Miliband throws down a challenge to Cameron on second jobs and party funding

The Labour leader shifts the focus from the unions by calling for new limits on MPs' outside earnings and a cap on party donations.

Delivering his much-hyped speech, Ed Miliband masterfully shifted the focus from Labour and the unions to party funding and outside interests. He called for "new limits" on MPs' earnings from second jobs and "new rules" on conflicts of interests, declaring that "the British people must be reassured that their MPs are working for them". In a clear challenge to David Cameron (whose MPs would suffer most from this reform), he added: "I urge other party leaders to respond to this call for changing the system."

After pledging to introduce a new opt-in system for donations from trade union members, he used this dramatic concession, which Labour sources told me could cost the party as much as £5m, to call for the reopening of the stalled talks on party funding reform. He repeated his call for a cap "on donations from individuals, businesses and Trade Unions", which would likely be set at a level (Miliband previously recommended a limit of £5,000) that would significantly hit Tory coffers. 

The political calculation behind Miliband's move was that it would allow him to frame the Conservatives as the party of big money and Labour as the party of hundreds of thousands of working people. CCHQ has responded by questioning how he will introduce the opt-in system without a change in the law (should the unions refuse to play ball) and by challenging him to publish the Falkirk report. But Milband's smart pivot on second jobs and party funding means that they will immediately be challenged to say whether they will accept his proposals. For the first time since the Unite scandal broke, Miliband has done what he needed to and set the terms of the debate. 

David Cameron and Ed Miliband stand in Westminster Hall. Photograph: Getty Images.

George Eaton is political editor of the New Statesman.

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“Trembling, shaking / Oh, my heart is aching”: the EU out campaign song will give you chills

But not in a good way.

You know the story. Some old guys with vague dreams of empire want Britain to leave the European Union. They’ve been kicking up such a big fuss over the past few years that the government is letting the public decide.

And what is it that sways a largely politically indifferent electorate? Strikes hope in their hearts for a mildly less bureaucratic yet dangerously human rights-free future? An anthem, of course!

Originally by Carly You’re so Vain Simon, this is the song the Leave.EU campaign (Nigel Farage’s chosen group) has chosen. It is performed by the singer Antonia Suñer, for whom freedom from the technofederalists couldn’t come any suñer.

Here are the lyrics, of which your mole has done a close reading. But essentially it’s just nature imagery with fascist undertones and some heartburn.

"Let the river run

"Let all the dreamers

"Wake the nation.

"Come, the new Jerusalem."

Don’t use a river metaphor in anything political, unless you actively want to evoke Enoch Powell. Also, Jerusalem? That’s a bit... strong, isn’t it? Heavy connotations of being a little bit too Englandy.

"Silver cities rise,

"The morning lights,

"The streets that meet them,

"And sirens call them on

"With a song."

Sirens and streets. Doesn’t sound like a wholly un-authoritarian view of the UK’s EU-free future to me.

"It’s asking for the taking,

"Trembling, shaking,

"Oh, my heart is aching."

A reference to the elderly nature of many of the UK’s eurosceptics, perhaps?

"We’re coming to the edge,

"Running on the water,

"Coming through the fog,

"Your sons and daughters."

I feel like this is something to do with the hosepipe ban.

"We the great and small,

"Stand on a star,

"And blaze a trail of desire,

"Through the dark’ning dawn."

Everyone will have to speak this kind of English in the new Jerusalem, m'lady, oft with shorten’d words which will leave you feeling cringéd.

"It’s asking for the taking.

"Come run with me now,

"The sky is the colour of blue,

"You’ve never even seen,

"In the eyes of your lover."

I think this means: no one has ever loved anyone with the same colour eyes as the EU flag.

I'm a mole, innit.