The government's work programme doesn't look well administered

An underspend isn't always good news.

Tony Wilson, policy director at the Centre for Economic and Social Inclusion, reports that the Work Programme, the controversial government scheme which pays outsourcing firms to get long-term unemployed people back in work, has come in £225m under budget. The Youth Contract, a related programme which focuses on young unemployed people, came in £300m under budget.





That sounds good – and likely will be spun as good by the government, when the time comes to release the figures – but it's actually yet more evidence of the mismanagement of the entire scheme. The Guardian reports on the public accounts committee's analysis of the programmes:

The report said that providers complained they "did not have the funding to provide the level of support they wanted". It added: "Particular issues reported as resulting from a lack of funding included an inability to pay for interpreters and for participant transport in rural areas. Some subcontractors felt this also had an impact on their ability to meet the needs of particular groups of participants."

Another provider said that due to the high numbers of unemployed people needing help too often "support was provided online or in group sessions, with one-to-one support used only where necessary".

When a programme is being condemned for a lack of funding at the same time as not even spending the budget it's been given, it's hard to imagine it's being particularly well administered. Of course, given that against the best counterfactuals, it looks like the work programme is less effective than doing nothing at all, that shouldn't be a huge surprise.

Work and Pensions Secretary Iain Duncan Smith. Photograph: Getty Images.

Alex Hern is a technology reporter for the Guardian. He was formerly staff writer at the New Statesman. You should follow Alex on Twitter.

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“Trembling, shaking / Oh, my heart is aching”: the EU out campaign song will give you chills

But not in a good way.

You know the story. Some old guys with vague dreams of empire want Britain to leave the European Union. They’ve been kicking up such a big fuss over the past few years that the government is letting the public decide.

And what is it that sways a largely politically indifferent electorate? Strikes hope in their hearts for a mildly less bureaucratic yet dangerously human rights-free future? An anthem, of course!

Originally by Carly You’re so Vain Simon, this is the song the Leave.EU campaign (Nigel Farage’s chosen group) has chosen. It is performed by the singer Antonia Suñer, for whom freedom from the technofederalists couldn’t come any suñer.

Here are the lyrics, of which your mole has done a close reading. But essentially it’s just nature imagery with fascist undertones and some heartburn.

"Let the river run

"Let all the dreamers

"Wake the nation.

"Come, the new Jerusalem."

Don’t use a river metaphor in anything political, unless you actively want to evoke Enoch Powell. Also, Jerusalem? That’s a bit... strong, isn’t it? Heavy connotations of being a little bit too Englandy.

"Silver cities rise,

"The morning lights,

"The streets that meet them,

"And sirens call them on

"With a song."

Sirens and streets. Doesn’t sound like a wholly un-authoritarian view of the UK’s EU-free future to me.

"It’s asking for the taking,

"Trembling, shaking,

"Oh, my heart is aching."

A reference to the elderly nature of many of the UK’s eurosceptics, perhaps?

"We’re coming to the edge,

"Running on the water,

"Coming through the fog,

"Your sons and daughters."

I feel like this is something to do with the hosepipe ban.

"We the great and small,

"Stand on a star,

"And blaze a trail of desire,

"Through the dark’ning dawn."

Everyone will have to speak this kind of English in the new Jerusalem, m'lady, oft with shorten’d words which will leave you feeling cringéd.

"It’s asking for the taking.

"Come run with me now,

"The sky is the colour of blue,

"You’ve never even seen,

"In the eyes of your lover."

I think this means: no one has ever loved anyone with the same colour eyes as the EU flag.

I'm a mole, innit.