Liam Byrne's last stand: five things we learned

The shadow work and pensions secretary took Ed Miliband's advice and referred to "social security", rather than "welfare".

Ahead of next month's shadow cabinet reshuffle, Liam Byrne's speech today was likely the last he will give as shadow work and pensions secretary. As I revealed earlier this week, the view in Labour is that Ed Miliband needs a spokesman the PLP can trust if he is to persuade it to accept his "tough but fair" approach to welfare. (Although Byrne wasn't short of praise for Miliband, describing him as a "man of courage and vision" who had done "extraordinary" things to set the agenda.) 

Unsurprisingly, then, his speech didn't contain any new policies but it was notable on several other fronts. Here are five points that stood out for me. 

1. It's called social security, not welfare

Ed Miliband has recently encouraged Labour MPs to refer to "social security", rather than "welfare", and Byrne is clearly one who got the message. While "social security" appeared 12 times in the speech, "welfare" appeared just once (in the final line: "their promised welfare revolution has collapsed"). In the Q&A that followed, Byrne succinctly explained the logic of this shift: "the words social security are important because they include the word security and because they imply a social contract". 

2. The bedroom tax: "It should be dropped, and dropped now" 

Byrne delivered one of the strongest attacks on the bedroom tax that we've heard from a Labour frontbencher, describing it as "the worst possible combination of incompetence and cruelty". He noted that "96% of those hit have nowhere to move to" (which means higher arrears and homelessness) and that it was "costing the public an extra £102.5 million to implement", concluding: "It should be dropped, and dropped now." This doesn't amount to a commitment to reverse the policy in 2015 but as I wrote last week, Labour will pledge to abolish it in 2015 and Byrne's speech revealed the grounds on which it will do so - that it costs more than it saves.

3. We support welfare cuts too

While Byrne's speech emphasised how Labour would seek to reduce social security spending by tackling unemployment (through its Compulsory Jobs Guarantee) and building more homes, it also highlighted several cuts the party supports. He reminded his audience that Labour has called for Winter Fuel Payments to be removed from the wealthiest 5 per cent of pensioners and that it would not "prioritise" the restoration of child benefit for higher earners.

Byrne also declared his support for "tightening up the rules on child related benefits for foreign workers." He explained: "Most people who come to Britain from Europe work hard and contribute more in taxes than they use in public services or claim in benefits, but we just don’t think it is fair that someone could move to London and leave their children in Paris or Prague and claim British family benefits and send them home."

4. Universal Credit - Labour would keep it

While deriding the government's dramatic retreat on Universal Credit, which will now apply to just ten job centres when it is rolled out this October (it was originally due to apply to all new claimants of out of work benefits), Byrne attempted to be constructive by calling for cross-party talks with civil servants "so that we can see exactly how bad things are and what's needed to fix them". It's not an offer Iain Duncan Smith is likely to accept (in an unsually personal attack on the Work and Pensions Secretary he said: "Something seems to be very wrong in the mind of the man at the helm of DWP") but it is an indication that the programme would likely survive a change of government. Byrne said that Universal Credit, which will replace six of the main benefits and tax credits with a single payment, was "a good idea in principle" and that "if Iain Duncan Smith won’t save Universal Credit, then Labour will have to prepare to clean up his mess."

5. The return of "full employment"

"Full employment" might be a phrase more associated with the Keynesian golden age than with recent British politics but under Ed Miliband it has been restored as an aim of Labour policy. The party views full employment (defined by William Beveridge as an unemployment rate no higher than 3%) as the foundation of a strong economy and the best way to reduce social security spending and narrow inequality. In his speech, Byrne promised that "over the weeks and months ahead", Labour would outline "a new approach that returns our country to full employment".

Shadow work and pensions secretary Liam Byrne speaks at last year's Labour conference in Manchester. Photograph: Getty Images.

George Eaton is political editor of the New Statesman.

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How “cli-fi” novels humanise the science of climate change

The paradox is that the harder climate-fiction novels try, the less effective they are.

When the Paris UN Climate Change Conference begins at the end of November, the world’s leaders will review the climate framework agreed in Rio in 1992. For well over 20 years, the world has not just been thinking and talking about climate change, it has also been writing and reading about it, in blogs, newspapers, magazines – and in novels.

Climate change fiction is now a recognisable literary phenomenon replete with its own nickname: “cli-fi”. The term was coined in 2007 by Taiwan-based blogger Dan Bloom. Since then, its use has spread: it was even tweeted by Margaret Atwood in 2013:

It is not a genre in the accepted scholarly sense, since it lacks the plot formulas or stylistic conventions that tend to define genres (such as science fiction or the western). However, it does name a remarkable recent literary and publishing trend.

A 21st-century phenomenon?

Putting a number to this phenomenon depends, partly, on how one defines cli-fi. How much of a novel has to be devoted to climate change before it is considered cli-fi? Should we restrict the term to novels about man-made global warming? (If we don’t, we should remember that narratives about global climatic change are as old as The Epic of Gilgamesh and the Biblical story of the flood.) If we define cli-fi as fictional treatments of climate change caused by human activity in terms of setting, theme or plot – and accept there will be grey areas in the extent of this treatment – a conservative estimate would put the all-time number of cli-fi novels at 150 and growing. This is the figure put forward by Adam Trexler, who has worked with me to survey the development of cli-fi.

This definition also gives us a start date for cli-fi’s history. While planetary climatic change occurs in much 20th-century science fiction, it is only after growing scientific awareness of specifically man-made, carbon-induced climate change in the 1960s and 1970s that novels on this subject emerged. The first is Arthur Herzog’s Heat in 1976, followed by George Turner’s The Sun and the Summer (published in the US as Drowning Towers) in 1987.

At the turn of this century, Maggie Gee and TC Boyle were among the first mainstream authors to publish climate change novels. In this century, we can count Atwood, Michael Crichton, Barbara Kingsolver, Ian McEwan, Kim Stanley Robinson, Ilija Trojanow and Jeanette Winterson as major authors who have written about climate change. The past five years have given us notable examples of cli-fi by emerging authors, such as Steven Amsterdam, Edan Lepucki, Jane Rawson, Nathaniel Rich and Antti Tuomainen.

Creative challenges

Cli-fi is all the more noteworthy considering the creative challenge posed by climate change. First, there is the problem of scale – spatial and temporal. Climate change affects the entire planet and all its species – and concerns the end of this planet as we know it. Novels, by contrast, conventionally concern the actions of individual protagonists and/or, sometimes, small communities.

Added to this is the networked nature of climate change: in physical terms, the climate is a large, complex system whose effects are difficult to model. In socio-cultural terms, solutions require intergovernmental agreement – just what COP21 intends – and various top-down and bottom-up transformations. Finally, there exists the difficulty of translating scientific information, with all its predictive uncertainty, into something both accurate and interesting to the average reader.

Still, cli-fi writers have adopted a range of strategies to engage their readers. Many cli-fi novels could be classified as dystopian, post-apocalyptic or, indeed, both – depicting nightmarish societies triggered by sometimes catastrophic climate events. A future world is one effective way of narrating the planetary condition of climate change.

Some novelists are also careful to underpin their scenarios with rigorous climatic predictions and, in this way, translate science fact into a fictional setting. Kingsolver, who trained as an ecologist, is the best example of this – and Atwood and Robinson are also known for their attempts at making their speculations scientifically plausible. Also, cli-fi novels, particularly those set in the present day or very near future rather than in a dystopian future, tend to show the political or psychological dimensions of living with climate change. Readers can identify with protagonists. To some extent, the global community is represented in fictional everymen or everywomen. Or, often, it is through such characters that science is humanised and its role in combating climate change better understood.

Can cli-fi lead to change?

Could cli-fi affect how we think and act on climate change? The paradox is that the harder cli-fi tries, the less effective it is. Many writers want to inspire change, not insist on it: the line between literature and propaganda is one that most novelists respect. Literature invites us to inhabit other worlds and live other lives. Cli-fi at its best lets us travel to climate-changed worlds, to strive there alongside others and then to return armed with that experience.

In Paris, the UN will seek a global agreement on climate action for the first time in more than 20 years. There is plenty of climate change fiction out there to help provide the mental and psychological space to consider that action.

The Conversation

Adeline Johns-Putra, Reader in English Literature, University of Surrey

This article was originally published on The Conversation. Read the original article.