The cast of Craig Cash and Caroline Aherne's hit sitcom The Royle Family.
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I don’t mind if politicians went to posh schools. I do mind if they don’t listen to anyone who didn’t

Ad hominem attacks make no sense. All young people should enjoy the opportunity to tell their stories.

Let me begin by paying you a compliment. I don’t care where you went to school. There – have I made your day? No? All right, I’ll go further: I also don’t care what your dad did for a living, or how your mum voted. Nor do I mind whether you ate your tea in front of the telly, dinner at the kitchen table or supper in the dining room. Maybe you didn’t have a telly. Or you called it a TV. Or you had one but it was hidden in a cabinet. And maybe you seldom ate an evening meal at home because you were in care, or at boarding school; and you can’t tell me what your dad did for a living because you never met him; and you don’t know how your mum votes because she never votes, because she’s the Queen.

I call it a compliment because, if you disagree with me about something, I’ll wonder what might be wrong with what I said, rather than what might be wrong with you. If I offer a conjecture, you might challenge that conjecture – but you could return the compliment by not challenging my life. It’s a pleasant fantasy, isn’t it? But, oh well, back to human beings.

To rail against ad hominem attacks is as pointless as to rail against Homo sapiens. We think: therefore, we often talk rubbish. The trouble with playing the person instead of the ball is that a) it makes you look like you’re not interested in the ball and b) you almost always get the wrong person. You’ll notice I slightly compromised the more familiar phrase “playing the man instead of the ball” in the interests of not excluding women (many of whom like or play football). You might say that this is overly fastidious. Or that I’m favouring political correctness over clarity. Fine. But I’d rather that you didn’t say I wrote that because I am a “typical left-wing luvvie”, for instance, because then I would know I was in the presence of a dick. And, flawed as I am, that would be the end of our potentially interesting chat. The “Well, you would say that . . .” school of thought is not so much a school as a hospice.

It’s always a one-way street: I seek out the logical fallacies in argument, you are a benefit scrounger. I detect solecisms and lazy thinking, you are a public-school buffoon. I coolly weigh the evidence, you are a woman. We all do it. Rationality, objectivity: these things are essential to argument. But we are in trouble when we don’t recognise that we are swimming against the tide. Very bad things follow when we kid ourselves that we’re naturally rational, rather than the more humbling truth: naturally emotional.

So, perhaps a little forgiveness here. Does it matter that David Cameron went to Eton? Yes, it does. But do I blame, even hate, him for it? No, of course not: he was a child. We don’t withhold empathy from people who are lucky (though there are all kinds of luck: I’m not sure that, say, being waved off to boarding school at the age of seven is a guarantee of cloudless mental heath).

Yet we are free to judge people by what they do with that luck, and indeed by whether they show any sign of noticing it. I don’t mind that George Osborne went to St Paul’s School. I mind very much if he shows no sign of reading about, meeting and listening to a lot, and I mean, A LOT of people who didn’t. If the Chancellor of the Exchequer is not an expert on what it’s like to work on a zero-hours contract then he isn’t fit for the job.

It’s a matter of intellectual diversity. Where you have 20 people who all share roughly the same educational and life experiences, they’re going to come up with the same solutions to the same problems. Not only is equality of opportunity a good idea in terms of social justice (as ideas go, I can scarcely think of a better one), but the creative friction that comes from clever people from different backgrounds arguing about a common aim benefits all of us: business, politics, the arts, everyone.

Speaking of the arts, the recent handbag tussle between Chris Bryant and James Blunt made me think of The Royle Family and how long it took me to warm to it. Among other comments, the Labour culture spokesman criticised broadcasters for not making enough drama or comedy about working-class culture. The thing that initially alarmed me about Caroline Aherne and Craig Cash’s wonderful sitcom was how accurate it was. I grew up in a bungalow in the beautiful nowhere of Lincolnshire, where, to answer the questions above, we had our “tea” at the kitchen table and the thing in the corner of the “living room” was a “telly”. But then I scraped in to the grammar school, and then Cambridge. And from that moment – this isn’t rational, it’s just how it feels right now – I disqualified myself from writing about the people I grew up with. If I tried to write The Royle Family now, the critics wouldn’t review the show, they’d review me: I would pass them the ball and they would ask where I got my “Oxbridge football boots”.

But I’m just one bloke. We need to give back to young people all the advantages I enjoyed. Until a government can restore arts funding, public libraries, the Education Maintenance Allowance, housing benefit for young people and maintenance grants for the poorest university students, we will never hear from those talented people with their own, vibrant stories to tell. The ones who are not yet, as I have become, afraid.

 

Robert Webb is a comedian, actor and writer. Alongside David Mitchell, he is one half of the double act Mitchell and Webb, best known for award-winning sitcom Peep Show.

This article first appeared in the 30 January 2015 issue of the New Statesman, The Class Ceiling

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Rarely has it mattered so little if Manchester United won; rarely has it been so special they did

Team's Europa League victory offers chance for sorely needed celebration of a city's spirit.

Carlo Ancelotti, the Bayern Munich manager, memorably once said that football is “the most important of the least important things”, but he was only partly right. While it is absolutely the case that a bunch of people chasing around a field is insignificant, a bunch of people chasing around a field is not really what football is about.

At a football match can you set aside the strictures that govern real life and freely scream, shout and cuddle strangers. Football tracks life with such unfailing omnipresence, garnishing the mundane with regular doses of drama and suspense; football is amazing, and even when it isn’t there’s always the possibility that it’s about to be.

Football bestows primal paroxysms of intense, transcendent ecstasy, shared both with people who mean everything and people who mean nothing. Football carves out time for people it's important to see and delivers people it becomes important to see. Football is a structure with folklore, mythology, language and symbols; being part of football is being part of something big, special, and eternal. Football is the best thing in the world when things go well, and still the best thing in the world when they don’t. There is nothing remotely like it. Nothing.

Football is about community and identity, friends and family; football is about expression and abandon, laughter and song; football is about love and pride. Football is about all the beauty in the world.

And the world is a beautiful place, even though it doesn’t always seem that way – now especially. But in the horror of terror we’ve seen amazing kindness, uplifting unity and awesome dignity which is the absolute point of everything.

In Stockholm last night, 50,000 or so people gathered for a football match, trying to find a way of celebrating all of these things. Around town before the game the atmosphere was not as boisterous as usual, but in the ground the old conviction gradually returned. The PA played Bob Marley’s Three Little Birds, an Ajax staple with lyrics not entirely appropriate: there is plenty about which to worry, and for some every little thing is never going to be alright.

But somehow the sentiment felt right and the Mancunian contingent joined in with gusto, following it up with “We’ll never die,” – a song of defiance born from the ashes of the Munich air disaster and generally aired at the end of games, often when defeat is imminent. Last night it was needed from the outset, though this time its final line – “we’ll keep the red flag flying high, coz Man United will never die" – was not about a football team but a city, a spirit, and a way of life. 

Over the course of the night, every burst of song and even the minute's silence chorused with that theme: “Manchester, Manchester, Manchester”; “Manchester la la la”; “Oh Manchester is wonderful”. Sparse and simple words, layered and complex meanings.

The match itself was a curious affair. Rarely has it mattered so little whether or not United won; rarely has it been so special that they did. Manchester United do not represent or appeal to everyone in Manchester but they epitomise a similar brilliance to Manchester, brilliance which they take to the world. Brilliance like youthfulness, toughness, swagger and zest; brilliance which has been to the fore these last three days, despite it all.

Last night they drew upon their most prosaic aspects, outfighting and outrunning a willing but callow opponent to win the only trophy to have eluded them. They did not make things better, but they did bring happiness and positivity at a time when happiness and positivity needed to be brought; football is not “the most important of the least important things,” it is the least important of the most important things.

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