It has become dramatically easier to watch what people do from day to day on a very intimate level. Photograph: Getty Images
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Laurie Penny on psychology: if you live in a surveillance state for long enough, you create a censor in your head

There is a significant psychological price to being constantly aware of the variety of ways in which your activity might be tracked.

What do you do when you know nobody can stop you? Me, I like to travel. In the past three years, I’ve been lucky enough to spend time in a number of world cities, but lately when I come back home to London and ride the Underground, I am struck by a nagging sense that something is missing. It took a friend visiting from the United States to point out what it is. There’s almost no graffiti. The people of London do not habitually doodle on our public transportation system. That makes us unusual.

It’s very hard to stop people writing on their own city. In Berlin, in New York and in Chicago, buses and trains and public buildings have tags and drawings scrawled all over them, from the skilled and serious to the crudely anatomical. This winter, in the streets outside the Ittihadiya Palace in Cairo, a bold slogan was daubed over the latest attempt by state officials to whitewash over words of protest. When I asked my friend to translate the Arabic, he told me it meant: “Hey, nice paint job!” In the Athens subway, every surface that will hold colour has been annotated. But not the London Underground, which coincidentally is watched by more than 11,000 CCTV cameras.

We have murals and bits of street art, but everyday graffiti is far less common than elsewhere. What is stopping us?

It’s not that Londoners are afraid. Not quite. It’s that in the world’s most surveillance-heavy metropolis, in a city that unironically welcomed tourists to the Olympics with a mascot of a lidless panopticon eyeball dressed as a police officer, it usually doesn’t occur to us to be anything other than compliant.

After the revelations in the past few weeks that the US National Security Agency and British intelligence have had access to data from big internet and telephone providers through the Prism programme, it is worth thinking about how everyday surveillance changes our behaviour. I’m not just talking about activists. I’m also talking to you, typical New Statesman reader, you who are the picture of moderate liberalism and have only occasionally contemplated setting fire to the House of Lords. As it becomes easier and more routine for states to collect and analyse large quantities of data about their citizens, and as it becomes ever harder for those citizens to stop them, the changes are producing a gradual chilling effect.

Don’t panic: just because Google, Facebook, Skype, Verizon and other companies are routinely monitored by the CIA doesn’t mean that somebody is watching you every time you order groceries online or voice-chat your sister in Seoul. It just means that they could if you gave them a reason to do so. That means you can relax – right up until the time when you want to go to a protest, or your sister does, or you support the fact that several thousand complete strangers did.

It’s hard to talk about all of this sensibly without sounding like the proverbial streetcorner ranter, two screws short of an inflammatory sandwich board, telling everyone how the CIA has put cameras in our underpants. The problem is that the CIA probably wouldput cameras in our underpants if there were a subtle, easy and cost-effective way for it to do so, although I pity the poor surveillance grunt who might one day have to check out where my Marks & Spencer value-pack knickers have been.

As it is, it has become dramatically easier to watch what people do from day to day on a very intimate level. We knew this before the NSA leaks. We are reminded of it every time we tick the little box that says “I agree”. The big question is how it changes our everyday behaviour.

There is a significant psychological price to being constantly aware of the variety of ways in which your activity might be tracked. To be blunt, it makes you feel crazy. That is why, if you want a quiet life, you shouldn’t make friends with security analysts: they tend to get drunk and describe the ways in which your phone can be turned into a listening device until the skin on the back of your neck starts to crawl, because it’s their job to know about such things. There is a non-zero cost to this sort of awareness.

In a choice between paranoid vigilance and easy participation, few choose paranoia. It’s just easier to change your behaviour. A friend who works in computer security told me that “the most important censorship happens between your head and your keyboard”. Self-censorship is significant in a world where, increasingly, as the tech journalist Quinn Norton observes, “falling in love, going to war and filling out tax forms looks the same: it looks like typing”.

There are still ways to operate in private. If I want to have an online conversation or make a transaction that I’m absolutely sure can’t be snooped on, there are tools I can download, software I can teach myself to use. But it’s a faff, and it can protect you only so far unless you choose to go entirely off-grid, and I’ve been addicted to Facebook since 2006. It’s far less trouble to modify your behaviour so you don’t ever say anything that might give the wrong impression. It’s easier, in short, to behave.

Fighting for the basic privacy that our grandparents took for granted is exhausting, so, instead, we might change how we speak and act, subtly, without even knowing that we’re doing it. The word that Michel Foucault uses to describe this type of modified behaviour is discipline. We might not make jokes about blowing up airports on the internet any longer, because we know that if we’re caught there will be consequences. We might not make any more unauthorised searches on our work computers. We might take care what we download.

The chilling disciplinary effect taking place in the digital age affects everyone. Whether we tolerate further intrusions on our privacy or continue to self-censor as a response to surveillance is up to all of us.

Laurie Penny is a contributing editor to the New Statesman. She is the author of five books, most recently Unspeakable Things.

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I can’t follow Marie Kondo's advice – even an empty Wotsits packet “sparks joy” in me

I thought I’d give her loopy, OCD theories a go, but when I held up an empty Wotsits bag I was suffused with so many happy memories of the time we’d spent together that I couldn’t bear to throw it away.

I have been brooding lately on the Japanese tidying freak Marie Kondo. (I forgot her name so I typed “Japanese tidying freak” into Google, and it was a great help.) The “Japanese” bit is excusable in this context, and explains a bit, as I gather Japan is more on the case with the whole “being tidy” thing than Britain, but still.

Apart from telling us that we need to take an enormous amount of care, to the point where we perform origami when we fold our underpants, which is pretty much where she lost me, she advises us to throw away anything that does not, when you hold it, “spark joy”. Perhaps I have too much joy in my life. I thought I’d give her loopy, OCD theories a go, but when I held up an empty Wotsits bag I was suffused with so many happy memories of the time we’d spent together that I couldn’t bear to throw it away.

After a while I gave up on this because I was getting a bit too happy with all the memories, so then I thought to myself, about her: “This is someone who isn’t getting laid enough,” and then I decided that was a crude and ungallant thought, and besides, who am I to wag the finger? At least if she invites someone to her bedroom no one is going to run screaming from it, as they would if I invited anyone to my boudoir. (Etym: from the French “bouder”, to sulk. How very apt in my case.) Marie Kondo – should bizarre circumstance ever conspire to bring her to the threshold – would run screaming from the Hovel before she’d even alighted the stairs from the front door.

I contemplate my bedroom. As I write, the cleaning lady is in it. To say that I have to spend half an hour cleaning out empty Wotsits packets, and indeed wotnot, before I let her in there should give you some idea of how shameful it has got. And even then I have to pay her to do so.

A girlfriend who used to be referred to often in these pages, though I think the term should be a rather less flippant one than “girlfriend”, managed to get round my natural messiness problem by inventing a game called “keep or chuck”.

She even made up a theme song for it, to the tune from the old Spiderman TV show. She would show me some object, which was not really rubbish, but usually a book (it may not surprise you to learn that it is the piles of books that cause most of the clutter here), and say, “Keep or chuck?” in the manner of a high-speed game show host. At one point I vacillated and so she then pointed at herself and said, “Keep or chuck?” I got the message.

These days the chances of a woman getting into the bedroom are remote. For one thing, you can’t just walk down the street and whistle for one much as one would hail a cab, although my daughter is often baffled by my ability to attract females, and suspects I have some kind of “mind ray”. Well, if I ever did it’s on the blink now, and not only that – right now, I’m not even particularly bothered that it’s on the blink. Because, for another thing, I would frankly not care to inflict myself upon anyone else at the moment.

It was all a bit of a giggle eight years ago, when I was wheeled out of the family home and left to my own devices. Of course, when I say “a bit of a giggle”, I mean “terrifying and miserable”, but I had rather fewer miles on the clock than I do now, and a man can, I think, get away with a little bit more scampish behaviour, and entertain a few more illusions about the future and his own plausibility as a character, when he is squarely in his mid-forties than when he is approaching, at speed, his middle fifties.

Death has rather a lot to do with it, I suppose. I had not actually seen, or touched, a dead body until I saw, and touched, my own father’s a few weeks ago. That’s what turns an abstract into a concrete reality. You finally put that to one side and gird up your loins – and then bloody David Bowie snuffs it, and you find yourself watching the videos for “Blackstar” and “Lazarus” over and over again, and reach the inescapable conclusion that death is not only incredibly unpleasant, it is also remorseless and very much nearer than you think.

And would you, dear reader, want to be involved with anyone who kept thinking along those lines? I mean, even if he learned how to fold his undercrackers into an upright cylinder, like a napkin at a fancy restaurant, before putting them in his drawer? When he doesn’t even have a drawer?

Nicholas Lezard is a literary critic for the Guardian and also writes for the Independent. He writes the Down and Out in London column for the New Statesman.

This article first appeared in the 05 February 2015 issue of the New Statesman, Putin's war