The Democracy Project by David Graeber: The textual life of Occupy lives on

A lot of bad books have been written about Occupy, too, and what saves this from being one of them is its perspective.

The Democracy Project: a History, a Crisis, a Movement
David Graeber
Allen Lane, 352pp, £14.99

Zuccotti Park is mostly empty now. Eighteen months after the eviction of the Occupy Wall Street camp, the tiny patch of public-private space in the centre of lower Manhattan’s financial district is scrubbed clean; intermittent police presence and a mobile observation tower ensure that the slightest suggestion of future protest here will be squashed. It’s a demilitarised zone: even the tourists wandering past on their way to Ground Zero seem to avoid this small plot of potted trees and marble benches.

Something important happened here recently, something loud and impossible to ignore, and now that it’s over the space is eerily quiet. But if you strain to listen, you can almost hear the echo of the ear-splitting drumming, off-key singing and chanting that rang around the palaces of Wall Street: “We are the 99 per cent!”

That slogan was coined by David Graeber, the anthropologist and sometime anarchist author who was a constant presence in the intellectual life of the Occupy movement. Graeber was there on the first day, part of the activist group that decided to hold Zuccotti Park, and his new book is the unofficial eulogy for Occupy and its discontents and an explanation of how the movement spread to more than 800 towns and cities across the world. It is shot through with excited disbelief that it happened at all. Like Occupy, The Democracy Project is a lot less gimmicky than it looks.

“We are the 99 per cent” was and remains a very simple statement of numbers. It is a response to the reality that in the US and, indeed, across what likes to think of itself as “the west”, democracy is not functioning as we grew up learning that it should – namely by representing the electorate. As Joseph Stiglitz wrote in Vanity Fair in 2011, most US political representatives “are members of the top 1 per cent [of society by personal wealth] when they arrive, are kept in office by money from the top 1 per cent, and know that if they serve the top 1 per cent well they will be rewarded by the top 1 per cent when they leave office”. “We are the 99 per cent” is an enraged statement of presence: the rest of us are still here and we matter.

In the US, the word “democracy” is now used synonymously with “the status quo”, with the result that wars of invasion and suppression of popular protest can be effected in the name of democracy without apparent irony. Children in “the west” grow up understanding that democracy is a tradition that began in ancient Athens, was nurtured and tempered in the fire of revolutionary Europe and found its natural home in the Americas. Graeber explains, with the same bluntly pedagogical air that made his previous work Debt: the First 5,000 Years a runaway success, that this is not at all the case: the concept of “people power” was mistrusted even by the founding fathers and continues to be undermined at every stage of the political process.

Graeber’s talent is to take big, basic concepts such as debt and democracy that are fundamental to our daily political lives and unpack them, forcing us to examine their implications for society. As an anthropologist rather than a political theorist or an economist, his perspective in some chapters spans a political macrocosm of millennia. As an activist, however, his perspective descends to the micro-level of the egos and arguments on various email lists and there’s an exhausting sense of vertigo as the book bungees from one to the other. That, however, is how most revolutions happen behind the scenes: either it’s the entire history of capitalism or it’s who was shagging who after the meeting.

The sole piece of evidence we had at the time that the Occupy movement was important was the clear determination of various world governments and much of the mainstream press to erase it from existence. It was not enough for the camps to be torn down and the protesters evicted, not enough that thousands of people, most of whom had done nothing more egregious than dare to question austerity in public, were beaten and gassed and arrested and imprisoned. They had to be seen to fail intellectually, too. Graeber explains that the only way of maintaining the illusion that there is no alternative to austerity capitalism is to ensure that: “Under no conditions can alternatives, or anyone proposing alternatives, be seen to experience success.”

Books were a way of fighting this ideological assault. The textual life of Occupy has lasted far longer than the occupations. From the start, Occupy was intensely literary, with a makeshift library in every camp and newspapers in several: it wanted to read and write itself into existence, to situate itself within a history of radical thought, even as pundits on every major television station insisted that the movement had no ideas and was, in essence, meaningless. This was the equivalent of sticking your fingers in your ears and humming.

A lot of bad books have been written about Occupy, too, and what saves The Democracy Project from being one of them is its perspective. The swagger and tendency to self-cite that might have made Graeber’s book unbearable are extremely useful, because a great deal of Occupy’s initial inarticulacy came from the unwillingness of any writer or temporary leader to “speak for” the movement. Graeber has no such qualms. He clearly thinks that if anyone can speak for Occupy, he can and he may well be right. Either way, the book is a cool drink of water after the dry, academic obfuscation of so much writing on the “revolutions” of 2011.

That year of global dissent is long over. The slogan that was passed around, as various national flavours of storm trooper were tearing apart the tents and arresting the activists at every Occupy camp, was: “You can’t evict an idea” – but they gave it a damn good try. I witnessed the New York police chucking thousands of lovingly curated library books into a rubbish truck and driving them away to the dump but it’s much harder to point and wail when people have their spirits crushed by months of police intimidation, by poverty and ostracisation – the “relentless campaign against the human imagination” that, in Graeber’s words, followed the final eviction of Zuccotti Park in November 2011.

Books of political history are always necessary but when activists are isolated and despairing, the best ones provide a shield that can save the imagination from eviction.

A protestor in Zucotti Park. Photograph: Getty Images

Laurie Penny is a contributing editor to the New Statesman. She is the author of five books, most recently Unspeakable Things.

This article first appeared in the 03 June 2013 issue of the New Statesman, The Power Christians

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Inside Big Ben: why the world’s most famous clock will soon lose its bong

Every now and then, even the most famous of clocks need a bit of care.

London is soon going to lose one of its most familiar sounds when the world-famous Big Ben falls silent for repairs. The “bonging” chimes that have marked the passing of time for Londoners since 1859 will fall silent for months beginning in 2017 as part of a three-year £29m conservation project.

Of course, “Big Ben” is the nickname of the Great Bell and the bell itself is not in bad shape – even though it does have a huge crack in it.

The bell weighs nearly 14 tonnes and it cracked in 1859 when it was first bonged with a hammer that was way too heavy.

The crack was never repaired. Instead the bell was rotated one eighth of a turn and a lighter (200kg) hammer was installed. The cracked bell has a characteristic sound which we have all grown to love.

Big Ben strikes. UK Parliament.

Instead, it is the Elizabeth Tower (1859) and the clock mechanism (1854), designed by Denison and Airy, that need attention.

Any building or machine needs regular maintenance – we paint our doors and windows when they need it and we repair or replace our cars quite routinely. It is convenient to choose a day when we’re out of the house to paint the doors, or when we don’t need the car to repair the brakes. But a clock just doesn’t stop – especially not a clock as iconic as the Great Clock at the Palace of Westminster.

Repairs to the tower are long overdue. There is corrosion damage to the cast iron roof and to the belfry structure which keeps the bells in place. There is water damage to the masonry and condensation problems will be addressed, too. There are plumbing and electrical works to be done for a lift to be installed in one of the ventilation shafts, toilet facilities and the fitting of low-energy lighting.

Marvel of engineering

The clock mechanism itself is remarkable. In its 162-year history it has only had one major breakdown. In 1976 the speed regulator for the chimes broke and the mechanism sped up to destruction. The resulting damage took months to repair.

The weights that drive the clock are, like the bells and hammers, unimaginably huge. The “drive train” that keeps the pendulum swinging and that turns the hands is driven by a weight of about 100kg. Two other weights that ring the bells are each over a tonne. If any of these weights falls out of control (as in the 1976 incident), they could do a lot of damage.

The pendulum suspension spring is especially critical because it holds up the huge pendulum bob which weighs 321kg. The swinging pendulum releases the “escapement” every two seconds which then turns the hands on the clock’s four faces. If you look very closely, you will see that the minute hand doesn’t move smoothly but it sits still most of the time, only moving on each tick by 1.5cm.

The pendulum swings back and forth 21,600 times a day. That’s nearly 8m times a year, bending the pendulum spring. Like any metal, it has the potential to suffer from fatigue. The pendulum needs to be lifted out of the clock so that the spring can be closely inspected.

The clock derives its remarkable accuracy in part from the temperature compensation which is built into the construction of the pendulum. This was yet another of John Harrison’s genius ideas (you probably know him from longitude fame). He came up with the solution of using metals of differing temperature expansion coefficient so that the pendulum doesn’t change in length as the temperature changes with the seasons.

In the Westminster clock, the pendulum shaft is made of concentric tubes of steel and zinc. A similar construction is described for the clock in Trinity College Cambridge and near perfect temperature compensation can be achieved. But zinc is a ductile metal and the tube deforms with time under the heavy load of the 321kg pendulum bob. This “creeping” will cause the temperature compensation to jam up and become less effective.

So stopping the clock will also be a good opportunity to dismantle the pendulum completely and to check that the zinc tube is sliding freely. This in itself is a few days' work.

What makes it tick

But the truly clever bit of this clock is the escapement. All clocks have one - it’s what makes the clock tick, quite literally. Denison developed his new gravity escapement especially for the Westminster clock. It decouples the driving force of the falling weight from the periodic force that maintains the motion of the pendulum. To this day, the best tower clocks in England use the gravity escapement leading to remarkable accuracy – better even than that of your quartz crystal wrist watch.

In Denison’s gravity escapement, the “tick” is the impact of the “legs” of the escapement colliding with hardened steel seats. Each collision causes microscopic damage which, accumulated over millions of collisions per year, causes wear and tear affecting the accuracy of the clock. It is impossible to inspect the escapement without stopping the clock. Part of the maintenance proposed during this stoppage is a thorough overhaul of the escapement and the other workings of the clock.

The Westminster clock is a remarkable icon for London and for England. For more than 150 years it has reminded us of each hour, tirelessly. That’s what I love about clocks – they seem to carry on without a fuss. But every now and then even the most famous of clocks need a bit of care. After this period of pampering, “Big Ben” ought to be set for another 100 or so years of trouble-free running.

The Conversation

Hugh Hunt is a Reader in Engineering Dynamics and Vibration at the University of Cambridge.

This article was originally published on The Conversation. Read the original article.