Why criminalise the possession of rape pornography?

It is time for a new law which places the cultural harms of pornography at its centre.

Hidden amongst the more high profile reforms, in the newly published Criminal Justice and Courts Bill 2014, is a proposal to extend the law on extreme pornography. This law, first enacted in 2008, criminalises the possession of pornographic images which are grossly offensive, disgusting or otherwise obscene and which explicitly and realistically depict bestiality, necrophilia or violence that is life-threatening or likely to result in serious injury.

The law specifically did not include pornographic images of rape, a gap in the law which the Scottish Government closed with its own extreme pornography law in 2010.

Fast forward to the summer of 2013 and to the successful campaign to #banrapeporn by Rape Crisis South London and the End Violence Against Women Coalition. We supported this campaign. As did 72,000 other people who signed an online petition, and the Prime Minister, David Cameron, who swiftly came on board promising to extend the extreme pornography law to include images of rape. Such pornography he said:

can only be described as extreme; I am talking particularly about pornography that is violent and that depicts simulated rape. These images normalise sexual violence against women and they’re quite simply poisonous to the young people who see them

And so to February 2014 and section 16 of the new Criminal Justice and Courts Bill. This does exactly what the Prime Minister said it would – and more. Not only is the possession of pornographic images of rape to be criminalised, but also those images depicting other forms of non-consensual sexual penetration.

This reform rightly addresses the failure of the current law to take a strong stance against the normalisation of sexual violence. Rape pornography eroticises violence. It sustains a culture in which a 'no' to sexual activity is not taken seriously, in which sexual violence is seen as entertainment, and in which equality and dignity are not protected.

A culture in which, research for the Children’s Commissioner suggests, young people, turning to pornography for guidance on sex, are engaging in risky behaviours, are uncertain as to what consent means, and develop harmful attitudes towards women and girls. Rape pornography is a form of cultural harm. And it is this cultural harm that justifies legislative action.

This is not to suggest that those who view rape pornography will necessarily go on to commit rape. Such arguments of direct, causal links between pornography and violence are over-simplistic.

Nor does our endorsement of these changes extend uncritically to the entirety of the extreme pornography laws and the proposed reforms. Further amendments are crucial to ensure both the effectiveness of the new law and that it targets culturally harmful material.

First, we recommend the inclusion of a provision requiring reference to be made to the context - description, sounds, narrative – of the image when determining whether or not it is one of ‘rape’. Scottish law already includes such a provision and it helps make it clearer which images fall within the remit of the legislation.

Second, we recommend extending the defence of ‘participation in consensual acts’. This would be a further signal that the target of the legislation is not – and should not be – private depictions of consensual BDSM activity. As we have argued elsewhere, the law currently allows for the criminalisation of many images which, when carried out with consent and produced for private use, should not be covered by this law. Extending the defence to ensure such images would not be captured by it would remedy this flaw in the current offence.

Finally, the law should include a public good defence, as in the Obscene Publications Act 1959, as this would alleviate concerns that the extreme pornography provisions extend to works of art.

In the end, however, while we welcome and support the Government’s recognition that rape pornography is ‘extreme’ enough to be included in extreme pornography law, we hope that these measures are just the beginning.

If we truly want to address the harms of pornography, what we need is a wholesale review and revision of the obscenity and pornography laws.

This would include a reform of the Obscene Publications Act 1959 and its focus on the ‘depravity’ of the consumer of obscene materials. It would entail an examination of the prosecutorial policy which continues to label as ‘obscene’ material that may be distasteful for some but is not unlawful to perform. It would require ensuring that the law is up-to-date for our technological age, particularly around the difficult questions of what ‘possession’ actually means, as well as the implications of increasingly realistic computer generated images.

It is time for a new Commission on Pornography and Obscenity, 30 years on from the Williams Report at the end of the 1970s. It is time for a new law which places the cultural harms of pornography at its centre.

Clare McGlynn and Erika Rackley are Professors of Law at Durham University with particular expertise in the legal regulation of pornography, rape law and gender equality in the legal profession. Follow them on Twitter @McGlynnClare @erikarackley.

Rape pornography is a form of cultural harm. Photo: Getty
Getty
Show Hide image

Will anyone sing for the Brexiters?

The five acts booked to perform at pro-Brexit music festival Bpop Live are down to one.

Do Brexiters like music too? If the lineup of Bpoplive (or more accurately: “Brexit Live presents: Bpop Live”) is anything to go by, the answer is no. Ok, former lineup.

The anti-Europe rally-cum-music festival has already been postponed once, after the drum and bass duo Sigma cancelled saying they “weren’t told Bpoplive was a political event”.

But then earlier this week the party was back on, set for Sunday 19 June, 4 days before the referendum, and a week before Glastonbury, saving music lovers a difficult dilemma. The new lineup had just 5 acts: the 90s boybands East17 and 5ive, Alesha Dixon of Britain’s Got Talent and Strictly Come Dancing fame, family act Sister Sledge and Gwen Dickey of Rose Royce.

Unfortunately for those who have already shelled out £23 for a ticket, that 5 is now down to 1. First to pull out were 5ive, who told the Mirror that “as a band [they] have no political allegiances or opinions for either side.” Instead, they said, their “allegiance is first and foremost to their fans” - all 4our of them.

Next to drop was Alesha Dixon, whose spokesperson said that she decided to withdraw when it became clear that the event was to be “more of a political rally with entertainment included” than “a multi-artist pop concert in a fantastic venue in the heart of the UK”. Some reports suggested she was wary of sharing a platform with Nigel Farage, though she has no qualms about sitting behind a big desk with Simon Cowell.

A spokesperson for Sister Sledge then told Political Scrapbook that they had left the Brexit family too, swiftly followed by East 17 who decided not to stay another day.

So, it’s down to Gwen Dickey.

Dickey seems as yet disinclined to exit the Brexit stage, telling the Mirror: "I am not allowed to get into political matters in this lovely country and vote. It is not allowed as a American citizen living here. I have enough going on in my head and heart regarding matters in my own country at this time. Who will be the next President of the USA is of greater concern to me and for you?"

With the event in flux, it doesn’t look like the tickets are selling quickly.

In February, as David Cameron’s EU renegotiation floundered, the Daily Mail ran a front-page editorial asking “Who will speak for England?” Watch out for tomorrow’s update: “Who will sing for the Brexiters?”

I'm a mole, innit.