How our gung-ho parliament turned against military interventionism

Blair was able to win more support for a full-scale invasion than Cameron can for arming a rebel group.

In 2003, Tony Blair made the now infamous case for the Iraq war. Despite vocal opposition from within his own party and the Lib Dems, he enjoyed the overwhelming support of Parliament. Then Conservative leader Iain Duncan Smith backed the war and so did all but 15 Tory MPs. Militaristic foreign policy bought the political elite together. The atmosphere now could not be more different. As a consensus grows around Britain’s failures in Iraq and Afghanistan, MPs are becoming increasingly sceptical of interventionism. This is epitomised by the current split in opinion over arming the Syrian rebels.

Paul Flynn, a Labour MP who campaigned against the Iraq war, told me: "The anti-war sentiment is deep-seated among all parties. Two futile wars in Iraq and Afghanistan have cost us dearly in blood and treasure."

His cynicism towards Britain’s role in the Middle East is shared by others in Parliament. Last month, Caroline Lucas led a debate in the Commons on the decision to invade Iraq, ten years on from the start of the war. The overwhelming feeling among MPs was that the government made the wrong decision.

Growing scepticism towards interventionism might also reflect Britain’s role in Libya. The 2011 action prompted little opposition (just 13 MPs voted against it) and Ed Miliband actually encouraged the government to act more quickly. Britain was better placed to intervene in Libya than in Syria; the Gaddafi regime was weaker than Assad’s and the atrocities were, at the time, seen as more 'one-sided'. The main objective of the intervention was achieved and Gaddafi was overthrown, but not all is well in post-intervention Libya. Parts of the country, particularly Benghazi, are still plagued with political violence. Many who fled at the height of the conflict are scared to return. Last month, the Libya Herald reported that 650 Libyans had refused to leave a refugee camp in Tunisia. Such reports have contributed towards the current anti-war sentiment, with MPs thinking twice before allowing Britain to support rebels in another state.

This growing movement has left David Cameron and William Hague with few allies in their attempt to argue for greater involvement in Syria. In 2003, Blair faced significant opposition when he made the case for invading Iraq, most notably from Robin Cook, who resigned from the cabinet. But he was still able to win more support for a full-scale invasion than Cameron can for arming a rebel group.

Unlikely alliances are being formed in opposition to militarism. Boris Johnson is not known for toeing the party line, but he is seldom so defiantly on the side of Ed Miliband. Last month, he warned that weapons might end up in the hands of "al-Qaeda thugs" after the Labour leader had claimed the government was too focused on arming the rebels. Eighty Tory MPs have signed a letter demanding a vote on the issue and the cabinet appears divided, with Nick Clegg and others publicly expressing their concerns.

Flynn told me: "Hague's demand that we should punch above our weight is clearly understood to lead to dying beyond our responsibilities and spending beyond our interests."

His own anti-interventionism no longer casts him as a rebel in his own party, as it did in 2003. A wind blowing through Westminster threatens to tear apart the political establishment as the Prime Minister’s critics find support from the most unlikely quarters. David Cameron may still push for increased British involvement in the Middle East but he is unlikely to have parliament – or even his own party – on side.

David Cameron leaves 10 Downing Street in London on June 26, 2013, to attend Prime Minister's Questions. Photograph: Getty Images.

James is a freelance journalist with a particular interest in UK politics and social commentary. His blog can be found hereYou can follow him on Twitter @jamesevans42.

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Indie band The 1975 want to “sue the government” over the Electoral Commission’s latest advert

Frontman Matt Healy perhaps isn’t aware that the Electoral Commission is not, in fact, the government (or believes that this is part of a wider conspiracy).

How do you make registering to vote in the EU Referendum cool? It sounds like something  from The Thick of It, but judging by the Electoral Commission’s latest TV ad for their new voting guide, this was a genuine question posed in their meetings this month. The finished product seems inspired by teen Tumblrs with its killer combination of secluded woodlands, vintage laundrettes and bright pink neon lighting.

But indie-pop band The 1975 saw a different inspiration for the advert: the campaign for their latest album, I Like It When You Sleep For You Are So Beautiful Yet So Unaware Of It (Yes, a title perhaps even more cumbersome than “The EU Referendum - You Can’t Miss It (Phase One)”).

Lead singer Matt Healy posted a picture of the guide with the caption “LOOK OUT KIDZ THE GOVERNMENT ARE STEALING OUR THOUGHTS!!” back on 17 May. The release of the TV spot only furthered Healy’s suspicions:

Healy perhaps isn’t aware that the Electoral Commission is not, in fact, the government (or believes that this is part of a wider conspiracy).

The 1975’s manager, Jamie Oborne, was similarly outraged.

Oborne added that he was particularly “disappointed” that the director for the band’s video for their song “Settle Down”, Nadia Marquard Otzen, also directed the Electoral Commission’s ad. But Otzen also directed the Electoral Commission’s visually similar Scottish Referendum campaign video, released back in September 2014: almost a year before The 1975 released the first promotional image for their album on Instagram on 2 June 2015.

Many were quick to point out that the band “didn’t invent neon lights”. The band know this. Their visual identity draws on an array of artists working with neon: Dan Flavin’s florescent lights, James Turrell’s “Raemar pink white”, Nathan Coley’s esoteric, and oddly-placed, Turner-shortlisted work, Bruce Nauman’s aphoristic signs, Chris Bracey’s neon pink colour palette, to just name a few – never mind the thousands of Tumblrs that undoubtedly inspired Healy’s aesthetics (their neon signs were exhibited at a show called Tumblr IRL). I see no reason why Otzen might not be similarly influenced by this artistic tradition.

Of course, The 1975 may be right: they have helped to popularise this particular vibe, moving it out of aesthetic corners of the internet and onto leaflets dropped through every letterbox in the country. But if mainstream organisations weren’t making vaguely cringeworthy attempts to jump on board a particular moment, how would we know it was cool at all?

Anna Leszkiewicz is a pop culture writer at the New Statesman.