On Solid Ground: Photographing the displaced

A new exhibition captures the trauma of those forced to flee to survive.

Rachel stands, hands at her waist, in front of her home – a makeshift shelter built of stones and straw and grey tarpaulin. She looks into the camera. Behind her stretches a small valley full of similar structures; beyond them, green hills and a spare vista of trees.

This is the Bulengo displacement camp in North Kivu, Eastern Congo, where Rachel fled after her village was attacked.  She recalls: “I was bathing the children when I heard gunfire. We left half an hour after hearing the first shots, the children still naked. The houses had already been burnt down and people killed. Some were beaten on the road as we fled and pregnant women had their bellies torn open. I hid while other women were raped.”

Inside this small hold, Rachel keeps a few possessions: a toothbrush, water bottles, a few metal cups and plates beside a basket, the blanket she uses for a sleeping matt on the bare pebble floor.

Rachel’s portrait and those of her home are among many featured in a new multimedia exhibition, On Solid Ground, which comprises images and interviews taken by seven photographers who visited communities in Congo, Kenya, Pakistan, Croatia, Mali, Burundi and Jordan, speaking to and photographing refugees and survivors of humanitarian crises.

In the pictures we meet Marjee, a teacher in Sindh province, Pakistan, rebuilding his home ravaged by flooding two years before. Mathieu, in Barundi, bears deep scars from a machete assault in his own compound, the product of violent land disputes.  Milos, in Croatia, was dislocated to Serbia for six years during the Balkan war. Milos poses with him tamburica, the traditional instrument he played to remind himself of home during the years in exile.  

Humanitarian aid charity International Rescue Committee (IRC) joined with the European Commission’s Humanitarian Aid and Civil Protection department (ECHO) and Panos Pictures to produce the project.  Kristalina Georgieva, European Commissioner for International Cooperation, Humanitarian Aid and Crisis Response, launches the exhibition today, 20 June, which is also World Refugee Day.

Carolyn Makinson, International Rescue Committee UK’s Executive Director, says of the show: “Whether caused by war or natural catastrophe, displacement shakes the foundations of life. These images portray the common need of all people to have a place of safety and comfort they can call home.”

The free exhibition will be on display at St Martin in the Fields, London until 31 July before touring Europe. An accompanying website showcases the project online with short films documenting how European Union funding supports the IRC’s work.

***

Shugna, holding their daughter Kawila, and Marjee sit in their house in Pakistan. The house was completely destroyed by floods and had to be rebuilt in 2012. © Shiho Fukada/Panos Pictures/The IRC

 

Mathieu fled Burundi in 1972 and returned in 2008. “About two years ago I as attacked. I was coming back from the toilets outside at night when they started hitting me with a machete. I spent a year in hospital.” © Chris de Bode/Panos Pictures/The IRC

 

Muna, a Syrian refugee living in Mafraq, Jordan. She fled her home in Hamidiyeh in Homs province with her children in the summer of 2012. Her husband, a former civil servant turned member of the Free Syrian Army, stayed. “In Syria I was afraid and here I am hungry. I can stand the hunger but not the fear.”  © Abbie Trayler-Smith/Panos Pictures/The IRC

 

Milos Bastajic, 63 years old, from Prkos village in Croatia. The tamburica pictured was one of the few items he brought with him when he and his family were forced to flee Prkos in 1995. He returned in 2001. “Six years to be away was a long time. When we got back the electric wiring had been stripped out of our house, along with the ceramic tiles from the bathroom and the kitchen’s wooden fittings. It was a sad sight. But I was also very happy to be home.” © Adam Patterson/Panos Pictures/The IRC

Rachel in Bulengo displacement camp, Congo. (Sven Torfinn/Panos Pictures/The IRC)

Charlotte Simmonds is a writer and blogger living in London. She was formerly an editorial assistant at the New Statesman. You can follow her on Twitter @thesmallgalleon.

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If Seumas Milne leaves Jeremy Corbyn, he'll do it on his own terms

The Corbynista comms chief has been keeping a diary. 

It’s been a departure long rumoured: Seumas Milne to leave post as Jeremy Corbyn’s director of communications and strategy to return to the Guardian.

With his loan deal set to expire on 20 October, speculation is mounting that he will quit the leader’s office. 

Although Milne is a key part of the set-up – at times of crisis, Corbyn likes to surround himself with long-time associates, of whom Milne is one – he has enemies within the inner circle as well. As I wrote at the start of the coup, there is a feeling among Corbyn’s allies in the trade unions and Momentum that the leader’s offfice “fucked the first year and had to be rescued”, with Milne taking much of the blame. 

Senior figures in Momentum are keen for him to be replaced, while the TSSA, whose general secretary, Manuel Cortes, is one of Corbyn’s most reliable allies, is said to be keen for their man Sam Tarry to take post in the leader’s office on a semi-permanent basis. (Tarry won the respect of many generally hostile journalists when he served as campaign chief on the Corbyn re-election bid.) There have already been personnel changes at the behest of Corbyn-allied trade unions, with a designated speechwriter being brought in.

But Milne has seen off the attempt to remove him, with one source saying his critics had been “outplayed, again” and that any new hires will be designed to bolster, rather than replace Milne as comms chief. 

Milne, however, has found the last year a trial. I am reliably informed that he has been keeping a diary and is keen for the full story of the year to come out. With his place secure, he could leave “with his head held high”, rather than being forced out by his enemies and made a scapegoat for failures elsewhere, as friends fear he has been. The contents of the diary would also allow him to return in triumph to The Guardian rather than slinking back. 

So whether he decides to remain in the Corbyn camp or walk away, the Milne effect on Team Corbyn is set to endure.

 

Stephen Bush is special correspondent at the New Statesman. He usually writes about politics.