The cast of Craig Cash and Caroline Aherne's hit sitcom The Royle Family.
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I don’t mind if politicians went to posh schools. I do mind if they don’t listen to anyone who didn’t

Ad hominem attacks make no sense. All young people should enjoy the opportunity to tell their stories.

Let me begin by paying you a compliment. I don’t care where you went to school. There – have I made your day? No? All right, I’ll go further: I also don’t care what your dad did for a living, or how your mum voted. Nor do I mind whether you ate your tea in front of the telly, dinner at the kitchen table or supper in the dining room. Maybe you didn’t have a telly. Or you called it a TV. Or you had one but it was hidden in a cabinet. And maybe you seldom ate an evening meal at home because you were in care, or at boarding school; and you can’t tell me what your dad did for a living because you never met him; and you don’t know how your mum votes because she never votes, because she’s the Queen.

I call it a compliment because, if you disagree with me about something, I’ll wonder what might be wrong with what I said, rather than what might be wrong with you. If I offer a conjecture, you might challenge that conjecture – but you could return the compliment by not challenging my life. It’s a pleasant fantasy, isn’t it? But, oh well, back to human beings.

To rail against ad hominem attacks is as pointless as to rail against Homo sapiens. We think: therefore, we often talk rubbish. The trouble with playing the person instead of the ball is that a) it makes you look like you’re not interested in the ball and b) you almost always get the wrong person. You’ll notice I slightly compromised the more familiar phrase “playing the man instead of the ball” in the interests of not excluding women (many of whom like or play football). You might say that this is overly fastidious. Or that I’m favouring political correctness over clarity. Fine. But I’d rather that you didn’t say I wrote that because I am a “typical left-wing luvvie”, for instance, because then I would know I was in the presence of a dick. And, flawed as I am, that would be the end of our potentially interesting chat. The “Well, you would say that . . .” school of thought is not so much a school as a hospice.

It’s always a one-way street: I seek out the logical fallacies in argument, you are a benefit scrounger. I detect solecisms and lazy thinking, you are a public-school buffoon. I coolly weigh the evidence, you are a woman. We all do it. Rationality, objectivity: these things are essential to argument. But we are in trouble when we don’t recognise that we are swimming against the tide. Very bad things follow when we kid ourselves that we’re naturally rational, rather than the more humbling truth: naturally emotional.

So, perhaps a little forgiveness here. Does it matter that David Cameron went to Eton? Yes, it does. But do I blame, even hate, him for it? No, of course not: he was a child. We don’t withhold empathy from people who are lucky (though there are all kinds of luck: I’m not sure that, say, being waved off to boarding school at the age of seven is a guarantee of cloudless mental heath).

Yet we are free to judge people by what they do with that luck, and indeed by whether they show any sign of noticing it. I don’t mind that George Osborne went to St Paul’s School. I mind very much if he shows no sign of reading about, meeting and listening to a lot, and I mean, A LOT of people who didn’t. If the Chancellor of the Exchequer is not an expert on what it’s like to work on a zero-hours contract then he isn’t fit for the job.

It’s a matter of intellectual diversity. Where you have 20 people who all share roughly the same educational and life experiences, they’re going to come up with the same solutions to the same problems. Not only is equality of opportunity a good idea in terms of social justice (as ideas go, I can scarcely think of a better one), but the creative friction that comes from clever people from different backgrounds arguing about a common aim benefits all of us: business, politics, the arts, everyone.

Speaking of the arts, the recent handbag tussle between Chris Bryant and James Blunt made me think of The Royle Family and how long it took me to warm to it. Among other comments, the Labour culture spokesman criticised broadcasters for not making enough drama or comedy about working-class culture. The thing that initially alarmed me about Caroline Aherne and Craig Cash’s wonderful sitcom was how accurate it was. I grew up in a bungalow in the beautiful nowhere of Lincolnshire, where, to answer the questions above, we had our “tea” at the kitchen table and the thing in the corner of the “living room” was a “telly”. But then I scraped in to the grammar school, and then Cambridge. And from that moment – this isn’t rational, it’s just how it feels right now – I disqualified myself from writing about the people I grew up with. If I tried to write The Royle Family now, the critics wouldn’t review the show, they’d review me: I would pass them the ball and they would ask where I got my “Oxbridge football boots”.

But I’m just one bloke. We need to give back to young people all the advantages I enjoyed. Until a government can restore arts funding, public libraries, the Education Maintenance Allowance, housing benefit for young people and maintenance grants for the poorest university students, we will never hear from those talented people with their own, vibrant stories to tell. The ones who are not yet, as I have become, afraid.

 

Robert Webb is a comedian, actor and writer. Alongside David Mitchell, he is one half of the double act Mitchell and Webb, best known for award-winning sitcom Peep Show.

This article first appeared in the 30 January 2015 issue of the New Statesman, The Class Ceiling

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Theresa May’s stage-managed election campaign keeps the public at bay

Jeremy Corbyn’s approach may be chaotic, but at least it’s more authentic.

The worst part about running an election campaign for a politician? Having to meet the general public. Those ordinary folk can be a tricky lot, with their lack of regard for being on-message, and their pesky real-life concerns.

But it looks like Theresa May has decided to avoid this inconvenience altogether during this snap general election campaign, as it turns out her visit to Leeds last night was so stage-managed that she barely had to face the public.

Accusations have been whizzing around online that at a campaign event at the Shine building in Leeds, the Prime Minister spoke to a room full of guests invited by the party, rather than local people or people who work in the building’s office space.

The Telegraph’s Chris Hope tweeted a picture of the room in which May was addressing her audience yesterday evening a little before 7pm. He pointed out that, being in Leeds, she was in “Labour territory”:

But a few locals who spied this picture online claimed that the audience did not look like who you’d expect to see congregated at Shine – a grade II-listed Victorian school that has been renovated into a community project housing office space and meeting rooms.

“Ask why she didn’t meet any of the people at the business who work in that beautiful building. Everyone there was an invite-only Tory,” tweeted Rik Kendell, a Leeds-based developer and designer who says he works in the Shine building. “She didn’t arrive until we’d all left for the day. Everyone in the building past 6pm was invite-only . . . They seemed to seek out the most clinical corner for their PR photos. Such a beautiful building to work in.”

Other tweeters also found the snapshot jarring:

Shine’s founders have pointed out that they didn’t host or invite Theresa May – rather the party hired out the space for a private event: “All visitors pay for meeting space in Shine and we do not seek out, bid for, or otherwise host any political parties,” wrote managing director Dawn O'Keefe. The guestlist was not down to Shine, but to the Tory party.

The audience consisted of journalists and around 150 Tory activists, according to the Guardian. This was instead of employees from the 16 offices housed in the building. I have asked the Conservative Party for clarification of who was in the audience and whether it was invite-only and am awaiting its response.

Jeremy Corbyn accused May of “hiding from the public”, and local Labour MP Richard Burgon commented that, “like a medieval monarch, she simply briefly relocated her travelling court of admirers to town and then moved on without so much as a nod to the people she considers to be her lowly subjects”.

But it doesn’t look like the Tories’ painstaking stage-management is a fool-proof plan. Having uniform audiences of the party faithful on the campaign trail seems to be confusing the Prime Minister somewhat. During a visit to a (rather sparsely populated) factory in Clay Cross, Derbyshire, yesterday, she appeared to forget where exactly on the campaign trail she was:

The management of Corbyn’s campaign has also resulted in gaffes – but for opposite reasons. A slightly more chaotic approach has led to him facing the wrong way, with his back to the cameras.

Corbyn’s blunder is born out of his instinct to address the crowd rather than the cameras – May’s problem is the other way round. Both, however, seem far more comfortable talking to the party faithful, even if they are venturing out of safe seat territory.

Anoosh Chakelian is senior writer at the New Statesman.

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