Why legal aid reforms must be stopped, Exhibit B: the "murderer"

Innocent people could be in jail if proposed changes to the legal system are implemented. Here is one of them.

In the previous post I told how a doting granddad ended up on a child pornography charge due to a combination of finger pointing and police and Crown Prosecution Service (CPS) inadequacies. Similar themes run through this story of Exhibit B, but the crime is more serious. This is another case that goes to show that not everyone who ends up in court is a scumbag criminal. It illustrates why everyone should be entitled to independent, quality, legal representation.

NB this is a true story. Certain details that don’t relate to the factual and legal process have been changed to protect those who were involved.

Used and unused evidence

I’ve mentioned the idea of used and unused evidence before. Lawyers get a fee for ”used evidence” based on page count. Unused evidence doesn’t attract any fee. The Crown decides what is “used” and “unused”. There were about 5000 pages of “used evidence” and over 20000 (yes, twenty thousand) pages of “unused evidence” in Exhibit B’s murder case. The kitchen table couldn’t accommodate all this. So the “unused evidence” was spread all over the living room floor, in ever shifting piles. For two weeks.

Quite often evidence arrives with the lawyer as if the CPS has thrown it all in the air, then gathered it up and put an elastic band around it. Before my husband could start to read these 20000 pages he had to put them in some semblance of order. Once he’d got it in order he started to read it. But you can’t read it in order, like you read a novel. There is no beginning middle and end, well, not at this point there isn’t. The lawyer has to find them out. So he kept going backwards and forwards, from one pile to another and back again.

This investigation had been rumbling on for a few years. When the murder was still fresh, years before the papers landed in my living room, an appeal had gone out on Crimewatch. It featured in local and national news etc. There was a reconstruction and an artist’s impression of the suspect based on a description given by an eye witness. There was a lot of interest.  As well as the “unused evidence” my husband also got hold of a copy of the Crimewatch episode, and a heap of press cuttings.

My husband took two weeks out of court to go through all of this material. Remember that they don’t get paid for “unused evidence”. Two weeks earning nothing. But it had to be done, so he would know all there was to know about this case, and could act in the best interest of his client.

Golden nugget

Ten days after the living room was first flooded with paper, my husband had a eureka moment. He came across a golden nugget, one piece of A4 paper that made sense. It was the notes of the artist who had created the impression of the suspect. The image that had been broadcast around the country. The image had a prominent facial feature and the artist had used shading to indicate this. The notes clarified what the shading was supposed to indicate, and what it was not supposed to indicate.  The police report, and all the subsequent media reports had got this detail the wrong way round.

A fork in the road

So pretty much as soon as the investigation started, unbeknownst to the police, it reached a fork in the road. One probably quite junior officer got the detail about the impression the wrong way round, reported it up the chain and the investigation went off down the wrong fork.

Reading the “unused” material my husband could see there was clear evidence, forensic evidence, that could have got the police back on the right track and even pointed towards the real murderer. The twenty thousand pages started to make sense. But because the police had been fixated on this one detail, the detail that they’d got round the wrong way, they kept pushing all the other evidence aside. This early mistake was perpetuated all the way to trial.

His day in court

After over 12 months in prison on remand, Exhibit B’s case came to court. The prosecution opened their case, repeating the mistake that the police had made right at the beginning, all those years before. This mistake was only corrected when the eye witness took the stand and gave his evidence to the jury. Needless to say there were gasps and red faces all around the courtroom.

There were many other things that went wrong or got missed in the investigation of this crime. But the detail about the artists’ impression had created a domino effect concerning the other evidence.

After four weeks the judge stopped the trial. He directed the jury to find Exhibit B not guilty, and gave them six different reasons why it was absolutely impossible for him to have been the murderer. After nearly two years of hell Exhibit B walked free.

Why this story should matter to you

  1. Police & CPS procedure – it is clear that the officer in charge of the case had not done what my husband had done, and sat down and read everything. Evidence is collated and summarised in reports, which are passed up and up through the police rank structure. By the time it gets to the top it is a case of “Chinese whispers”. What the top guy reads is not always an accurate reflection of the evidence.
  2. Performance targets – it is unrealistic to expect the police and prosecution to read all of the evidence in every case under the current system. It certainly won’t be possible, even for the defence, under the proposed system. The allocated defence lawyer will be working to targets, working for profit. He won’t have the time to take two weeks out to find the golden nugget. He’ll take a quick look at the evidence, see that it looks pretty damning, and advise the client to plead guilty.
  3. The real scumbag criminal got away with it – as far as we know the real murderer is still at large. The proposed system will lead to more of this. Because if lawyers are to be paid the same whether clients go to trial or not, there will be fewer trials. Fewer trials means less opportunity for upcoming solicitors and barristers to cut their teeth. Less practice on the more simple cases will lead to less proficiency on the complex ones. This will hold for both the defence AND the prosecution. The end result more innocent people going to prison, more guilty people getting away, quite literally, with murder.
  4. It could happen to you – Exhibit B got picked up for this because he had happened to be in the right place at the wrong time. The Crown’s own evidence showed he could not have been at the murder scene at the right time. He served over a year in prison on remand waiting for trial for something he didn’t do. I’ll spare you the details of what happened to him while he was there. And even though he was found not guilty, mud sticks. He was a young man, just starting out. His life was ruined.
  5. Innocence is not interesting – there was a journalist in court for Exhibit B’s trial. Every day there were articles in the local and national papers saying what a nasty piece of work he was. Once the case was thrown out my husband collared the journalist and demanded that he write the story up, listing the points as the judge had directed the jury. Guess what? He didn’t do it. No wonder the public always believe people are guilty until proven innocent.

Help save our justice system

As things stand the proposed changes to the criminal justice system are going to be brought in under secondary legislation, without any debate. If it comes to pass, in future young men like Exhibit B will be fed to the wolves.

The Save UK Justice e-petition needs 100 000 people to sign it in order for there to be a debate in parliament. If you have not already signed the petition please do so.

Our next scumbag criminal will be Exhibit C – the “paedophile”.

This piece is part of a series of posts exhibiting people at risk due to legal aid changes. It is cross-posted with permission from the A Barrister's Wife blog.

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Barrister's Wife is a barrister's wife. She writes a pseudonymous blog which offers a behind closed doors view of the justice system.

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What David Hockney has to tell us about football

Why the sudden glut of blond footballers? A conversation I had with the artist back in 1966 gave me a clue. . .

In 1966, I went to interview David Hockney at a rather run-down flat in Bayswater, central London. He was 28 and had just won a gold medal at the Royal College of Art.

In his lavatory, I noticed a cut-out photograph from a newspaper of Denis Law scoring a goal. I asked if he was a football fan. He said no, he just liked Denis Law’s thighs.

The sub-editors cut that remark out of the story, to save any gossip or legal problems. In 1966 homosexual activity could still be an offence.

Hockney and a friend had recently been in the United States and had been watching an advert on TV that said “Blondes have more fun”. At two o’clock in the morning, slightly drunk, they both went out, bought some hair dye and became blond. Hockney decided to remain blond from then on, though he has naturally dark hair.

Is it true that blonds have more fun? Lionel Messi presumably thinks so, otherwise why has he greeted this brand-new season with that weird blond hair? We look at his face, his figure, his posture and we know it’s him – then we blink, thinking what the heck, does he realise some joker has been pouring stuff on his head?

He has always been such a staid, old-fashioned-looking lad, never messing around with his hair till now. Neymar, beside him, has gone even blonder, but somehow we expect it of him. He had foony hair even before he left Brazil.

Over here, blonds are popping up all over the shop. Most teams now have a born-again blondie. It must take a fortune for Marouane Fellaini of Man United to brighten up his hair, as he has so much. But it’s already fading. Cheapskate.

Mesut Özil of Arsenal held back, not going the full head, just bits of it, which I suspect is a clue to his wavering, hesitant personality. His colleague Aaron Ramsey has almost the full blond monty. Paul Pogba of Man United has a sort of blond streak, more like a marker pen than a makeover. His colleague Phil Jones has appeared blond, but he seems to have disappeared from the team sheet. Samir Nasri of Man City went startlingly blond, but is on loan to Seville, so we’re not able to enjoy his locks. And Didier Ndong of Sunderland is a striking blond, thanks to gallons of bleach.

Remember the Romanians in the 1998 World Cup? They suddenly appeared blond, every one of them. God, that was brilliant. One of my all-time best World Cup moments, and I was at Wembley in 1966.

So, why do they do it? Well, Hockney was right, in a sense. Not to have more fun – meaning more sex – because top footballers are more than well supplied, but because their normal working lives are on the whole devoid of fun.

They can’t stuff their faces with fast food, drink themselves stupid, stay up all night, take a few silly pills – which is what many of our healthy 25-year-old lads consider a reasonably fun evening. Nor can they spend all their millions on fun hols, such as skiing in the winter, a safari in the spring, or hang-gliding at the weekend. Prem players have to be so boringly sensible these days, or their foreign managers will be screaming at them in their funny foreign accents.

While not on the pitch, or training, which takes up only a few hours a day, the boredom is appalling, endlessly on planes or coaches or in some hotel that could be anywhere.

The only bright spot in the long days is to look in the mirror and think: “Hmm, I wonder what highlights would look like? I’ve done the beard and the tattoos. Now let’s go for blond. Wow, gorgeous.”

They influence each other, being simple souls, so when one dyes his hair, depending on where he is in the macho pecking order, others follow. They put in the day by looking at themselves. Harmless fun. Bless ’em.

But I expect all the faux blonds to have gone by Christmas. Along with Mourinho. I said that to myself the moment he arrived in Manchester, smirking away. Pep will see him off. OK then, let’s say Easter at the latest . . . 

Hunter Davies is a journalist, broadcaster and profilic author perhaps best known for writing about the Beatles. He is an ardent Tottenham fan and writes a regular column on football for the New Statesman.

This article first appeared in the 22 September 2016 issue of the New Statesman, The New Times