Whether we like it or not, the settlers have won. The two-state solution is now impossible

Whether we’re willing to admit it or not, Israel’s the Palestinian “peace process” is dead. There’s no hope of any success for a two-state solution.

They can’t say they weren’t warned. In 1987 and 2000, after the eruption of the first and second intifadas in the occupied territories, Israeli officials could plausibly claim to have been taken by surprise. Not this time. Nitzan Alon, the Israeli general responsible for the West Bank, has warned publicly about the possibility of a third intifada by the repressed and stateless Palestinians. If the latest round of US-led diplomatic efforts fails, he told the Jerusalem Centre for Public Affairs, a think tank, on 18 June, “I’m afraid we will see the escalation . . . strengthen.”

Alon’s comments follow similar warnings from, among others, the former Israeli intelligence chiefs Yaakov Peri and Yuval Diskin, as well as Israel’s former head of general staff, General Shaul Mofaz. “We are on the verge of a third intifada,” said Mofaz in January. “The fuel vapor may already be sensed in the air.” Four months earlier, in September 2012, the Palestinian Authority president, Mahmoud Abbas, had responded to demonstrations over political gridlock and soaring unemployment by declaring that a “Palestinian spring” had begun.

It is now a matter of when, not if, the West Bank boils over into violent protests. All eyes are on events in Damascus, Cairo and Istanbul while Israel continues to oversee the longest military occupation in the world, 46 years and counting.

Perhaps the most offensive phrase, still deployed by the laziest observers in the west, is “peace process”. There is no peace; there is no process – despite an astonishing five visits to the region in the past three months by the US secretary of state, John Kerry.

Negotiations between the two sides were “frozen”, to quote Dov Weisglass, the then chief of staff to Ariel Sharon, almost a decade ago. “[W]hat I effectively agreed to with the Americans was that part of the settlements would not be dealt with at all,” Weisglass told the Israeli newspaper Haaretz in October 2004. “Effectively, this whole package called the Palestinian state, with all that it entails, has been removed indefinitely from our agenda.” Or, as a smiling and confident Dani Dayan, the outgoing chairman of the Yesha settlers’ council, put it to me in an interview for al-Jazeera English: “The conflict right now has no solution.”

Dayan and his fanatical friends can take credit for burying the “two-state solution”. Between 1993 and 2000, as Palestinians and Israelis met for summits, conferences and “peace talks”, the number of settlers in the West Bank and East Jerusalem doubled. “It’s like you and I are negotiating over a piece of pizza,” as the Palestinian-American lawyer Michael Tarazi told an audience at Iowa State University in 2004. “How much of the pizza do I get? And how much do you get? And while we are negotiating it, you are eating it.”

Today, the relentless colonisation of occupied Palestinian land continues apace, in defiance of the Geneva Conventions, with 121 settlements and 102 unauthorised “outposts” occupying 42 per cent of the West Bank.

The settlements, therefore, have rendered a two-state solution impossible. The evidence for this? “The idea that a Palestinian state will be formed in the land of Israel has come to a dead end,” declared the former Yesha Council leader Naftali Bennett on 17 June. “Today there are 400,000 Israeli residents of Judaea and Samaria and another 250,000 in eastern Jerusalem.”

Whether we want to admit it or not, the settlers have won – they have what they call a “wet dream” government, protecting and promoting their interests. Israel’s foreign minister-in-waiting, Avigdor Lieberman, is a West Bank settler; so is his deputy. Both Uri Ariel, the housing minister, and Shai Piron, the education minister, are residents of illegal West Bank settlements. Bennett, who leads the pro-settler Jewish Home party, is also the minister for the economy.

Settlers make up 5 per cent of Israel’s population but more than 10 per cent of Israel’s parliament, the Knesset. Beyond the political sphere, settlers have mounted a concerted effort to dominate the Israel Defence Forces. Settlers in the government will not sanction a withdrawal from the occupied territories and settlers in the military would never enforce such a withdrawal. Thus, the “peace process” is a sham, “one of the most spectacular deceptions in modern diplomatic history”, according to the former foreign minister Shlomo Ben-Ami.

On my last visit to the West Bank, I met Dr Mohammed Shtayyeh, the influential head of the Palestinian Economic Council for Development and Reconstruction, and Diana Buttu, a Stanford-educated lawyer and former Palestinian negotiator. “The two-state solution is not possible any more and we are slipping into a one-state situation . . . which is a comprehensive colonisation of all of Palestine,” Shtayyeh said.

Buttu said she no longer backed two states for two peoples, preferring a single, secular, binational state. But is that feasible? “Is it more feasible to try and get the Israelis to agree to the division of Jerusalem – or is it more feasible for us to start pushing . . . Israel to give us our rights, rather than begging for a little piece of land to be carved out [for us]?” she asked me, as we sat sipping tea in a Ramallah café.

Buttu is right. The choice on offer is stark: either a democratic, one-state solution, in which Jews, Muslims and Christians can live side by side as equals – one person, one vote – or Bennett and Dayan’s “status quo” vision, in which nearly four million Palestinians continue to live under a de facto Israeli military dictatorship, denied the right to vote and offered only a divided, bantustan statelet.

I know which I’d prefer. Either way, no matter how many visits John Kerry makes to Jerusalem, it is time to consign the two-state solution to the dustbin of history.

Mehdi Hasan is a contributing writer of the New Statesman and the political director of the Huffington Post, where this column is crossposted 

US Secretary of State John Kerry and Israeli Prime Minister Benjamin Netanyahu at a meeting in May 2013. Photograph: Getty Images

Mehdi Hasan is a contributing writer for the New Statesman and the co-author of Ed: The Milibands and the Making of a Labour Leader. He was the New Statesman's senior editor (politics) from 2009-12.

This article first appeared in the 08 July 2013 issue of the New Statesman, The world takes sides

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Love a good box set? Then you should watch the Snooker World Championships

The game relies on a steady arm, which relies on a steady nerve. The result is a slow creeping tension needs time and space to be properly enjoyed and endured. 

People are lazy and people are impatient. This has always been so – just ask Moses or his rock – but as illustrated by kindly old Yahweh, in those days they could not simply answer those impulses and stroll on.

Nowadays, that is no longer so. Twitter, YouTube and listicles reflect a desire for complex and involved issues, expansive and nuanced sports – what we might term quality – to be condensed into easily digestible morsels for effort-free enjoyment.

There is, though, one notable exception to this trend: the box set. Pursuing a novelistic, literary sensibility, it credits its audience with the power of sentience and tells riveting stories slowly, unfolding things in whichever manner that it is best for them to unfold.

In the first episode of the first series of The Sopranos, we hear Tony demean his wife Carmela's irritation with him via the phrase “always with the drama”; in the seventh episode of the first series we see his mother do likewise to his father; and in the 21st and final episode of the sixth and final series, his son uses it on Carmela. It is precisely this richness and this care that makes The Sopranos not only the finest TV show ever made, but the finest artefact that contemporary society has to offer. It forces us to think, try and feel.

We have two principal methods of consuming art of this ilk - weekly episode, or week-long binge. The former allows for anticipation and contemplation, worthy pursuits both, but of an entirely different order to the immersion and obsession offered by the latter. Who, when watching the Wire, didn’t find themselves agreeing that trudat, it's time to reup the dishwasher salt, but we’ve run out, ain’t no thing. Losing yourself in another world is rare, likewise excitement at where your mind is going next.

In a sporting context, this can only be achieved via World Championship snooker. Because snooker is a simple, repetitive game, it is absorbing very quickly, its run of play faithfully reflected by the score.

But the Worlds are special. The first round is played over ten frames – as many as the final in the next most prestigious competition – and rather than the usual week, it lasts for 17 magical days, from morning until night. This bestows upon us the opportunity to, figuratively at least, put away our lives and concentrate. Of course, work and family still exist, but only in the context of the snooker and without anything like the same intensity. There is no joy on earth like watching the BBC’s shot of the championship compilation to discover that not only did you see most of them live, but that you have successfully predicted the shortlist.

It is true that people competing at anything provides compelling drama, emotion, pathos and bathos - the Olympics proves this every four years. But there is something uniquely nourishing about longform snooker, which is why it has sustained for decades without significant alteration.

The game relies on a steady arm, which relies on a steady nerve. The result is a slow creeping tension needs time and space to be properly enjoyed and endured. Most frequently, snooker is grouped with darts as a non-athletic sport, instead testing fine motor skills and the ability to calculate angles, velocity and forthcoming shots. However, its tempo and depth is more similar to Test cricket – except snooker trusts so much in its magnificence that it refuses to compromise the values which underpin it.

Alfred Hitchcock once explained that if two people are talking and a bomb explodes without warning, it constitutes surprise; but if two people are talking and all the while a ticking bomb is visible under the table, it constitutes suspense. “In these conditions,” he said, “The same innocuous conversation becomes fascinating because the public is participating in the scene. The audience is longing to warn the characters on the screen: ‘You shouldn't be talking about such trivial matters. There is a bomb beneath you and it is about to explode!’”

Such is snooker. In more or less every break, there will at some point be at least one difficult shot, loss of position or bad contact – and there will always be pressure. Add to that the broken flow of things – time spent waiting for the balls to stop, time spent prowling around the table, time spent sizing up the table, time spent cleaning the white, time spent waiting for a turn – and the ability for things to go wrong is constantly in contemplation.

All the more so in Sheffield’s Crucible Theatre. This venue, in its 40th year of hosting the competition, is elemental to its success. Place is crucial to storytelling, and even the word “Crucible” – whether “a ceramic or metal container in which metals or other substances may be melted or subjected to very high temperatures,” “a situation of severe trial”, or Arthur Miller’s searing play – conjures images of destruction, injustice and nakedness. And the actual Crucible is perhaps the most atmospheric arena in sport - intimate, quiet, and home to a legendarily knowledgeable audience, able to calculate when a player has secured a frame simply by listening to commentary through an earpiece and applauding as soon as the information is communicated to them.

To temper the stress, snooker is also something incredibly comforting. This is partly rooted in its scheduling. Working day and late-night sport is illicit and conspiratorial, while its presence in revision season has entire cohorts committing to “just one more quick frame”, and “just one more quick spliff”. But most powerfully of all, world championship snooker triggers memory and nostalgia, a rare example of something that hasn’t changed, as captivating now as it was in childhood.

This wistfulness is complemented by sensory pleasure of the lushest order. The colours of both baize and balls are the brightest, most engaging iterations imaginable, while the click of cue on ball, the clunk of ball on ball and the clack of ball on pocket is deep and musical; omnipresent and predictable, they combine for a soundtrack that one might play to a baby in the womb, instead of whale music or Megadeth.

Repeating rhythms are also set by the commentators, former players of many years standing. As is natural with extended coverage of repetitive-action games, there are numerous phrases that recur:

“We all love these tactical frames, but the players are so good nowadays that one mistake and your opponent’s in, so here he is, looking to win the frame at one visit ... and it’s there, right in the heart of the pocket for frame and match! But where’s the cue ball going! it really is amazing what can happen in the game of snooker, especially when we’re down to this one-table situation.”

But as omniscient narrators, the same men also provide actual insight, alerting us to options and eventualities of which we would otherwise be ignorant. Snooker is a simple game but geometry and physics are complicated, so an expert eye is required to explain them intelligibly; it is done with a winning combination of levity and sincerity.

The only essential way in which snooker is different is the standard of play. The first round of this year’s draw featured eight past winners, only two of whom have made it to the last four, and there were three second-round games that were plausible finals.

And just as literary fiction is as much about character as plot, so too is snooker. Nothing makes you feel you know someone like studying them over years at moments of elation and desolation, pressure and release, punctuated by TV confessions of guilty pleasures, such as foot massages, and bucket list contents, such as naked bungee jumping.

It is probably true that there are not as many “characters” in the game as once there were, but there are just as many characters, all of whom are part of that tradition. And because players play throughout their adult life, able to establish their personalities, in unforgiving close-up, over a number of years, they need not be bombastic to tell compelling stories, growing and undergoing change in the same way as Dorothea Brooke or Paulie Gualtieri.

Of no one is this more evident that Ding Junhui, runner-up last year and current semi-finalist this; though he is only 30, we have been watching him almost half his life. In 2007, he reached the final of the Masters tournament, in which he faced Ronnie O’Sullivan, the most naturally talented player ever to pick up a cue – TMNTPETPUAC for short. The crowd were, to be charitable, being boisterous, and to be honest, being pricks, and at the same time, O’Sullivan was playing monumentally well. So at the mid-session interval, Ding left the arena in tears and O’Sullivan took his arm in consolation; then when Ding beat O’Sullivan in this year’s quarter-final, he rested his head on O’Sullivan’s shoulder and exchanged words of encouragement for words of respect. It was beautiful, it was particular, and it was snooker.

Currently, Ding trails Mark Selby, the “Jester from Leicester” – a lucky escape, considering other rhyming nouns - in their best of 33 encounter. Given a champion poised to move from defending to dominant, the likelihood is that Ding will remain the best player never to win the game’s biggest prize for another year.

Meanwhile, the other semi-final pits Barry Hawkins, a finalist in 2013, against John Higgins, an undisputed great and three-time champion. Higgins looks likely to progress, and though whoever wins through will be an outsider, both are eminently capable of taking the title. Which is to say that, this weekend, Planet Earth has no entertainment more thrilling, challenging and enriching than events at the Crucible Theatre, Sheffield.

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