesman.

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