Make MPs less "moaty": we want professionals in Parliament, not wealthy hobbyists

It’s understandable that in this febrile, post-expenses atmosphere, MPs have come over all bashful and money-shy. But we want a political profession that's open to everyone, no matter what their means - not just the wealthy who fancy a nice office in cent

What is it about the idea of MPs getting paid more that has so many of us spitting homemade Daily Mail headlines? Sure, the expenses scandal reinforced in concrete a public image of MPs as financially fiddly moat-owners that goes right back to William Hogarth’s lurid caricatures of political perversion. But as the Independent Parliamentary Standards Committee faces scrutiny, even from within Parliament, for recommending a £10,000 pay rise for backbenchers, you have to wonder why pay increases for workers in broadly similar professions never attract that same level of vitriol.

As it stands, backbenchers make £66,000. Nick Clegg has spoken out against an increase that would up this beyond £70k and has rejected his own, hypothetical, new and improved salary. It’s understandable that in this febrile, post-expenses atmosphere, MPs have come over all bashful and money-shy. It would take a brave member to defend a healthy pay rise for him or herself when most of his/her constituents are paid far less, and those who are paid more fall unthinkingly into the consensus view that really and truly, your MP should be an amateur; in politics purely for love.

Representative democracy is an expensive luxury. And it seems all the more luxurious when it’s possible to be elected an MP and never set foot in the Commons again, unless you happen to feel like it. But as indulgent as our political system may be, MPs need to be seen as professionals rather than wealthy hobbyists. The aim should be a chamber full of well-paid representatives, who have no need for that extracurricular company directorship, union sponsorship, whatever. Cleansed of any outside influence and sharply divided along ideological and party lines, these representatives would be worth their healthy salary. But an ideal world, where politics is relevant, argumentative and dynamic - where it is elemental public policy conflict - would require a cessation of public cynicism.

That level of cynicism stems from a perception that MPs don’t have much expertise, or do very much. Armchair brain surgeons or gentleman civil engineers wouldn’t inspire a lot of confidence. So why do we not ascribe the same level of professionalism to those mandated to decide how the country should be run? Low salaries make way for a chamber brimming with people (mostly privately educated white males) who can afford to be there, yet still feel hard done by because they could be making so much more as a lawyer or company boss. Perversely, increasing MPs’ pay would have the effect of reducing their moaty-ness.

The problem is that in order to restore, or perhaps create, an idealised version of democratic, representative politics, you’d need to engineer a generation of “clean” MPs. The expenses scandal bunch would have to become a remote, Hogarthian spectre; the likes of Elliot Morley and Jim Devine turning into grotesque engravings from an earlier age. The simplest method of achieving this is to pave the way for the new generation with money. MPs need to be paid perhaps not quite as well as lawyers or company executives, but almost as well. The quid pro quo there is that if they’re going to be treated as professionals, they have to behave as professionals. This means turning up to work, having no outside business interests at all and adhering to a mandatory code of conduct.

The new, intrigue-free politics would make for some fairly slow news weeks at magazines like the New Statesman. But if dullness means reliability and even respectability then it can’t be such a bad thing. 

Let's make our MPs a little less moaty. Photograph: Getty Images

Eleanor Margolis is a freelance journalist, whose "Lez Miserable" column appears weekly on the New Statesman website.

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Erdogan’s purge was too big and too organised to be a mere reaction to the failed coup

There is a specific word for the melancholy of Istanbul. The city is suffering a mighty bout of something like hüzün at the moment. 

Even at the worst of times Istanbul is a beautiful city, and the Bosphorus is a remarkable stretch of sea. Turks get very irritated if you call it a river. They are right. The Bosphorus has a life and energy that a river could never equal. Spend five minutes watching the Bosphorus and you can understand why Orhan Pamuk, Turkey’s Nobel laureate for literature, became fixated by it as he grew up, tracking the movements of the ocean-going vessels, the warships and the freighters as they steamed between Asia and Europe.

I went to an Ottoman palace on the Asian side of the Bosphorus, waiting to interview the former prime minister Ahmet Davu­toglu. He was pushed out of office two months ago by President Recep Tayyip Erdogan when he appeared to be too wedded to the clauses in the Turkish constitution which say that the prime minister is the head of government and the president is a ceremonial head of state. Erdogan was happy with that when he was prime minister. But now he’s president, he wants to change the constitution. If Erdogan can win the vote in parliament he will, in effect, be rubber-stamping the reality he has created since he became president. In the days since the attempted coup, no one has had any doubt about who is the power in the land.

 

City of melancholy

The view from the Ottoman palace was magnificent. Beneath a luscious, pine-shaded garden an oil tanker plied its way towards the Black Sea. Small ferries dodged across the sea lanes. It was not, I hasten to add, Davutoglu’s private residence. It had just been borrowed, for the backdrop. But it reminded a Turkish friend of something she had heard once from the AKP, Erdogan’s ruling party: that they would not rest until they were living in the apartments with balconies and gardens overlooking the Bosphorus that had always been the preserve of the secular elite they wanted to replace.

Pamuk also writes about hüzün, the melancholy that afflicts the citizens of Istanbul. It comes, he says, from the city’s history and its decline, the foghorns on the Bosphorus, from tumbledown walls that have been ruins since the fall of the Byzantine empire, unemployed men in tea houses, covered women waiting for buses that never come, pelting rain and dark evenings: the city’s whole fabric and all the lives within it. “My starting point,” Pamuk wrote, “was the emotion that a child might feel while looking through a steamy window.”

Istanbul is suffering a mighty bout of something like hüzün at the moment. In Pamuk’s work the citizens of Istanbul take a perverse pride in hüzün. No one in Istanbul, or elsewhere in Turkey, can draw comfort from what is happening now. Erdogan’s opponents wonder what kind of future they can have in his Turkey. I think I sensed it, too, in the triumphalist crowds of Erdogan supporters that have been gathering day after day since the coup was defeated.

 

Down with the generals

Erdogan’s opponents are not downcast because the coup failed; a big reason why it did was that it had no public support. Turks know way too much about the authoritarian ways of military rule to want it back. The melancholy is because Erdogan is using the coup to entrench himself even more deeply in power. The purge looks too far-reaching, too organised and too big to have been a quick reaction to the attempt on his power. Instead it seems to be a plan that was waiting to be used.

Turkey is a deeply unhappy country. It is hard to imagine now, but when the Arab uprisings happened in 2011 it seemed to be a model for the Middle East. It had elections and an economy that worked and grew. When I asked Davutoglu around that time whether there would be a new Ottoman sphere of influence for the 21st century, he smiled modestly, denied any such ambition and went on to explain that the 2011 uprisings were the true succession to the Ottoman empire. A century of European, and then American, domination was ending. It had been a false start in Middle Eastern history. Now it was back on track. The people of the region were deciding their futures, and perhaps Turkey would have a role, almost like a big brother.

Turkey’s position – straddling east and west, facing Europe and Asia – is the key to its history and its future. It could be, should be, a rock of stability in a desperately un­stable part of the world. But it isn’t, and that is a problem for all of us.

 

Contagion of war

The coup did not come out of a clear sky. Turkey was in deep crisis before the attempt was made. Part of the problem has come from Erdogan’s divisive policies. He has led the AKP to successive election victories since it first won in 2002. But the policies of his governments have not been inclusive. As long as his supporters are happy, the president seems unconcerned about the resentment and opposition he is generating on the other side of politics.

Perhaps that was inevitable. His mission, as a political Islamist, was to change the country, to end the power of secular elites, including the army, which had been dominant since Mustafa Kemal Atatürk created modern Turkey after the collapse of the Ottoman empire. And there is also the influence of chaos and war in the Middle East. Turkey has borders with Iraq and Syria, and is deeply involved in their wars. The borders do not stop the contagion of violence. Hundreds of people have died in the past year in bomb attacks in Turkish cities, some carried out by the jihadists of so-called Islamic State, and some sent by Kurdish separatists working under the PKK.

It is a horrible mix. Erdogan might be able to deal with it better if he had used the attempted coup to try to unite Turkey. All the parliamentary parties condemned it. But instead, he has turned the power of the state against his opponents. More rough times lie ahead.

Jeremy Bowen is the BBC’s Middle East editor. He tweets @bowenbbc

This article first appeared in the 28 July 2016 issue of the New Statesman, Summer Double Issue