Organisations like No More Page 3 are a fresh way of doing politics. Photo: Getty
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What mainstream politics can learn from the new wave of feminist activism

Why politics in general would benefit from riding the new wave of feminism.

This year’s party conference season was largely forgettable. We’re facing the closest general election in years - teetering on the brink of a new era of six-party politics where Ukip overshadows the safest of seats – but you wouldn’t have thought it, judging from the meagre pickings mainstream parties offered up like some sort of funereal policy buffet. A minimum wage rise here, a sprinkle of NHS nurses there – but easy on any cohesive narrative for a better future.

It’s no surprise that party politics is leaving voters feeling queasy, nor that just 41 per cent of first-time voters aged 17-21 say they plan to vote in next year's general elections. Yet there is still an appetite for change. Outside of Westminster remains a huge – as of yet untapped – amount of energy behind grass roots campaigns focused on individual issues affecting the electorate.

Nowhere is this more prevalent than among the recent wave of new feminist organisations such as UK Feminista, No More Page 3 and the Spartacus Network that have successfully managed to dominate the headlines for the past three years. Over 200,000 people have signed the petition against the objectification of women on page three of the Sun newspaper. Daughters of Eve, who campaign against FGM, are gaining global attention. And although they don’t explicitly identify as feminists, last week the Focus E15 campaigners mobilised as women and as young mothers against their imminent homelessness by drawing an explicit link between punishing cuts to women’s services and a spiralling housing crisis.

As the party of social justice, equality and tolerance, not to mention Sure Start, extended maternity and paternity provision and the Equal Pay Act, Labour politicians might have been standing proudly alongside the Focus E15 campaigners. Instead, the Labour Mayor of Newham Sir Robin Wales initially dismissed them as “despicable”. Though he later apologised, this was a missed opportunity to show that his party understands why women – who have been hit disproportionately harder by austerity measures - feel so let down by the politicians that represent them. This is the kind of issue that organisations such as Feminist Fightback have also been campaigning for.

However, there’s still time for Labour to ride the new wave of political energy and engagement it is often lacking within its own ranks. It’s time to collaborate with feminist activists but also to respect their autonomy by assisting with their campaigns on their terms. This may be difficult for a party which can be characterised as centralised and hierarchically rigid, but if Labour wants to become a grassroots movement again and capitalise on the energy of these grassroots movements, it’s the only way forward.

Zita Holbourne is co-chair of Black Activists Rising Against the Cuts (BARAC UK), an anti-austerity organisation, that also support family justice campaigns such as that of Mark Duggan. Though she’s active in her community, she writes in a new Fabian and Compass report released today: “The only time I ever see local councillors is when they are canvassing for votes”. In her view, local collaboration is the answer: “For black women to be attracted to Labour party activism, the party must be willing to support our grassroots campaigns in the spaces we have created too”.  This could involve the party campaigning on the multiple discriminations faced by young black people while respecting the fact that BARAC UK’s strong anti-cuts stance does not comfortably align with Labour’s public spending policies.

Feminist organisations like No More Page 3 could also teach political parties a thing or two about the ways in which online activism is increasingly an accessible springboard into wider political participation. Lisa Clarke, one of the No More Page 3 campaigners who had no previous interest in politics, says: “I see many women like me who on the back of their campaigning experience are entering into dialogue with politicians and attending meetings at Westminster”. Labour must get better at reaching out digitally to new audiences, or finding ways to engage with those who lack the time to sit through a local meeting but might be willing to participate in an online advice surgery.

Feminism is also causing people to view the idea of political change in a new light. Like the work of Everyday Sexism, No More Page 3 challenges our society to reconfigure its understanding of gender equality and empower women to ‘call out’ sexism wherever they find it. Labour’s traditional response to page three would probably be to pass legislation and cross its fingers that this would be enough to engender a cultural shift. However, in addressing internet trolling MPs such as Stella Creasy are contributing to this particular debate about online and print sexism, knowing that although the battle starts as a personal one, it gains collective power the more individual voices join in.

Building positive change online and in local communities that everyone can claim joint credit for: that’s what politics should be all about. “What we need to do is get you people out of power, and get people like us in” says Sam Middleton of Focus E15. “It’s communities working together to get this shit done!”

Riding the New Wave: Feminism and the Labour Party, edited by Anya Pearson and Rosie Rogers, is available to read online: http://www.fabians.org.uk/publications/riding-the-new-wave/

Anya Pearson is assistant editor at the Fabian Society. She tweets at @AnyaRPearson

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Welcome to feminism's new gross out frontier

This new movement normalises women by focusing on their bodies, warts and all.

Vaginas are so hot right now. If that sentence shocks you, then you’ve been out of the cultural loop. Thanks to a new wave of television and autobiographies by some very funny women, female privates have moved to the front and centre of popular entertainment.

Male bits, once the only game in town, are now chiefly of interest only as a sidebar to hilarious female riffs on misfiring, awkward and unsatisfactory sex, thanks to recent work by the likes of Lena Dunham, Britain’s Phoebe Waller-Bridge (writer, actor and star of BBC series Fleabag), and now Amy Schumer, whose smash hit “femoir”, The Girl With the Lower Back Tattoo, recently hit stores.

This is all part of a new movement – what I like to call “gross-out feminism”. It is gleeful, honest to a fault, and practised exclusively by women who long ago kissed goodbye to the capacity to be embarrassed. Its goal – apart from to make people laugh – is to provide a kind of shock therapy to those still harbouring the notion that women don’t have bodily functions, trapped gas, or insubordinate periods. Or that women must either be thin or desperately wishing they were so.

Gross-out feminism works by normalising women through focusing on their bodies: traditionally, the first and final frontier of femininity. It violently pushes all remaining cats out of the bag. Women have smelly, sometimes even extremely malodorous vaginas – Schumer’s smells like “chicken ramen”; “baby diaper” morning breath; explosive diarrhoea; acne. They sometimes fart during sex.

You’d be right if you noticed that this type of feminism doesn’t look like the iconic polemics of Shulamith Firestone, Naomi Wolf or Germaine Greer. It does not fit the sociological paradigm of Natasha Walter, Ariel Levy or Laurie Penny, all of whom have tackled a classic 20th century feminist subject – objectification – with political panache. And no, it’s not related either to the brainy fiction of Erica Jong or Marilyn French.

But gross-out feminism owes much to these. The classic texts of feminism laid down the parameters of the various struggles women engage in on a daily basis. One of these was the battle to be taken as full humans, complete with an independent sexuality. As far back as the 1790s, Mary Wollestonecraft raged against the reductive construction of doll-like femininity.

The new feminism builds on all this, but its toolbox is drawn not from an intellectual arena but rather from a peculiarly modern fascination with personal and especially sexual transparency. Honesty shall set us free: as sociologist Richard Sennett lamented, we moderns trade first and foremost in intimacies. But wrapped tightly in gut-busting hilarity, the relentless personal honesty of Schumer et al loses its potential for hollow narcissism and instead becomes powerful, adding vim to the traditional message to women to be strong and confident.

Schumer in particular paints an honest, if troubling picture of the impact of what Naomi Wolf so famously addressed in The Beauty Myth. Money, pain, time: a bewildering amount of these are required in order for most women to feel presentable, let alone attractive. Schumer nails this, but also admits to her own “beauty myth” victimhood.

Before a date she too waxes, straightens her hair, fasts, and tries to squeeze into Spanx so tight that they threaten to splice her guts in two. Schumer, then, is taking one for the team. She’s performing her truth so that we can exorcise our demons. The intriguing implication is that she, like Dunham and Fey, is an everywoman as well as herself. “I am myself,” in her words. “And I am all of you.”

A new sisterhood

Might this signal a reinvigoration of the idea of a universal “sisterhood” that since the 1970s has buckled under the weight of concerns about racial, ethnic and class difference? Perhaps so.

In her hit sitcom Fleabag, Phoebe Waller-Bridge does similar work to Schumer, if less autobiographical. She doesn’t spend much time on her appearance, but when an attractive man calls in the middle of the night asking to come over, waking her up, she excruciatingly manufactures the appearance of having just come in from a night out. She throws off her pyjamas, pulls on her glad rags, a coat, and swigs some wine in preparation. She is soon speaking deadpan to the camera while being taken up the backside. Her sexual honesty is eminently relatable to by millennials, and tinged with sadness. Waller-Bridge’s genius is reading with jaded perfection the sexual proclivities of men half her intellect and beauty.

There are caveats, of course. Some might argue that bringing feminism back into the body merely reaffirms the idea that women are principally bodies rather than whole people. And putting sex front and centre emphasises a potentially one-dimensional representation of what it is to be human. Both of these objections are fair. But when it comes to mainstream, massively entertaining representations of women, gross-out feminism may finally be what has been missing all these years, showing once and for all that the “fair sex” is human in both body and spirit. Warts and all.

Zoe Strimpel is a doctoral researcher in history at the University of Sussex

This article was originally published on The Conversation. Read the original article.